Peking Opera handbills, what are the contents of the writing ah

Students often have some handbill assignments in school, the content of the handbill is rich and varied forms, usually based on school activities to set the content. The following to share with you about the content of the Beijing Opera handbook.

The theme of our handbill can be set as "National Peking Opera", and the theme is best written in the center of the handbill with a larger font. Here is what we want to show:

Part I: The History of Peking Opera

Peking Opera, also known as "Peking Opera", "Review Opera" and "National Opera", is a famous traditional Chinese opera. Chinese traditional opera. In the 55th year of Emperor Qianlong's reign in the Qing Dynasty (1790), the four Huizhou tunes of Sanqing, Sixi, Chuntai and Hechun, which were originally performed in the south, came to Beijing one after another to perform, and then cooperated with the Han tunes artists from Hubei during the Jiaqing and Daoguang years, influencing each other, and accepting part of the repertoire, tunes and performance methods of the Kunqu opera and Qinqiang opera, as well as absorbing a number of folk tunes, which were gradually fused and evolved to become the Peking Opera. After the Daoguang period, the master and main actor of the three classes, Cheng Changgeng, was famous for singing Huiyin and Erhuang, and with the Hubei Han-key actors such as Yu Sansheng, who went to Beijing to join Huiyin, and brought the Hubei Xipi key known as "Chu-key" to contribute to the merging of Huiyin and Han-key to form the "Pi-huang" singing style. Peking Opera was widely popular throughout the country. Peking Opera became widely popular throughout the country. During this period of history, Peking Opera gathered and fused the artistic essence of various local styles and adopted the strengths of many, thus forming its own unique art form and performance style, and becoming a representative type of opera with the greatest influence and the highest artistic achievement in China in the recent century.

Part II: Artistic Characteristics of Peking Opera

The stage art of Peking Opera constitutes a set of mutually restraining, complementary, metrical and standardized programs through the long-term stage practice of countless artists in various aspects such as literature, performance, music, singing, gongs and drums, make-up and face painting. As an artistic means of creating stage images, it is very rich, and its usage is very strict. If you can't master these programs, you can't complete the creation of Peking Opera stage art.

The third part of the content: Peking Opera repertoire

The common Peking Opera repertoire are: "Chang Ban Po", "The Meeting of the Heroes", "Fishing and Killing Families", "Five Men of Righteousness", "Picking the Slide", "Playing the Golden Bough", "Pick Up the Jade Bracelet", "The Three Strikes of Palm", "The Four Scholars", "Searching for Orphans and Rescuing Orphans", "Qin Xianglian", "The Blocking of the Horses", "The Golden Jade Nuns", "Fan Jiang Guan", "Wild Boar Woods", "Eight Great Hammers

The above handbook content is divided into three parts, can also be deleted or added according to their own design.