Trial measures for the payment of remuneration for dramatists' performances

Article 1 After the promulgation of these Measures, professional literary and art groups at or above the county level throughout the country shall notify the writers of newly created, adapted, arranged and transplanted plays (only foreign plays translated by translators), and truthfully indicate the names of relevant authors in plays, picture albums and advertisements. Where tickets are sold, the playwright shall be paid remuneration for the performance of the script according to these measures. Article 2 The performance remuneration paid to the playwright shall be paid by the troupe when the play is performed for the first time, and shall be drawn from the net income of the troupe when performing the play (that is, the amount after deducting the theater rent or theater account). That is, the premiere troupe pays the playwright the remuneration for the first performance in one lump sum, and then draws the remuneration in proportion after the performance of 10. Replay (adaptation, transplantation) troupes pay by drawing money. Article 3 The remuneration standard for the first performance of a script is as follows:

(1) 600- 1000 yuan for large-scale drama and opera.

Medium-sized drama, drama 400 each-800 yuan.

200 plays and 200 operas each-400 yuan.

Large-scale opera and dance drama 1200-2000 yuan each.

Medium-sized operas and dances are 800- 1600 yuan each.

Opera and ballet 400 each-800 yuan.

(two) the county (city, flag) level professional troupe premiere remuneration standard is:

400 plays and operas each-800 yuan.

Medium-sized dramas and operas each 250-500 yuan

Small plays and operas each 125-250 yuan

Large-scale operas and dances cost 600- 1000 yuan each.

400 for medium-sized operas and 400 for ballet-800 yuan.

Opera and ballet 200 each-400 yuan. Article 4. The proportion of extraction as remuneration is as follows:

(1) Large-scale dramas and operas account for 2% of the income.

Medium-sized dramas and operas accounted for 1%.

Dramas and operas account for 0.5% of the income.

Large-scale operas and dance dramas accounted for 5%.

Medium-sized operas and dance dramas account for 3% of the income.

The income of operetta and ballet accounted for 1%.

(two) the proportion of county (city flag) level professional colleges and regiments is:

Large-scale dramas and operas account for 1.5% of the income.

Medium-sized dramas and operas accounted for 1%.

Dramas and operas account for 0.5% of the income.

Large-scale operas and dance dramas accounted for 3%.

Medium-sized opera and dance drama accounted for 1.5%.

The income of operetta and ballet accounted for 1%. Article 5 Mastery of remuneration standards and payment methods:

(a) the amount of remuneration for the premiere of a script should be determined according to the ideological and artistic nature of the script and the difficulty of the creative conditions (such as the difference between the remuneration standards for newly created scripts and adaptation, arrangement and transplantation of scripts). The remuneration standard is proposed by the art room of the theater (group) and approved by the director of the theater (group).

(two) the replay script is paid by the replay (adaptation, transplantation) theater (group) according to the regulations.

(three) children's drama, puppet show, shadow play can be charged according to the above drama, opera, opera and ballet. Children's dramas and other dramas performed by children should include subsidies from cultural authorities or other parties for each performance of the drama.

(4) The performance remuneration of the authors and composers of opera scripts, screenwriters, directors and composers of dance scripts shall be allocated through consultation according to the amount of labor paid.

(five) the proportion of remuneration for the first performance of translating foreign dramas is two-thirds of that of this drama; The remuneration and proportion of the first performance of translating foreign opera literary scripts are two-fifths of that of operas.

(6) When a published script is staged, the author shall be notified, and the remuneration shall be paid to the script copyright owner in proportion according to the regulations.

(7) After the script is adopted, the premiere theater (group) will pay the literary editor of the art room of the theater (group) as the editing fee of the script according to the standard of evaluating the script remuneration. If the script is not selected by the literary editor, or if the literary editor does not work, no remuneration will be paid. The repertory troupe only pays the playwright, not the literary editor.

(eight) within one month after the new script is staged, the premiere troupe shall pay the playwright the premiere remuneration. After the premiere troupe has performed the play 10, the drama troupe will pay remuneration according to its income after performing the play. It can be settled quarterly. Article 6. The effective time for paying remuneration by lottery is from the date when the play premieres in the troupe to 30 years after the author's death. After the death of a playwright, his performance remuneration may continue to be collected by his legal heir. If there is no legal heir, the troupe will stop paying wages. Article 7 If the original script has lost its copyright, or if the author of the original script does not enjoy the copyright according to law, only the performance remuneration shall be paid to the person who adapted, arranged and transplanted the script. Eighth professional drama troupes at all levels according to the drama script (whether it is a newly created script or a script adapted from other literary and artistic works) (such as drama adapted into a drama, or vice versa; Where an opera is adapted into a ballet, or a ballet is adapted into a ballet, and a transplanted script is arranged, the performance remuneration shall be paid to the arranger, arranger, transplanter, original screenwriter and original arranger respectively according to the following proportions. The ratio is:

(1) 70%-75% is paid to the adapted script, and 25%-30% is paid to the author of the original script or the original adapted script.

(2) 50%-60% of the arranged script is paid to the arranger, and 40%-50% is paid to the original screenwriter or original adaptation.

(3) 20%-40% of transplanted scripts, and 60%-80% of original scriptwriters or original adapted scripts.

(4) Those who adapt, arrange and transplant the above-mentioned scripts shall, after receiving the remuneration for the first performance and drawing lots, be responsible for distributing a part of the remuneration received by the original screenwriter or the original adapter according to the prescribed proportion.

(5) A playwright who adapts a non-dramatic work that is copyrighted by others shall obtain the consent of the copyright owner of the original work and pay remuneration to him in accordance with the provisions of the Trial Regulations on the Protection of Books, Periodicals and Copyright.