Traditional Culture Encyclopedia - Traditional culture - The Artistic Features of Zuo Quan Xiaohua Opera
The Artistic Features of Zuo Quan Xiaohua Opera
Light and cheerful lower body movement rhythm
"Three Steps" is the most representative movement rhythm of the lower body in Xiaohua Opera Dance, which includes basic elements such as trembling, jumping and pedaling, with emphasis on the rhythm of the knee joint and ankle joint. Every time you get out of your leg and close your foot, you will have corresponding breathing and stretching. The whole step should be actively pushed from the soles of the feet, ankles and knees, and slowly dropped. At the same time, it is necessary to cooperate with the difficult coordination of the backward leg lift, and then slowly slide out of the heel. With the bumpy elasticity, the knees bend and stretch rhythmically, making the whole body form obviously ups and downs, like a boat in the waves, carefree and free. This dance step is unique in Han folk dance, which enriches the content of Han folk dance step and has unique training value.
Stretch the beautiful upper body dance.
"Flower-twisting" is the main part of Zuo Quan Xiaohua Opera, which is more difficult than ordinary yangko, so it is called "Flower-twisting Opera" by the people. Coupled with body dances such as twisting waist, shaking head, round arm, turning shoulders and twisting waist, three bends, the dance characteristics of Xiaohua Opera are stretched, rich, simple and handsome. Among them, I think the "three bends" posture is the most distinctive. It forms an "S" posture with the upper body, buttocks and knees, and is smart and lovely with various brisk steps under the feet, which just reflects the femininity and cleverness of women. There are more than 50 dance forms of Xiaohua Opera, many of which have a strong sense of image. There are Magpie Climbing Plum Blossoms, Looking Back at the Moon, Yuanyang Playing in the Water, Xiaoyan Spreading her Wings, and Golden Rooster Independence for women, while there are riding a horse and squatting in the crotch, Phoenix Spreading its Wings, Pulling the Sea and Bow and Arrow for men. Now, many popular dance moves have also been absorbed into the dance of Zuo Quan Xiaohua Opera, making Zuo Quan Xiaohua Opera more energetic.
Dance and the use of variable props
The dance of Zuo Quan Xiaohua Opera adopts the characteristic props of two-color fans. Various application techniques of color fans are called fanning. There are more than 50 kinds of fan flowers, among which "butterfly fan", "scattered fan", "knocking fan", "ten thousand fan", "big and small fan" and "rotating fan" are the main ones. These fan flowers are very unique, different from other Han folk dances, and have good training value. In particular, the unique "butterfly fan" requires the performer to hold the fan with both hands and use the elbow to drive the swing arm. At the same time, both hands quickly rotate the fan flower around the wrist, making the fan flower fly up and down, giving people the feeling of butterflies flying, so it is called "butterfly fan" Fan is a universal prop of Xiaohua Opera, which can be transformed into various daily necessities in the hands of actors, and it is also an important tool to express thoughts and feelings. The fan method of opening, closing, rotating, moving, static, fast and slow conveys the joys and sorrows of dance.
Simple and enthusiastic performance style
In the long historical development process, Zuo Quan's operas have experienced different periods of baptism, and at the same time, they have created their performance style that keeps pace with the times. Whether it is aggressive little flower drama in the war years or relaxed and happy little flower drama in the peace years, it has its unique expressive force and appeal. In the emotional expression, sometimes passionate, sometimes quiet and restrained, in the dance rhythm implicit and simple, but in the fan flower props and emotional expression passionate. This requires an actor not only to have a harmonious and beautiful body, but also to have a full state of emotional expression. Many classic plays of Xiaohua Opera have a certain drama color, so it is necessary to express the contradictions and conflicts of drama from the plot and character. There is dance in the song, and there is drama in the dance, and song, dance and drama are closely combined.
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