About Tang Dynasty Dress

Tang, to fat aesthetic. Tang Dynasty national unification, economic prosperity, more open form, the more gorgeous dress. Women's clothing in the Tang Dynasty was characterized by the unity of skirt, shirt and cape. Among the women, the image of bare chest and bare arms appeared. In the tomb of Princess Yongtai on the east wall mural, there is a high bun, exposed chest, shoulders draped in red silk, with a yellow narrow-sleeved shirt, under the green floor-length skirt, the waist hanging red belt of the Tang Dynasty women's image, so that "the pink chest half cover suspected that the dark snow", "sitting when the belt haunts the slender grass, the line that the train sweeps down the plum! "

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Slow beam skirt half exposed chest, and not what people can do. In the Tang Dynasty, only people with status can wear open-chested shirt, Yongtai Princess can be half-bare breasted, the singer can be half-bare breasted to please the ruling class, and the women of the common people's house is not allowed to half-bare breasted. At that time, the half-breasted dresses of the Tang Dynasty were somewhat similar to modern Western night dresses, except that they were not allowed to reveal their shoulders and backs.

The collars of women's clothing in the Tang Dynasty were round, square, slanted, straight and chicken heart collars. Short jacket and long skirt is characterized by skirt waist tie higher, usually above the waist, some even tied in the armpit, giving a sense of playful and slender.?

"The robe leaves are heavily embroidered, and the gold phoenix and silver goose each have a hint." "Eyebrows to capture the color of daylilies, red skirt jealous of killing pomegranate flowers". Tang Dynasty skirt colorful, red, purple, yellow, green fight, especially red skirt for a pretty one. Popular red skirt on the street, not the patent of modern people, as early as the period of the Tang Dynasty, has been all over the pomegranate flower dye dance skirt.

, changed the previous kind of creative thinking with the gift of God, with real flowers, grass, fish, insects for sketching, but the traditional dragon and phoenix patterns have not been rejected, which is also determined by the influence of the divine right of the emperor. At this time, the design of dress patterns tended to express the artistic style of freedom, fullness and fatness.?

Late Tang period of the dress pattern is more delicate and beautiful. Flower and bird dress pattern, border pattern, group flower dress pattern in the silk gauze on the soft clothing, it is really a cluster of flowers, fight with the beautiful. As the five generations of Wang Jian said: "Luo shirt leaf leaves embroidered heavy, gold phoenix silver goose each a bush, every dance time two directions, peace long live the word in the middle." Today, we see these gorgeous and beautiful dress patterns, is the painters in the Dunhuang Grottoes with hard labor for future generations to preserve the precious image of the information. The development of clothing in the Tang Dynasty is the development of the whole, this time the design of clothing patterns tend to express the freedom, fullness, flamboyance, rounded, in the shoes, hats, scarves, jade pendants, hairstyles, make-up, jewelry performance, all illustrate this feature.?

The Tang Dynasty inherited the styles of the Zhou, Warring States, Wei and Jin Dynasties, and integrated the rigor of the Zhou Dynasty's dress pattern design, the stretch of the Warring States period, the brightness of the Han Dynasty, and the elegance of the Wei and Jin Dynasties into one, and more flamboyant on the basis of which the costumes and dress patterns reached a historical peak; the Tang Dynasty's costumes and dress patterns have continued to have an impact on the future generations to this day. The use of twining branches in modern dress patterns demonstrates the implications of the combination of traditional patterns and modern aesthetic sense.

The dress of the imperial consort is to be enrolled, to assist in sacrifices, and to dress for the court. Crown decorated with nine albums, four phoenix flower hairpin nine trees, the number of small flowers such as. Two Bo sideburns nine tin. Zhai clothes, green embroidered Zhai, braided in the clothes and clothes, heavy for nine and so on. Green gauze in the single, 黻领, Zhu Gauze Lu襈 train. The knees were embroidered with the color of the clothes, and the pheasant was embroidered with purple silk, and the collar was purple. The belt follows the color of the garment. Jade leather belt. Green socks and slippers, and ribbons. Regular clothes: crown of luan and phoenix, jewelry and bracelets made of gold, jade, jewels and cui. All colors group shirt, gold embroidered luan phoenix, not yellow. With gold, jade, rhinoceros. And fixed mountain pine special bun, fake sideburns flower inlay, or flower hairpin phoenix crown. True red large-sleeved clothes, cape, red skirt, son, clothing with gold and embroidered phoenix text. Yongle three years more fixed, dress: nine Zhai crown two, to soap gauze for the, attached to the Cui Boshan, decorated with large beads Zhai two, small beads Zhai three, Cui Zhai four, all mouth beads drop. In the crown, one of the precious beads, one of the Cui top clouds, its beads peony, Cui Rang flower sideburns of the genus, such as the double phoenix Yilong crown system, the first to reduce the Cui cloud ten. And Cui peony flowers, Rang flowers each?

Two, four face flowers, four plum blossom rings and two bead rings. Its big shirt, cape, Yanju dress decoration, are the same as the Palace, the first woven gold embroidered engraved lines, all the Yunxia phoenix text, do not use the cloud Dragon text.

Nine concubines crown: Jiajing ten years ago, the crown with nine Zhai, the second consort of the phoenix. Big shirt, bow clothes, such as the Imperial Consort system. Gui with secondary jade Guwen.

Long skirt draped in silk, a Zhu color. Characters of broad robes and big sleeves, Tianyi fluttering, raked "Wu belt when the wind" rhyme, reflecting the characteristics of the Tang dynasty Buddhist painting form of nationalization.

The dress pattern should follow the body, there are thick, thin, soft and hard texture. For example, the lady's sash, the lines are clear, turn and fold to be sharp, dynamic, natural and flowing...?。。。。。。。。。。。。。。。。。。。。。。。。。。。。