The Origin of stick grilles in Spring Festival

Why do you want stick grilles during the Spring Festival? What is its origin? Where can I find such traditional window grilles in China?

Paper-cutting is a very popular folk art, which has been loved by people for thousands of years. Because it is often pasted on windows, people generally call it "window grilles".

Window grilles are rich in content and wide in subject matter. Because the buyers of window grilles are mostly farmers, window grilles have quite a lot of content to express farmers' lives, such as farming, weaving, fishing, herding sheep, raising pigs and chickens. In addition, there are myths and legends, drama stories and other themes. In addition, the images of flowers and birds, insects and fish, and the zodiac are also very common.

With its unique generalization and exaggeration, window grilles show auspicious things and good wishes incisively and vividly, and decorate festivals with prosperity and celebration.

Stick grilles is usually carried out after dust removal.

Window grilles are folk paper-cut artworks with various colors and patterns. This folk custom with national characteristics has a history of thousands of years. Shanxi folk paper-cuts, especially window grilles, are full of Shanxi folk local flavor and strong local flavor. The so-called "Magpie on Plum", "Two Dragons Playing with Beads", "Proud", "Goddess Scattering Flowers" and various patterns of flowers, plants, insects, fish and birds show farmers' good hopes for future life.

Paper-cutting is closely related to the beginning of the Spring Festival. Li Shangyin, a poet in the Tang Dynasty, once wrote in his poems: "Carve gold to win the secular world, and cut green to make people start the Jin style." The "Beijing custom" and "Jin style" in the poem point out this atmosphere. And clearly stated the customs of the Jin people. After the Song and Yuan Dynasties, the time to cut and paste window grilles to welcome the Spring Festival began in beginning of spring, and people used paper-cutting to express their joy in celebrating spring.

Window grilles can not only set off the festive atmosphere, but also bring people beautiful enjoyment, integrating decoration, appreciation and practicality.

One of the cutting and carving forms of window grilles is monochrome cutting and carving, which is widely used in red paper paper cutting. Second, color paper-cutting, big windows in palaces and shops or windows in halls and facades. Thirdly, the relief paper-cutting popular in Gansu and Qinghai has a unique style, which combines cutting and engraving with origami technology. The fourth kind is colored window grilles, which are divided into dyeing and contrasting colors. Dyed window grilles are the most famous in Fengning and Yuxian, Hebei Province. First engraved and then dyed, with bright colors and excellent light and shadow effects. Color matching window grilles are the most famous window grilles produced in Foshan, Guangdong. The main patterns are cut and carved with gold paper and tin foil paper, and the background color is colored paper, which is magnificent, rich and elegant. This practice is called "copper lining arc".

The window grilles in Shandong are mostly straight lines, which are suitable for straight windows in this area; Northwest window grilles divide the complete paper-cut into four pieces with the word "ten". In order not to affect indoor lighting, window grilles are mostly cut in the sun to obtain more hollowed-out area. The outline of window grilles and window frames shall be dense and symmetrical. In order to pursue fresh, bright and lively interior decoration effect, window grilles are often carved with fine wire cutting to achieve hollow and exquisite visual effect.

During the Spring Festival, people like to stick various paper-cuts on window grilles. Window grilles not only set off the festive atmosphere, but also integrate decoration, appreciation and practicality. Paper-cutting is a very popular folk art in China, which has been loved by people for thousands of years. Because it is often pasted on the window, it is also called "window grilles". With its unique generalization and exaggeration, window grilles show auspicious things and good wishes incisively and vividly, and decorate festivals with colorful colors.

Why does China have the custom of Spring Festival? Window grilles are the most widely distributed, largest and most popular among Han folk paper-cuts. Other paper-cut varieties are developed and extended on the basis of window grilles. The rural areas in the north and the south want stick grilles for the New Year;

First, in order to achieve the purpose of decorating the environment and rendering the atmosphere, I placed my hope of saying goodbye to the old and welcoming the new. Window grilles are the most representative of paper-cutting art in terms of theme, expression and paper-cutting skills. Modern window grilles have gradually formed an independent art category, but they are called "window grilles" because they originally originated from clip art in folk festivals or folk activities and are mostly attached to the white paper of rural windows. For everyone, window grilles are a beautiful title, which can cause a lot of lingering and emotion. On the first day of the first lunar month, usually called the Spring Festival, decorating the living room environment in stick grilles is an important part of the Spring Festival celebrations in China.

