Wu Opera Trivia

Wu Opera, commonly known as "Jinhua Opera", is one of the local operas in Zhejiang Province.

It is centered in Jinhua area and popular in Jinhua, Lishui, Linhai, Jiande, Quzhou, Chun'an, and Yushan, Shangrao, Guixi, Poyang, Jingdezhen and other places in the northeast of Jiangxi. It is a combination of six kinds of voices: Gaoqiang, Kunqiang, Chaoban, Hui Opera, Tanlong, and Shimtong.

Because Jinhua was called Wuzhou in ancient times, it was changed to the present name in 1949. [edit paragraph] wu opera history since Ming and qing dynasties, jinhua area is salt, silk into gan and lacquer, porcelain into zhejiang commercial trade area, plus the abundance of goods, so traditionally is all kinds of opera competition fighting place.

In the middle of the Ming Dynasty, the popular Yiwu Opera was formed in Yiwu County, which is part of Jinhua Prefecture (present-day Jinhua, Zhejiang Province). At the end of the Ming Dynasty, Gao Cavity and Kun Cavity, at the beginning of the Qing Dynasty, the Chaos Bomb Cavity, and at the middle of the Qing Dynasty, Hui Opera, were all popular in Jinhua.

There are Houyang, Xiwu, Xi'an, Songyang. Houyang Gaoqiang was popular in the area of Dongyang and Yiwu, and it is thought that it may be a derivative of Yiwu Gaoqiang, which is good at performing martial arts.

Xi-Wu Gaoqiang was named after the opening of a class in Xi-Wu Village in the north township of Jinhua, and its singing was more euphemistic than that of Xi'an Gaoqiang, plain and simple, and more than a roll singing, and Hui Pool Yattang has a relationship with the origins. Xi'an Gaoqiang was popularized in the area of Quzhou, which was called "Xi'an" in ancient times, hence the name.

According to legend, it has a close relationship with the Eyang cavity, and some people think it may be the legacy of the Xiping cavity. Its tunes are characterized by many words and fewer cavities, and are characterized by a single vent.

The above three kinds of songs are sung by one person, with the help of all the people, and the gongs and drums are used to help the rhythm, and the tones of the songs are in the cavity with the heart. Most of the high-frequency features are gongs and drums, no matter what the strings are, one person's teeth, the crowd and the tone of the voice is high and exciting.

The West Wu and Songyang Gaoqiang have a band accompaniment, which is a unique form of Gaoqiang in China. There are a lot of songs, and different plays have a prescribed "set style".

The first use of long and short phrases. The repertoire is rich, such as "Sophora", "Hapu", "White Rabbit" and so on.

Kunqu, commonly known as "grass Kun", "Jin Kun", is a branch of the Kun cavity circulating in the Jinhua area. Because of the long-term mobile performance in the rural grass platform and temple, to the farmers as the main audience object, so the language is more popular, the pursuit of plot twists and turns, the singing cavity is not bound to the four-voiced cavity, to perform martial arts, do the work of the play, the play is mainly.

After the Ming Dynasty, it has been regarded as the authentic Wu Opera. In fact, it is a tributary of Kunqu in Quzhou (the area of Qu County nowadays) and Jinhua, and the language and tunes are simplified or changed in combination with local customs, so it is called "Grass Kun".

Now its repertoire has been less performed, and some of the tunes are absorbed by the sound of chaotic bombing, such as the chaotic bombing tunes containing [Kun Tou] [Little Peach Red] [New Water Order] [Downhill Tiger] and other fragments. The "messy bomb", because of specializing in messy bomb "messy bomb class" more from Pujiang County, so it is also known as "Pujiang messy bomb".

The main singing tunes are Erfan, Sanwuqi, and Luhua. In addition to the popular areas of Jinhua, Quzhou, Yanzhou (today's Zhejiang Jiande), but also often in the Changhua, Tonglu performances.

Erfan has the characteristics of northern opera singing, some people believe that the origin of the West Qin cavity, some people believe that the origin of the Anhui blowing cavity and Siping tone. Three five seven with the characteristics of the southern opera singing, belonging to the early blowing cavity.

Some people believe that its formation and the southern Anhui Huizhou, Siping, Taiping cavity related. Luhua is derived from a blowing cavity, is a relic of the Huizhou opera.

