Traditional Culture Encyclopedia - Traditional culture - Hebei folk song flying a kite to what tune?
Hebei folk song flying a kite to what tune?
"Cut Indigo Flower" tune is a folk tune with a long history, and it was very popular during the Qianlong period of the Qing Dynasty. It consists of three phrases in a single section. The first and second phrases are a pair of upper and lower sentences; the second phrase sings two words; the first half of the third phrase is a liner, and the second half is a repetition of the second half of the next phrase. It is widely circulated in China. In addition to singing "Kite Flying", it also sings "Wrestling Watermelon", "Returning to Mother's Home", "Transferring Soldiers", "Yumei Lover", etc. In the south, it is also known as "Dock Tune".
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All over the country, "kite flying" ditty, singing content is similar, melodic style is different, but still have a **** the same characteristics: highly lyrical, beautiful and beautiful. Therefore, has been recorded around the "kite flying", most of the popular works. Popular in Hebei, Lu, Jiangsu, Anhui, "flying kites", most of the use of the Ming and Qing dynasty tune "dock tune", Nanpi's "flying kites" is one of them, it is the excellent tune circulating in the south of the Yangtze River "moved" to the north, used to sing the success of the local folk life.
This is one of the examples of the successful transfer of the best songs from Jiangnan to the north to sing about local folklore.
Like Nampi's "Jasmine Flower," "Flying a Kite" is also a "southern song sung in the north," so why did this phenomenon occur? Reasons may be many, but one point is particularly important, that is, Jidong South area is just the Beijing-Hangzhou Grand Canal must pass through, for thousands of years, this is not only the hub of economic trade, but also cultural exchanges, people from the north and south of the north of the northern folk art to the south of the Yangtze River, and the same and the south of the Yangtze River's traditional music broadcast in the north, the wandering artists, to become a messenger of such cultural exchanges. There are many such towns in China, which are either at the crossroads of land and water, or at the borders of two or three provinces, where the music is not only rich in varieties, but also unique in style, forming its own "small environment" in the practice of "singing in the south and singing in the north" or "singing in the north and singing in the south". "Small environment" characteristics.
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