Secondly, the folk function of window grilles is the most concentrated, which not only beautifies the living environment, but also entrusts the pursuit and desire for the ideal of life. Pray for a prosperous life, prosperous future generations, long life and good fortune, and ward off evil spirits and welcome good luck. These are the most expressive themes of window grilles, which reflect the ancient and rich cultural connotation of window grilles. [2] It can be seen from the style of window grilles circulating in the south of the Yangtze River that window grilles can better express the artistic language of paper-cutting than other paper-cutting styles. The technological characteristics of paper-cutting with window grilles have surpassed the simple decorative function of folk activities, thus changing the development pattern of single paper-cutting form. For example, the paper-cutting of embossed window grilles in Gansu uses the technology of binding paper; The painted window grilles in Hebei draw lessons from folk paintings; The silk window grilles in Nantong organically combine paper and textiles. Paper-cutting of window grilles, as a folk activity of festivals, not only beautifies the living environment, but also becomes the object of people's aesthetic communication.

Thirdly, window grilles are closely related to beginning of spring, which is the way people welcome spring since ancient times. In order to welcome the spring, people in many parts of China, especially in the north, like to hang all kinds of window grilles on their windows. Li Shangyin, a poet in the Tang Dynasty, once wrote in his poem: "Engraving gold to praise Jing customs, cutting green to create customs."

Fourth, there are quite a lot of contents about window grilles, such as farming, textile, herding sheep and raising chickens. In addition, there are myths and legends, drama stories and other themes. In addition, the images of flowers and birds, insects and fish, and the zodiac are also very common. Window grilles decorate festivals with their unique generalization and exaggeration.

When will stick grilles window grilles be posted during the Spring Festival? Generally, you can paste it after sweeping the dust.

Window grilles are folk paper-cut artworks with various colors and patterns. This folk custom with national characteristics has a history of thousands of years.

What is the decorative culture in the Spring Festival, such as stick grilles posting Spring Festival couplets?

Spring Festival couplets depict the background of the times and express good wishes with neat, dual, concise and exquisite words, which is a unique literary form in China.

Window grilles and the word "Fu"

In the folk, people also like to stick various paper-cuts on the windows-window grilles. Window grilles not only set off the festive atmosphere, but also integrate decoration, appreciation and practicality. With its unique generalization and exaggeration, window grilles show auspicious things and good wishes incisively and vividly, and decorate festivals with colorful colors.

Sticking the word "Fu" during the Spring Festival is a long-standing folk custom in China. The word "Fu" symbolizes good luck and wishes for a happy life and a bright future. In order to fully reflect this yearning and wish, some people simply put the word "Fu" upside down, indicating that "Fu has arrived" and "Fu has arrived". There are also "Fu" calligraphy and painting, which are made into various patterns, such as longevity, longevity peach, carp yue longmen, abundant grains, dragons and phoenixes, etc.

New Year picture

Thick black and colorful New Year pictures add a lot of prosperous and happy holiday atmosphere to thousands of families. New Year pictures are an ancient folk art in China, which reflects people's simple customs and beliefs and places their hopes on the future. Meet people's good wishes for blessing in the New Year.

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This is a new form of New Year pictures. This two-in-one New Year picture was later developed into a calendar.

What is the origin and history of rod-shaped window grilles? Historical window grilles have a history of thousands of years and gradually spread and formed in the Song and Yuan Dynasties. China folk paper-cut handicraft has its own formation and development process. China invented paper in the Western Han Dynasty BC, and it was impossible before that.