According to "Dictionary of Chinese Opera and Songs": messy bomb in wu opera, refers to the singing of "three five seven", "reeds tune", "two mortal", "plucked" four voice cavity. The four vocal cadences of "Sanwuqi", "Luhua tune", "Erfan" and "Puzi". "Three five seven" "reed tune" by the Anhui "Shibei cavity" evolved, with the flute lead player, the tune is gorgeous, smooth, stretching, singing the tune of the word less cavities, and later developed into more words less cavities of the "stacked plate". "The tune is gorgeous, smooth and expansive, with a lot of words and a lot of singing.

"Erfan" is the sound cavity evolved after the Qin cavity spreads to the south, and it develops into "Shakuji", "Xiaogong", "Zhenggong" and "Fanji" in Wu opera. In wu opera, it develops into four kinds of tunes with different attributes, each with its own "inverted plate", "original plate", "running water" and "tight skin". There are four different tunes, each with its own style, such as "Backboard", "Original Board", "Flowing Water", "Tight Skin" and "Stacked Board", which are characterized by feelings such as excitement, exuberance, sadness and melancholy. The "plucked" also has "inverted plate", "back to the dragon", "the original plate" and other plate styles.

According to the nature of the tone, the general "Erfan" and "three, five, seven" associated with the "reed" and "plucked" associated with the "plucked". The "Luhua" and "Puzi" are connected. The repertoire is more, such as "Lush Flower", "Gui Zhi Writing", "Plum in the Snow", "Pearl Shirt" and so on.

Hui theater, imported from southern Anhui. Since the end of the Qing Dynasty, a large number of people from Anhui moved to the area of Jinhua, most of them were in business, and Anhui opera flowed in with the business road, and the local Anhui classes in Jinhua and Quzhou amounted to more than thirty, and there were more than ten local classes opened only before and after 1918.

The wu opera Huiban was a self-contained style, with old Huizhou tunes such as plucking, reeds, and blowing cavities as its main features. Singing Xipi and Erhuang, the performance is rough, splashy, simple and healthy, and the repertoire includes "Two Enter the Palace", "Fa Men Temple", "Green Dragon Society" and so on.

One of the "fire Zidu" "water capture Pound" and other performance styles, less common in today's Pihuang theater. Beach spring, rumored to have originated in Suzhou beach spring.

Qianlong, Jiaqing years (1936-1820), Jinhua has been singing classes of opera beach spring sitting. Some people think that the beach spring is brought in by the flower boat lady who traveled to and from Quzhou and Lanjiang to sell her art, and there were amateur sitting and singing classes first, and then the wu opera artists diffused it into the opera, and it became one of the wu opera's voice cavity.

There are "Pujiang Beach Spring", "Lanxi Beach Spring", "Dongyang Beach Spring". The repertoire includes "Monks and Nuns Meeting", "Broken Bridge", "Peony Lesson" and so on.

After the liberation of the traditional repertoire organized by the "monks and nuns", "Broken Bridge" in the script and performance have new creations. The time tune is a collective name for the fashionable folk plays since the Ming and Qing dynasties.

There are from the Ming and Qing dynasty popular song, some belong to the Nanluo, some for the oil beach, some originated from the local ditty. Evolved from the local folk songs, songs and dances, is a kind of singing rural life of small theater voice, the repertoire of "walk Guangdong", "selling cotton yarn", "the king's wife scolded the chicken" and so on.

Above six kinds of voice cavity, in wu opera is not a play mixed, but each voice cavity has a batch of specialized repertoire. At the beginning, the high cavity, Kun cavity, chaotic bomb and so on independently formed a class, and then developed into a joint class, and had different combinations.

Gao, Kun, chaotic singing theater class, commonly known as the "three classes". Later, Hui opera was introduced to the Jinhua area, and some trio classes abandoned the high opera and sang Hui opera, while some Hui classes sang chaotic bombs.

After that, it absorbed the tandan spring and the tune of the time. [edit paragraph] Overview of wu opera The traditional repertoire of wu opera is very rich, and the more influential repertoires are: "The Golden Seal", "Sun Bin and Pang Juan", "Three Invitations to Pear Blossom", "Broken Bridge", "Tears of Xi Shi" and the modern play "Peach Storm".

The performance of wu opera is exaggerated, vivid, image, strong, pay attention to the martial arts play ***, the literature play wu do, the so-called: "the martial arts play slowly, the literature play step on the broken platform". Due to the past clothing original no sleeves, performances in the fingers, wrists on the effort, appearance, frame similar to Dunhuang murals of the characters gestures, a unique style.

