This paper analyzes the differences between Gao Juexin and Gao Juehui in Ba Jin's Home.

Chueh-hui: Boldness and innocence are the main characteristics of Chueh-hui's personality. Chueh-hui is a new representative of the democratic forces under the impact of the May 4th Movement, a rebel of feudal ethics, and a kindling in the lifeless family of the Gaos. He had no scruples about feudal forces, was fearless and uncompromising. He took an active part in the May 4th anti-imperialist and anti-feudal patriotic student movement and was moved selflessly. He opposed the oppression of young people by feudal parents, publicly supported Chueh-min's resistance to marriage, and advocated that young people should be masters of their own destiny. Oppose eldest brother's philosophy of bowing his head, despise the decadent and shameless life of Ke 'an and Ke Ding, and pursue a civilized lifestyle; He opposed feudal superstition, moved Jui-chueh outside the city to have children, sympathized with the lower class, advocated equality of personality and loved his servant Ming-feng. He finally left home. It reveals that his resistance is firm and childish, mainly because he can't make a scientific explanation of everything around him, and thinks that everything in the old family is a complicated knot and there is no way to untie it.

Chueh-hsin: Chueh-hsin is a mixture of old and new personalities. He accepted feudal orthodoxy, but he was also dissatisfied with the corruption of feudal families. His personality has prominent duality: he is a gloomy gentleman in the old family; When he was with young people like Chueh-hui and Chueh-min, he was also a young man who longed for a new life. Because he was burdened with the old culture, he could not extricate himself from the oppression of feudal consciousness and the pain of self-contradiction. His vision in Meilin, his lonely sigh in the moonlight outside the bridal chamber, and his lyrical expression by drinking wine when he took refuge in Meilai, bit by bit presented us with a new image of being flesh and blood, knowing customs, educated and thinking in the gas field. And it is such a character who has made many incomprehensible choices. This choice is precisely the result of careful consideration. The significance of this tragedy is even more intriguing. In fact, the result of Chueh-hsin's thinking often comes from the so-called "responsibility" of the eldest son. In this era, "responsibility" is often an invisible tool of feudal system, and its unreasonable part makes Chueh-hsin feel sad and has experienced many vicissitudes. It is also driven by this sense of responsibility. When the younger brother was about to leave this "home" and run for the light, he took out the travel expenses for the third brother to be with the dead Jui-chueh. Don't underestimate the handling of this pen, it makes Gao Juexin's whole ideological track clearly presented and makes the characters rich and unified. No wonder Jui-chueh stood up and said, "He's not like this" when the third brother denounced the elder brother for his incompetence. Anyone who knows him knows that he is the overall situation, and a man's indomitable spirit is by no means incompetent and useless. After watching the whole play, should the audience understand Chueh-hsin as well as Jui-chueh? Zhao Zhigang's performance in this play is steady, simple and vivid. Like it again! Another figure who is quite successful is Feng Ming, whose purity and beauty have always been the favorite characters in the family. However, the performance of young actor Chen Yes was not as frivolous and overly modest as some previous actors, and achieved good performance results. Her pure, unadorned expression and natural body treatment have also become a highlight of the play.

Chueh-hsin is the successor and victim of feudal system.

As a married person before the May 4th Movement, she accepted the feudal orthodoxy and took it as the principle of action. He was chosen as the successor by Ke Ming to save the fate of the Gaos. At the same time, he was also the biggest victim of the feudal system. The small opinions of both parents ruined his marriage with Mei, and the ignorant feudal superstition took the life of his beloved wife. Although the May 4th new trend of thought touched him, it was difficult for him to get rid of the shackles of feudal thought. He and Mei were childhood friends. One day, Mei's mother had an argument with Chueh-hsin's mother at the poker table, thinking that she had been wronged, and she retaliated by refusing to get married. They didn't resist and accepted it painfully. Chueh-hsin married Jui-chueh, and Mei later died of depression. The day of Jui-chueh's production is coming. This incident aroused the anxiety of Mrs. Chen, the fourth wife, the fifth wife and several maids. At first, they talked secretly behind people's backs. Later, one day, with a serious expression, Mrs. Chen officially told the Keming brothers about the "disaster of mass annihilation": when the coffin of the elder was parked at home and someone at home gave birth to a child, the maternal blood would rush to the deceased, and a lot of blood would flow out of the deceased. The only way to avoid disaster is to move the parturient out of the mansion. It's not enough to move out of the residence. The lotus of the mother can still return to her residence, so she has to move out of the city. It is not enough to go out of the city, and the city gate can't hold the lotus of the mother. We must let the mother cross the bridge. Moreover, it is not necessarily safe to do so. At the same time, the family should build a fake grave with bricks to protect the coffin, so as to avoid the "mass annihilation". The fifth wife, Shen Shi, was the first to approve of this method, and she echoed the fourth wife, Wang He. Keane didn't seem to agree at first, but after listening to Wang's explanation, he completely agreed. Ke Ming and his first wife Zhou finally agreed. Among the older generation, only the third wife Zhang said nothing. In a word, everyone decided to follow Mrs. Chen's advice. They asked Chueh-hsin to do it at once. They say grandpa's interests are above everything else. Although these words came as a bolt from the blue to Chueh-hsin, he accepted them calmly. Chueh-hsin went back to his room and told Jui-chueh about it. Jui-chueh didn't say a word of complaint. She just cried. Later, when Jui-chueh gave birth, she called him in, but feudal ideas and two doors turned him away, and Jui-chueh finally died. He finally understood that these two small doors have no power. What really took away his wife was another thing, the whole system, the whole ethics and the whole superstition. All this is on his shoulders, which has put him under pressure for many years and deprived him of his youth, happiness, future and two favorite women.