The relationship between literary aesthetics and film and television creation

Film and television creation and aesthetics are inseparable. ? Aesthetic theory not only ensures the typicality of film images and the aesthetics of art, but also is inextricably linked with aesthetics at the beginning of its production.

The development of China's aesthetics is closely related to poetry, music and dance in China's traditional culture. It separated from the system of rites and music and developed relatively independently, which has influenced people's ideas and aesthetic standards so far. Especially in the current film and television drama creation, many directors have been inspired and influenced by China's aesthetics.

A large number of oriental elements are incorporated into the film and television works, which makes them show a different charm. It not only enriches the forming factors of film aesthetics, but also inspires the director's creative thinking.

For the creation of film and television dramas, we can clearly feel the aesthetic thoughts of the creators and the influence of China's aesthetics on them in terms of the use of lenses, the layout of scenes, colors and music.

China's traditional aesthetics is greatly influenced by China's traditional culture, mainly including Confucianism and Taoism.

In the development of China's film and television field, there are also many excellent film and television works in recent years. In particular, Zhang Yimou's Flowers of War and Shadow, and Chen Kaige's Legend of the Demon Cat and other film and television works have a remarkable feature, that is, the pictures in the works are extremely aesthetic and have a strong China antique color.

The colorful pictures on the big screen bring certain artistic enjoyment and visual impact to the audience. In these pictures, the audience can capture the artistic expression means with China characteristics, and in the process of applying its aesthetic art, they also show innovative artistic expression forms. This shows the influence of China's aesthetics on the formation of film aesthetics.