And special.

2. What wu opera lets us know

Wu opera, commonly known as "Jinhua opera", is one of the traditional local operas in Zhejiang province, China.

It is centered in Jinhua area and popular in Jinhua, Lishui, Linhai, Jiande, Quzhou, Chun'an and other places. It is an amalgam of six voices: Gaoqiang, Kunqiang, Chaoban, Hui Opera, Tanlong, and Shimtong.

Because of the ancient name of Jinhua as Wuzhou, it was renamed Jinhua in the 20th year of Yuan's reign (1360). on June 7, 2008, Wu Opera was approved by the State Council to be included in the second batch of national intangible cultural heritage list.

Wu Opera is a combination of six voices: Gaoqiang, Kunqiang, Chaoban, Hui Opera, Tanchun, and Shitiao, commonly known as "Jinhua Opera". After the founding of the PRC, it was renamed as Wu Opera because of the ancient name of Jinhua, Wuzhou.

The singing of wu opera has been less rigorous than that of sukun due to the long time performance in the countryside, which emphasizes on the rendering of feelings and atmosphere, but does not pay too much attention to the kung fu of spitting words and carrying cavities, and even some of the singing words of the songs have become "tangzhongqu", which can be used freely in various plays. Some of the songs, such as the generals out, Dan feet walk the field, etc., are only in the music to perform some of the songs and simply do not sing.

Some people think that wu opera's kunqu and yiyang wuban have some relationship, its performance, gongs and drums are different from sukun, and close to high cavity; big flower surface with "rolling throat" (focus on the total voice of the throat, rarely use the nasal cavity **** sound), and its melody is also a little bit different from sukun, with fewer decorations. The singing of wu opera mainly consists of two categories: Erfan and Sanwuqi.

The Erfan uses the small suona or flute (Qu flute) as well as the Banhu as the main accompanying instrument, and matches with the "ox-legged zither" (also known as the "diamond-legged", similar to the willow-leaf zither). Singing with jujube wood (two sections of six, seven city inches long stick) and sandalwood bang knuckles, the door is often accelerated by a factor of two.

Erfan has a positive plate, running water, tight skin (loose plate) and other boards. According to the palace tone, it is divided into two types: shakuji erfan (1=C) and zhengong erfan (1=G), and shakuji erfan is divided into four styles: six words, shakuji, wuji, and shiqi, according to the different sounds of the first sub-sentence.

Generally speaking, the shakuji Erfan is more and more bold, and the Zhenggong Erfan is more and more majestic and tragic. Sanwuqi takes the flute (Qu flute) and Banhu as the main accompanying instruments, with fast, medium, slow and high key, Zhenggong.

It is from the song body to the plate cavity body transition singing, tune flow, soft and gentle. The play is lyrical, happy to sing three five seven, excited and indignant when singing two Fan, a play two with the use of the cavity.

3. Knowledge of Opera

Originally Posted By: Li Fengqin

Trivia of Opera

A Brief Introduction to the Major Types of Opera

1. ", is an ancient type of opera. It originated in Kunshan, Jiangsu Province, and began to flourish after the middle of the Ming Dynasty, when most of the legendary plays were sung in Kunqu. In addition to Southern Kunqu, which maintains the characteristics of early Kunqu, many branches have been formed in the country, such as Kunyi in the north, Xiangkun and Chuankun. The style of Kunqu is clear and soft, delicate and lyrical, and the performance is full of songs and dances, and the program is rigorous, which is the representative of Chinese classical opera.

2. Gaoqiang

Gaoqiang is a general term for an opera vocal system. It was originally known as "Yiyang Cavity" or "Eagle Cavity" because it originated in Yiyang, Jiangxi Province. It is characterized by simple performances, popular lyrics, high-pitched and exciting singing, a person singing and the crowd, using only golden drums to beat the rhythm, without orchestral accompaniment. Since the middle of the Ming Dynasty, it began to spread from Jiangxi to all parts of the country, and formed different styles of Gaoqiang everywhere, such as Sichuan Opera Gaoqiang, Xiang Opera Gaoqiang, Gan Opera Gaoqiang and so on.