Paper-cut for window decoration

Paper-cutting art can appear, but at that time, people used thin materials to make handicrafts by hollowing out and carving, but it was popular long before paper appeared, that is, patterns were cut on gold foil, leather, silk and even leaves by carving, carving, picking, carving and cutting. According to Records of the Historian Jiantong Di Feng, in the early years of the Western Zhou Dynasty, a king claimed the title of king, and cut a plane tree leaf into a "reed" and gave it to his younger brother, who was named Hou in the Tang Dynasty. During the Warring States period, leather carvings (one of the cultural relics unearthed from Chu Tomb No.1 in Jiangling, Hubei Province) and silver foil carvings (one of the cultural relics unearthed from the Warring States site in Guwei Village, Huixian County, Henan Province) were all demolished together with paper-cutting, and their appearance laid a certain foundation for the formation of folk paper-cutting. The earliest paper-cutting works in China were discovered in 1967, when China archaeologists discovered two paper-cuts with flowers of the Northern Dynasties in Astana near Gaochang site in Turpan Basin, Xinjiang. They use hemp paper, all of which are folded sacrificial paper-cuts. Their discovery provides physical evidence for the formation of Chinese paper-cutting. The history of paper-cutting handicraft art, that is, paper-cutting in the true sense, should begin with the appearance of paper. The invention of paper in Han Dynasty promoted the appearance, development and popularization of paper-cutting. Paper is a moldy material. In the southeast of China, the climate is humid, coupled with rainy days in May and June every year, paper products will rot over time, and folk paper-cutting is a popular thing. People don't keep it as a treasure, and they can cut it if it is broken. In the northwest of China, the weather is dry, the climate is dry, and the paper is not easy to get moldy, which may also be one of the important reasons for the discovery of paper-cutting in the Northern Dynasties in Turpan, Xinjiang.

Paper-cutting in Tang Dynasty-Paper-cutting in Tang Dynasty has been in a period of great development. There is a saying in Du Fu's poem that "warm water fills my feet, and paper-cutting calls my soul". The custom of paper-cutting calling my soul has spread among the people at that time. The paper-cut in the Tang Dynasty, which is now in the British Museum, shows that the paper-cut at that time had a high level of manual art and a complete picture composition, expressing an ideal realm between heaven and earth. Popular in the Tang Dynasty, the carved patterns of flowers and trees have the characteristics of paper-cutting. For example, the pattern of "Duiyang" in Masakura Hospital in Japan is a typical artistic expression of hand cutting. In the Tang dynasty, there was also block printing made of paper-cutting. People carved it into wax paper with thick paper, and then printed the dye on the cloth to form beautiful patterns. In Song Dynasty, the paper industry was mature and there were many kinds of paper products, which provided conditions for the popularization of paper-cutting. For example, it can be used as "fireworks" for folk gifts, "window grilles" pasted on windows, or as decorations for lanterns and teacups. The application scope of folk paper-cutting in Song Dynasty gradually expanded. Jiangxi Jizhou Kiln uses paper-cut as the pattern of ceramics, and makes the ceramics more exquisite by glazing and firing. Folk also use paper-cutting to carve figures in shadow play with the skins of animals such as donkeys, cows, horses and sheep. Carved version made of blue printed cloth, carved into patterns with oilpaper board, and scratched patterns made by paper-cutting technology, divided into yin and yang engraving. Long lines should be cut off to distinguish facts from truth. During the Ming and Qing Dynasties, the paper-cut handicraft art matured and reached its peak. Folk paper-cut handicraft art has a wider range of applications, such as flower decorations on folk lanterns, decorative patterns on fans and embroidery patterns, all of which are reprocessed with paper-cut as decoration. What's more, Chinese people often use paper-cutting as decoration to beautify the home environment, such as door battlements, window grilles, cabinet flowers, wedding flowers and ceiling flowers, which are all used to decorate doors, windows and rooms. In addition to the paper-binding pattern craftsmen who appeared after the Southern Song Dynasty, the most basic team of folk paper-cutting handicrafts in China is rural women. Female red is an important symbol of the perfection of traditional women in China. As a compulsory skill of needlework, paper-cutting has become a skill that girls have to learn since childhood. They want to learn paper-cut patterns from their predecessors or sisters, cut out new patterns through cutting, re-cutting, painting and cutting, and describe the natural scenery they are familiar with and love, the scenery of fish, insects, birds, beasts, flowers, trees, pavilions and bridges, and finally reach the realm of their will. China folk paper-cut handicraft art, like an ivy, is ancient and evergreen, and its unique popularity, practicality and aesthetics have become a symbolic meaning that meets people's psychological needs. Paper-cut Art Each art has its own unique artistic style. Paper-cutting materials (paper) and tools (scissors and carving knives) determine that paper-cutting has its own art.

