Chinese Dream Calligraphy Works

The Chinese dream is defined as "realizing the great rejuvenation of the Chinese nation is the greatest dream of the Chinese nation in modern times", and this dre

The Chinese dream is defined as "realizing the great rejuvenation of the Chinese nation is the greatest dream of the Chinese nation in modern times", and this dream is believed to be "sure to come true". The following is what I arranged for you, I hope it will be useful to you!

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Modern consciousness of calligraphy

Although China's calligraphy has a long history, rich inside information, rich classics and lofty taste, due to the narrow traditional thinking, people often regard calligraphy creation as a "residual matter", and "moral writing" is an "orthodox" event. Due to the requirements of this criterion, this priority order is invisibly formed: morality-article-painting-calligraphy-seal cutting. There is also an attribute phenomenon between primary and secondary.

Books are expensive for people. As long as there is no "dishonor" and "flaw" in morality, the handwriting of emperors, generals, famous ministers and officials will be valued by the world. People with personality problems are not expensive even if their works of art are wonderful. This concept, which is divorced from the charm of art itself and infiltrated into the additional elements of society, has a negative effect on calligraphy. In addition, due to the limitation of the imperial examination system on the font of the answer sheet, calligraphy weakened the essence of "wandering outside" and "writing my heart" Zhang Xu's "Gone with the Wind" and Huai Su's "Madness", the artistic "personality", also faded in later generations. Until the Ming and Qing Dynasties, pioneering calligraphers such as Xu Wei, Huang Daozhou, Wang Duo, Fu Shan, Deng, Yangzhou Eight Eccentrics, He and Kang Youwei appeared one after another, the inner life of calligraphy was awakened. These calligraphers, who were regarded as "wild ways" at that time, now seem to be masters with innovative spirit.

Today, with the high development of science and technology, the art of calligraphy, as a practical "subservient beauty", has disappeared, thus developing in the "pure beauty" art world.

Modern calligraphy creation must first have the consciousness of innovation and development. Publicize personality, rationally analyze the vitality of classic works, draw nutrition from many aspects, and constantly create a book style with distinctive characteristics of the times.

Inheritance is for development. We should not only learn and inherit the classic art of calligraphy, but also explore those cultures that were ignored by the ancients but really have artistic vitality, and have the courage and spirit of "digging hard stones to see jade". For example, Yangshao culture, ancient pottery culture, Dunhuang culture and folk culture. Through ingenious artistic creation, it has become a modern "new culture". At the same time, we should also give new life and meaning to the extreme lyricism of calligraphy-Crazy Grass, which is a kind of calligraphy style that comes from the home of calligraphy, the home of calligraphy, China Calligraphy Learning Network.

On the other hand, with the development of calligraphy today, we are more aware of the importance of "visual effect". The diversification of creative forms, the careful selection of materials and sizes, and the creation of exhibition hall effects will strongly affect the artistic appeal of works.

Nowadays, many people with lofty ideals in the West are studying China's calligraphy art and applying it to painting creation to improve and enrich their traditional techniques and artistic logic. This is the same as China female painter Pan's extensive use of calligraphy lines in oil paintings.