3. Bangkang Cavity

Bangkang Cavity is a general term for an opera vocal system. It originated from the "Shan-Shaanxi Opera" at the junction of Shanxi and Shaanxi, characterized by high-pitched singing, with wooden bangs hitting the knuckles. Then, it developed eastward and southward, forming different forms of bangkang in different regions, such as Shanxi Bangkang, Hebei Bangkang, Henan Bangkang, Shandong Bangkang and so on.

4. Peking Opera

Peking Opera, also known as "Pihuang", consists of two basic cadences, "Xipi" and "Erhuang", which make up its musical material. It is composed of two basic tunes, "Xipi" and "Erhuang", and also sings a number of local tunes (such as Liuzi Cavity and Blow Cavity) and Kunqu Opera. It was formed in Beijing around 1840 and flourished in the 1930s and 1940s, when it was known as the "National Opera". Nowadays, it is still a big opera with national influence. It is the representative of modern Chinese opera with its comprehensive line, mature performances, and beautiful atmosphere.7. Jin Opera 13. Sichuan Opera

4. Drama Trivia

Introduction Drama [drama; play] In the olden days, drama referred to the theater, and was later used as a general term for opera, drama, opera, dance, and poetic drama.

Greek drama Drama, a general term for the art of stage performance in which narrative purposes are achieved in the form of speech, movement, dance, music, and puppetry. The literary concept of drama refers to a script, or play, written for dramatic performance.

Drama is performed in a variety of forms, commonly including drama, opera, dance, musicals, puppet shows and so on. Specific Meaning A type of comprehensive art.

There are two meanings: the narrow sense refers exclusively to the ancient Greek tragedy and comedy as a start, first developed in European countries and then widely popular in the world of stage performance forms, the English for drama, China called drama. Broadly speaking, it also includes the traditional stage performance forms of some Eastern countries and nations, such as Chinese opera, Japanese kabuki, Indian classical drama, Korean opera, etc.

The essence of drama is that it is a form of performance that is widely popular in the world, first developed in European countries and then widely popular in the world.

The essence of drama In the 4th century BC, Aristotle has expressed his understanding of the nature of drama in the Poetics. He argued that all art is imitation, and theater is the imitation of human action .

2 centuries later, India's first theoretical work on theater, "Dance" also specified: "Drama is imitation." After the 19th century, the nature of the drama of the seminar appeared a diversity of opinions on the situation, the main audience said, conflict said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, said, and so on.

Audience: The audience is the necessary condition of the theater, and the essence of the theater. French theater theorist F.

Sassay is a representative of this concept, he asserted : no matter what kind of theater works, are for the audience. "Without an audience, there is no theater", and thus all the organs of the theater must be adapted to the appreciation of the audience.

Conflict: the French theater theorist Brennenbühl as a representative, the end of the 19th century, Brennenbühl pointed out that: the stage is a place for the play of human conscious will, the play of the character's conscious will will encounter obstacles to the main body in order to overcome the obstacles to the struggle, which constitutes a "clash of wills", and the essence of the drama lies in this. The first thing you need to do is to get a good deal on your own.

The American theater theorist J.H.

Lawson, on the other hand, categorized the nature of the drama as "a social conflict in which the conscious will plays a role". He argued that since drama deals with social relations, and the conscious will of man must be governed by social necessity, the true dramatic conflict must be a social conflict.

This idea can be expressed in one sentence: "There is no drama without conflict. He compared the novel with the drama, arguing that the novel is the art of "gradual change", while the drama is the art of "radical change" (crisis, also translated as crisis), and that the drama deals with a radical change in human destiny and the environment, which is the essence of the drama. Situation, laboratory said: as early as the 18th century, the French philosopher D.

Diderot had "situation" as the basis of the work of the theater. Hegel, when talking about the characteristics of the drama, has also linked the "situation" and "conflict", and emphasized the ontological significance of the situation.

Existentialist philosopher and playwright J.-P.

Sartre called his plays "situation plays", and described the object of drama as the behavior of human choices in a situation.B.

Brecht, on the other hand, regarded the drama as a kind of scientific method, and argued that: the theater is a laboratory for testing the behavior of human beings in a particular situation. laboratory of behavior in a given situation. This notion also defines the nature of theater from a particular perspective.