The custom and origin of the Spring Festival Spring Festival is a traditional festival in China. How did it come into being? Spring Festival is the most important festival in China. It is the grandest, most lively and most important ancient traditional festival in China, and it is also a unique festival for China people. Who knows the origin and customs of the Spring Festival? Let's learn about the origin and customs of the Spring Festival. First, the origin of the Spring Festival: Spring Festival, the first month of the lunar calendar, is another name for the Spring Festival, the grandest, most lively and most important ancient traditional festival in China, and also a unique festival for China people. It is the most concentrated embodiment of Chinese civilization. Since the Western Han Dynasty, the custom of the Spring Festival has continued to this day. Spring Festival generally refers to New Year's Eve and the first day of the first month. But among the people, the traditional Spring Festival refers to the sacrificial ceremony from the eighth day of the twelfth lunar month or the 23rd or 24th of the twelfth lunar month to the 15th of the first lunar month in La Worship, with New Year's Eve and the first day of the first lunar month as * * *. How to celebrate this festival, in thousands of years of historical development, has formed some relatively fixed customs and habits, many of which are still handed down today. During the Spring Festival, a traditional festival, the Han nationality and most ethnic minorities in China will hold various celebrations. Most of these activities are mainly about offering sacrifices to gods and buddhas, paying homage to ancestors, saying goodbye to the old and welcoming the new, and praying for the new. The forms of activities are rich and colorful, with strong national characteristics. On May 20th, 2006, the folk custom of "Spring Festival" was approved by the State Council to be included in the first batch of national intangible cultural heritage list. There is a legend about the origin of the Spring Festival. In ancient China, there was a monster called Nian. Its tentacles were very long and fierce. Nian lived on the seabed for many years, and climbed ashore every New Year's Eve, devouring livestock and killing people. Therefore, every New Year's Eve, people in the village fled to the deep mountains to avoid the harm of the "Nian" beast. One year on New Year's Eve, an old beggar came from outside the village. The villagers were in a hurry and panic. Only an old woman in the east of the village gave the old man some food and suggested that he go up the mountain quickly to avoid Nian beast. The old man smiled and said, "If my mother-in-law lets me stay at home for one night, I will definitely drive Nian beast away." The old woman continued to persuade and begged the old man to laugh without saying a word. At midnight, Nian beast broke into the village. It found that the atmosphere in the village was different from previous years: the old woman's house at the east end of the village had red paper on the door and bright candles in the room. The beast Nian trembled and let out a long whistle. When we were near the door, there was a sudden explosion in the yard, and Nian trembled and dared not go any further. It turns out that Nian was most afraid of red, fire and explosion. At this time, my mother-in-law's door was wide open, and I saw an old man in a red robe laughing in the hospital. "Nian" was frightened to disgrace and fled in confusion. The next day was the first day of the first month, and the people who came back from refuge were very surprised to see that the village was safe and sound. At this time, the old woman suddenly realized and quickly told the villagers the promise of begging for the elderly. The story soon spread in the surrounding villages, and people all knew the way to drive away the "Nian" beast. From then on, every year on New Year's Eve, every family posted red couplets and set off firecrackers. Every household has a bright candlelight, so it is better to wait for the New Year. In the early morning of the first day, I want to say hello to my relatives and friends. This custom has spread more and more widely, and has become the most solemn traditional festival among the people in China. Second, the custom of the Spring Festival 1, the 23rd day of the twelfth lunar month, the Spring Festival in China generally begins with offering sacrifices to stoves. Sacrificing a stove is a kind of custom with great influence and wide spread among the people in our country. In the past, almost every kitchen had a kitchen god. 2. Sweep the dust in the twelfth lunar month. According to Lu Chunqiu, China had the custom of sweeping dust during the Spring Festival in the Yao and Shun era. According to the folk saying: Because of the homonym of "dust" and "Chen", sweeping dust in the Spring Festival means "getting rid of the old and not being new", and its original intention is to sweep away all bad luck and bad luck. This custom has placed people's desire to break the old and create new ones and their prayers to bid farewell to the old and welcome the new. Whenever the Spring Festival comes, every household should clean the environment, clean all kinds of electrical appliances, remove and wash bedding curtains, sweep six yards, dust cobwebs and dredge culverts in open channels. Everywhere is filled with the joyful atmosphere of cleaning and welcoming the Spring Festival cleanly. On the 25th day of the twelfth lunar month, the Jade Emperor believed that when the Kitchen God went to heaven, the Jade Emperor would personally descend to earth on the 25th day of the twelfth lunar month to investigate the good and evil on earth and decide the fortunes of the coming year, so every household offered blessings to him, which was called "receiving the Jade Emperor". On this day, we should be careful in our daily life and words, strive for good performance, win the favor of the Jade Emperor and bring good luck for the coming year. 4. Take a bath on the 27th and 28th of the twelfth lunar month in traditional folk customs. Take intensive baths and wash clothes in these two days to get rid of the bad luck for one year and prepare for the Spring Festival next year. In Beijing, 27 were washed because of illness, and 28 were washed because of untidiness ... >>

