What are the basic principles and policies of the state on Kunqu opera art now?

China Kunqu Opera has a long history, more than 6 0 0 years ago. It is a treasure in China's traditional art and an orchid in the garden of traditional Chinese opera. Its repertoire is rich and colorful, its rhetoric is gorgeous and elegant, its melody is beautiful and elegant, its dancing is exquisite and graceful, its martial arts is superb, and its performance is sincere and poetic. His painting style, which combines poetry, music, song, dance and drama, occupies an important position in the history of China literature, drama, music and dance, and has a far-reaching and direct influence on Beijing Opera and many local operas in later generations. Kunqu opera also enjoys a high reputation in the world art forest. Many scholars in Europe and America regard China Kunqu Opera and Indian song and dance as typical representatives that can best reflect the beauty of oriental art. Kunqu Opera, as a performing art representing the highest artistic achievement of China's classical opera, has been completely preserved and developed so far, and won the praise of experts at home and abroad, reflecting the important achievements of the party and government's literary principles and policies. Kunqu Opera is not only a rare artistic treasure in China, but also a rare artistic treasure in the world. On May 1 8 this year, China Kunqu Opera was declared as the first batch of "representative works of human oral and intangible heritage" by UNESCO, which fully illustrated this point.

The party and government attach great importance to the protection and revitalization of Kunqu opera.

Kunqu opera has been in decline since the late Qing Dynasty. /kloc-After the 1920s, Kunqu opera continued to be passed down, because Nankun relied on "Chuan" generation actors, while Beikun relied on Han Shichang, Bai Yunsheng and other older generation folk artists to insist on performing. However, due to the lack of attention at that time and insufficient government funding, it had declined to the point where there were no professional theatrical troupes in China on the eve of the founding of New China.