The origin of the theater, a song and dance, which can be analyzed into two kinds: (1) court music and dance, the Qing dynasty Nalan Seide "Bryant Pavilion Miscellany" cloud: "Liang when the music of the big clouds, made an old man play the story of the changes in the Western region of the gods and goddesses, the Yu Ling really began here." Liu Shipei in the "original play" in accordance with the ancient music and dance more makeup characters of the fact that "opera, derived from the ancient music and dance also ...... is solid with the latter part of the opera is also close to.

"Permanent Man in the country in the original music and dance and theater", a more systematic examination of the original music and dance theater factors that "primitive society in the simple music and dance, is later made into a perfect drama of the precursor". Zhou Yibai's "Chinese theater history" will be the earliest source of Chinese drama to "Zhou Qin music and dance".

(2) Ancient song and dance, Zhang Geng, Guo Hancheng, edited by the General History of Chinese Opera, the first sentence of the opening of the cloud: "The origin of Chinese opera can be traced back to the primitive era of song and dance. "We know that all art originates from labor, Chinese song and dance is no exception.

The Book of Books. Shun Dian" said: "I hit the stone attached to the stone, the rate of the hundred beasts dance."

The so-called rate of the hundred beasts dance, not like the later Confucian mystification, that is, in the saints of the world, even the hundred beasts have come to worship and dance, this dance is to use the stone to hit or hit the stone with the hand to hit the section of the Qin, and even the drums did not have, can be seen to be very primitive. Later, there was a drum, the so-called "drum of the dance," which is further.

This dance may be a primitive religious ceremony before going out to hunt, or it may be a celebration ceremony after coming back from hunting, "Lv's Spring and Autumn. Ancient Music" says: "Emperor Yao was established, was ordered to quality for music, quality is like the sound of the mountains, forests, streams and valleys in order to sing, is a violent leather to put the percussion and drums, is patting the stone and striking the stone to be like the sound of God's jade chime, so as to dance with all the beasts.

"This is a legend about ancient music and dance in the Warring States period. Through this description of the song and dance can be seen a primitive hunter hunting in the mountains and forests of the scene: "one side of the whistling, the other side of the beat, all kinds of pottery, stone tools sound to terrorize the beasts, so the beasts on the wolf run like a beast and finally fell into the net, the primitive age of the artist "quality" (in fact, not a person, but all the people at that time). This primitive age artist "quality" (actually not a person, but all the people at that time) is according to the actual life to create a hunting dance, then the so-called "hundred beasts" is actually a person wearing animal skin and "dance" scene, but for the hunting life of the pleasant and exciting memories only.

Of course, at this time, the scene is already artistic, music, dance are already rhythmic, this dance with a strong ritual, it is the clan's protective god or ancestor prayers, in order to go out to hunt a good harvest, or hunting back to thank the gods and goddesses and held. But no matter what ceremony it is, and no matter how thickly it is clothed in primitive religion, its actual significance is a kind of drill and exercise for labor, which not only exercises the proficiency of the hunters, but also cultivates the young hunters, the Book of Books.

The Shun Dian (舜典) has a record of ordering Kui to "teach his children through music".

5. knowledge of opera

The minimum of 0.27 yuan to open the library members, view the full content & gt; Originally Posted By: Li Fengqin Opera Trivia I. Introduction to the main types of opera 1. Kunqu Kunqu, also known as "Kunqiang" "Kun Opera ", is an ancient type of opera.

It originated in Kunshan, Jiangsu Province, and began to flourish after the middle of the Ming Dynasty, when legendary plays were mostly sung in Kunqu. In addition to Southern Kunqu, which maintains the characteristics of early Kunqu, many branches have been formed in the country, such as Kunyi in the north, Xiangkun and Chuankun.

The style of Kunqu is clear and soft, delicate and lyrical, and the performance is full of songs and dances, and the program is rigorous, which is the representative of Chinese classical opera.2. High Cavity High Cavity is a general term for a kind of vocal system of opera.

It was originally known as "Yiyang Cavity" or "Eagle Cavity", because it originated in Yiyang, Jiangxi Province. It is characterized by simple performances, popular lyrics, high and exciting singing, a person singing and the crowd, and only using the golden drum to beat the rhythm, without orchestral accompaniment.

Since the middle of the Ming Dynasty, it began to spread from Jiangxi to all parts of the country, and formed different styles in different places, such as Sichuan Opera High Cavity, Xiang Opera High Cavity, Gan Opera High Cavity, etc.3. Bangkok CavityBangkok Cavity is a general term for a kind of opera vocal system.

