Hard pen pen calligraphy works appreciate

Pen calligraphy because of the lightweight and neat, by many calligraphers favorite, so the pen can write a piece of what kind of italic calligraphy works? The following is my organization for you to appreciate the pen calligraphy works, I hope it is useful to you! It is the most standardized, mature and stable calligraphic style in the history of calligraphy. It transforms the roundness of the seal script into straightness and squareness, and summarizes it with eight basic strokes, and requires the writer to write the many Chinese characters in a variety of styles, which are lively and not dull, which is not an easy task indeed. This is not an easy task, and therefore requires a high level of artistic cultivation and skill on the part of the writer. In addition to the basic skills of writing, such as the movement of strokes and drawings, it is the structure that is important. Therefore, there have been many discussions on the structure of Chinese characters. Today, we are going to talk about the changes in the structure of the regular script, in order to have a way.

1. Yan Zhenqing in his "described Zhang Changshi penmanship twelve ideas" said? Interesting long pen short, long so that the intention of the gas has more than enough, painting if not enough? That is to say that the writing strokes and structure should be implicit, the pen is short and fun long, painting if not enough and the intention of the gas is more than enough, that is, the power of the movement hidden in the implicit strokes. There is a kind of momentum waiting to happen. The one who utilized the most and the best implicit momentum is Yan Zhenqing, a great master of regular script in the Tang Dynasty, whose calligraphy can be represented by the "Record of the Temple of the Immortal Magu in Large Characters". Characters? Sound? Return? Bu? Time? The final strokes of the characters are not long, and they are written in a subtle and powerful way. This is his good use of the structure and momentum of the official script melted into the results of the regular script.

2, fill in the blanks. Regular script to write the fullness of harmony, to break the dull, in the need for some of the structure of the Chinese characters to make some appropriate adjustments is necessary. Later generations of people recorded "Ouyang rate more than thirty-six law" said fill the empty? I want it to be full and square. The Qing people said? Completing the empty space, make up for its empty space, so that the perfect place to match also? Complete its divine principle and harmonize the eight sides also? The purpose of filling in the blanks is not to fill in the blanks of the word, but to dissolve the structure of the original Chinese character, extend, relocate, supplement, and perfect it in one of its blanks, thus making the whole structure of the word with the wonderful combination of reality and falsehood. It is important to note that one should be aware of the situation and familiar with the principles of the six books, and should not write in a chaotic manner. Examples of characters can be seen in Chu Sui-liang's "Big Character Yin Fu Jing"? Sacred? Yan Zhenqing's "Praise for the Painting of Dongfang Shuo"? Mocking? and other words.

3, the expansion and contraction. With the monk Zhiguo said in the "Ode to the sincerity of the heart"? Back to the tile to stay put? Transformation of the hanging shrinkage? He meant that in a character, similar strokes should not be repeated and come out, there should be a stay and a release, and there should be a stretch and a contraction. For example, the two strokes that are repeated should be contracted and extended in order to have the beauty of change. In the radicals and structural units, there are also variations in expansion and contraction, all of which aim to make the structure of the character rich in the beauty of change. For example, the two characters in Liu Gongquan's "Tablet of the Army of Divine Strategies"? Xinxin? The right hand of a positive and a negative, a spreading and a shrinking. Chu Sui-liang "large character Yin Fu Jing" two? Yu? characters, the left-hand side of a spread and a contraction, and so on.

4, the displacement. Calligraphy in the creation of common examples of transposition such as? Shu? Autumn? There are left and right translocation;? goose? The word is written as an up and down structure. Some believe that the original word is difficult to conjugate, in fact, in order to break the common visual habits of the Regular Script, so that its posture is different, increase interest, the pursuit of the beauty of its changes only.

5, increase or decrease. With the monk Zhiguo "Ode to sincerity" said? The complexity of the reduction, sparse when the continuation of the complement? The sparseness is not complementary, dense potential to make up for it? Calligraphy is the creation of the calligrapher of the text according to the requirements of the stereotypes to save or add complexity, on the one hand, is to break the uniformity and neatness, increase the sense of sparsity, on the other hand, is the aesthetic transformation of the text, resulting in visual contrast. Of course, there should be a certain degree of increase or decrease in the number of strokes. Examples can be seen in Zhao Mengfu's "Chiba Stele"? God? The last stroke is added; the Liu style "Divine Counselor's Tablet"? But? One more stroke;? The name of the tablet is "Wandering" (徘徊), which means "wandering". Double reduced to a single.

It should be noted that the Regular Script has a source of increase and decrease in strokes, and most of them come from the seal script, so the writer must be familiar with the ancient method. The ancient method? The first time I saw a calligrapher write a calligraphy, I saw a calligrapher write a calligraphy. I have seen a calligrapher write? I am still looking at the present day? and then he wrote "I'm still looking at the present day". See? (a Chinese character)? Hand on eye? Write? Hands on the sun? Although the minus one stroke follows certain rules of writing, it is not meaningful. From this point of view, calligraphy is not just writing skills, at least to strengthen the literacy training.

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