The Origin and Customs of the Spring Festival The Spring Festival is the most important festival in China. It is the grandest, most lively and most important ancient traditional festival in China, and it is also a unique festival for China people.

First, the origin of the Spring Festival:

The Spring Festival is the first year of the lunar calendar. Another name of the Spring Festival is China New Year, which is the biggest, most lively and most important ancient traditional festival in China, and it is also a unique festival for China people. It is the most concentrated embodiment of Chinese civilization. Since the Western Han Dynasty, the custom of the Spring Festival has continued to this day. Spring Festival generally refers to New Year's Eve and the first day of the first month. But among the people, the traditional Spring Festival refers to the sacrificial ceremony from the eighth day of the twelfth lunar month or the 23rd or 24th of the twelfth lunar month to the 15th of the first lunar month in La Worship, with New Year's Eve and the first day of the first lunar month as * * *. How to celebrate this festival, in thousands of years of historical development, has formed some relatively fixed customs and habits, many of which are still handed down today. During the Spring Festival, a traditional festival, the Han nationality and most ethnic minorities in China will hold various celebrations. Most of these activities are mainly about offering sacrifices to gods and buddhas, paying homage to ancestors, saying goodbye to the old and welcoming the new, and praying for the new. The forms of activities are rich and colorful, with strong national characteristics. On May 20th, 2006, the folk custom of "Spring Festival" was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

There is a legend about the origin of the Spring Festival. In ancient China, there was a monster called Nian. Its tentacles were very long and fierce. Nian lived on the seabed for many years, and climbed ashore every New Year's Eve, devouring livestock and killing people. Therefore, every New Year's Eve, people in the village fled to the deep mountains to avoid the harm of the "Nian" beast. One year on New Year's Eve, an old beggar came from outside the village. The villagers were in a hurry and panic. Only an old woman in the east of the village gave the old man some food and suggested that he go up the mountain quickly to avoid Nian beast. The old man smiled and said, "If my mother-in-law lets me stay at home for one night, I will definitely drive Nian beast away." The old woman continued to persuade and begged the old man to laugh without saying a word. At midnight, Nian beast broke into the village. It found that the atmosphere in the village was different from previous years: the old woman's house at the east end of the village had red paper on the door and bright candles in the room. The beast Nian trembled and let out a long whistle. When we were near the door, there was a sudden explosion in the yard, and Nian trembled and dared not go any further. It turns out that Nian was most afraid of red, fire and explosion. At this time, my mother-in-law's door was wide open, and I saw an old man in a red robe laughing in the hospital. "Nian" was frightened to disgrace and fled in confusion. The next day was the first day of the first month, and the people who came back from refuge were very surprised to see that the village was safe and sound. At this time, the old woman suddenly realized and quickly told the villagers the promise of begging for the elderly. The story soon spread in the surrounding villages, and people all knew the way to drive away the "Nian" beast. From then on, every year on New Year's Eve, every family posted red couplets and set off firecrackers. Every household has a bright candlelight, so it is better to wait for the New Year. In the early morning of the first day, I want to say hello to my relatives and friends. This custom has spread more and more widely, and has become the most solemn traditional festival among the people in China.