It originated in Shanxi, Shaanxi junction of the "Shan-Shaanxi Opera", characterized by singing high and exciting, with wooden bang knuckles. Then, it developed to the east and south, forming different forms of bangkang in different regions, such as Shanxi Bangkang, Hebei Bangkang, Henan Bangkang, Shandong Bangkang, etc.

4.

4. Peking Opera Peking Opera, also known as "Pihuang", consists of two basic cadences, "Xipi" and "Erhuang", which make up its musical material, and also sings a number of local tunes (such as willow cavity, blowing cavity, etc.). It also sings some small local tunes (such as liuziqiang and blowing) and kunqu tunes. It was formed in Beijing around 1840 and flourished in the 1930s and 1940s, when it was known as the "National Opera".

Nowadays, it is still a big opera with national influence. It is a representative of modern Chinese opera, with its comprehensive lineage, mature performances, and beautiful atmosphere.

7. Jin Opera 13. Sichuan Opera.

6. General knowledge of Chinese opera

Chinese opera, originated from primitive song and dance.

During the Han Dynasty, the folkloric "Jiao Dai Opera" with performance elements appeared, especially the "Huang Gong of the Eastern Sea" is famous. To the North and South Dynasties period, the folk song and dance and performance of the combination of "song and dance theater", with a more intense performance elements, such as "pulling the head", "on behalf of the face", "tread rocking the mother" and so on.

In the Tang Dynasty, there was the development of the pre-Qin period of Youling performances to comical performances as the characteristics of the "military theater"; folk song and dance theater into the court, has been greater development; folk and the emergence of the "common speech" and "change of text". "Changwen" and other popular forms of rap. During the Song Dynasty, the city's commodity economy developed greatly, and there were many places of entertainment for the public - "Washa" and "Goulan"; folk songs, dances, raps, and comical operas were synthesized, and the "Song Miscellaneous Operas" appeared. The emergence of the "Song Miscellaneous Opera".

In the Jin Dynasty, on the basis of the Song opera, "Jin Yuan Ben" appeared in the north, and "South Opera" appeared in the south. In the Yuan Dynasty, the north formed the "Northern Miscellaneous Opera", and the south further developed and matured the southern opera, and the opera was formed.

Chinese opera is a comprehensive stage art style. It is characterized by a multitude of art forms, aggregated together by a standard, reflecting their respective personalities in *** with the same nature.

These forms mainly include: poetry, music and dance. Poetry refers to its literature, music to its musical accompaniment, and dance to its performance.

In addition, it also includes stage art, costumes, make-up and other aspects. And these artistic factors in the opera are all for one purpose, i.e., to play the story; all follow one principle, i.e., beauty.

The characteristics of Chinese opera, in a nutshell, "is to sing and dance to play the story" (the late Qing scholar Wang Guowei said). Opera and drama, both of which are part of the theater, involve actors playing characters and using dialog and movement to express a certain length of storyline.

The difference is that opera uses musical dialogues and choreographed movements to express real life, i.e. the means of song and dance. It is also known as "singing, reciting, acting and playing".

7. Ask a few very simple general knowledge

Hunan: Xiang Opera, Qi Opera, Flower Drum Opera, Chenhe Opera, etc.

Guangdong: Xiang Opera, Qi Opera, Flower Drum Opera, Chenhe Opera and so on.

Guangdong: Cantonese Opera, Teochew Opera and so on. Anhui: the most famous is of course the Huangmei Opera, and Lu Opera, formerly known as the "inverted seven plays", Hefei around the people also said "small inverted play", is one of the main types of local theater in Anhui Province.

Fengyang Flower Drum Opera. Huizhou Opera was also one of the most important local operas in Anhui, but it was upgraded to Beijing Opera after Huiban entered the capital.

Zhejiang: Besides the most famous Yue Opera, there are also Shao Opera, Hang Opera, Wu Opera and so on. Hubei: Chu Opera, Han Opera, Jingzhou Flower Drum Opera are the three main types of opera, of course, Peking Opera also belongs to one of the Hubei people's favorite types of opera, but it is not considered as a local opera in Hubei.

Other provinces are represented by Shandong's Lv Opera, Gansu's Long Opera, Shaanxi's Qinqiang, and so on, forming a hundred flowers blossom, a hundred ****ing cultural market.