Second, the custom of the Spring Festival.

1, the 23rd day of the twelfth lunar month.

In China, the Spring Festival usually begins with offering sacrifices to stoves. Sacrificing a stove is a kind of custom with great influence and wide spread among the people in our country. In the past, almost every kitchen had a kitchen god.

2. Sweep the dust on the 24th of the twelfth lunar month

"On the 24th day of the twelfth lunar month, dust sweeps the house". According to Lv Chunqiu, China had the custom of sweeping dust during the Spring Festival in the Yao and Shun era. According to the folk saying: Because of the homonym of "dust" and "Chen", sweeping dust in the Spring Festival means "getting rid of the old and not being new", and its original intention is to sweep away all bad luck and bad luck. This custom has placed people's desire to break the old and create new ones and their prayers to bid farewell to the old and welcome the new. Whenever the Spring Festival comes, every household should clean the environment, clean all kinds of electrical appliances, remove and wash bedding curtains, sweep six yards, dust cobwebs and dredge culverts in open channels. Everywhere is filled with the joyful atmosphere of cleaning and welcoming the Spring Festival cleanly.

On the 25th of the twelfth lunar month, the Jade Emperor received him.

According to the ancient custom, when the Kitchen God goes to heaven, the Jade Emperor will personally descend to earth on the 25th day of the twelfth lunar month to investigate the good and evil on earth and decide the fortunes of the coming year. Therefore, every household offered his blessing, calling it "Meeting the Jade Emperor". On this day, we should be careful in our daily life and words, strive for good performance, win the favor of the Jade Emperor and bring good luck for the coming year.

4. Take a bath on the 27th and 28th of the twelfth lunar month

In traditional folk customs, we should concentrate on bathing and washing clothes these two days to get rid of the bad luck of the year and prepare for the Spring Festival next year. There is a saying in Beijing that 27 people are ill and 28 people are sloppy. Taking a bath on the 26th of the twelfth lunar month is "washing Fulu".

5. On New Year's Eve of the twelfth lunar month, we will stick up door gods, put up Spring Festival couplets, celebrate the New Year, set off firecrackers, eat New Year's Eve, give lucky money and worship our ancestors.

New Year's Eve means "the month is poor and the year is old", so people should bid farewell to the old and welcome the new ... >>

The origin and custom of the Spring Festival is 1. Spring Festival is a national tradition and a popular festival in China. For children, there are lucky money in the Spring Festival, and they can play happily at home during the Spring Festival. For office workers, the Spring Festival is also a good time to have a rest.

2. The reason why the wind speed during the Spring Festival is widely circulated is praised by everyone because the feelings between relatives are easy to communicate and contact during the Spring Festival. After all, every family is handed down from generation to generation, and relatives will be scattered in different places, and they will be gathered together during the Spring Festival.

3. Spring Festival has a long history, which originated from the activities of offering sacrifices to gods and ancestors in the late Yin and Shang Dynasties. According to the China lunar calendar, the first day of the first month is called Yuanri, Chen Yuan, Jacky, Yuanshuo and New Year's Day. Commonly known as the first day of the first month. It was changed to Gregorian calendar in the Republic of China. The first day of the Gregorian calendar is called New Year's Day, and the first day of the first month of the lunar calendar is called Spring Festival.

The Spring Festival is also a time for us to sum up ourselves and create opportunities for future life planning.

Spring Festival custom1111/stick grilles is a festival custom of ancient Han people. During the Spring Festival, people in many places in China like to stick various paper-cut window grilles on their windows. Window grilles can not only set off the festive atmosphere, but also bring people beautiful enjoyment, integrating decoration, appreciation and practicality. Paper-cutting is a very popular Han folk art, which has been loved by people for thousands of years. Because it is often attached to the window, people generally call it window grilles.