What is the difference between Hebei Opera and Tianjin Yindazi's old tune Hebei Opera?

Yindazi (1895-1959) is an actor of Hebei Opera, who also specializes in Lao Dan. Formerly known as Wang Qinglin, Dasunzhuang people in the western suburbs of Tianjin, born in 1895, Han nationality. After a miserable childhood, he learned tailoring, and at the age of 12, he studied Hebei Opera with the veteran actor Da Zihong, specializing in the Lao Sheng. She studied hard and was good at understanding and researching, and got its charm. 1914-1928, in addition to performances in Tianjin, she also went to Xinji, Nangong, Baodi and Baxian to perform in the area. 1930, she returned to Tianjin, and she performed with Jin Gangdrill, the famous Qingyi of Hebei Clappers, which was very complementary to each other. 1947, they performed together in the "Chinese Tea Plantation" again. In 1947, they performed in the "Chinese Tea Garden". On the eve of the liberation of Tianjin, Yindazi went to the radio station to advertise for the store, using his income to save the dying theater.

After the liberation of Tianjin on January 15, 1949, Yindazi took the initiative to set up a **** and class, named "Revival of Hebei Opera Troupe". Not only do they often perform traditional plays, but they also perform new plays to complement political propaganda, such as "Brother and Sister Open Land," etc., which sold out for a long time. 1953, they formed the state-run Tianjin Hebei Clapper Theater Troupe with Han Junqing and others. In 1953, they formed the state-run Tianjin Hebei Opera Troupe with Han Junqing and rehearsed Qin Xianglian as a dedication to the troupe. Later, he was the vice president of Tianjin Hebei Opera Theater, and in the fall of 1953, he went to North Korea to perform for the Chinese People's Volunteers. Later, as a representative of the people of Tianjin, he and another representative, Han Junqing, initiated the establishment of the Tianjin Opera School to train the successors of the Peking, Peking Opera and Bang Opera styles. This proposal was adopted by the Tianjin Municipal People's Government and started to build. Many of the young and middle-aged opera performers now active on the stage were trained at that time. From the point of view of succession, he did make a great achievement for the revival of Hebei Opera. Unfortunately, in November 1959, Yin Dazi was attending the National Industry, Transportation, Finance and Trade System Group Meeting in Beijing, due to a cerebral hemorrhage, died at the age of 64. According to his life volunteer, was posthumously recognized as a member of the Chinese **** production.

Because his voice is soft and sweet, like a silver bell, fresh and pleasant, so named Yindazi. His singing is very concerned about the spitting and vocalization, strict mastery of the size of the board, singing with ups and downs, level well, love words and lush, sparse and dense. His artistic achievements are most prominent in the reform of male voice singing. Initially, his singing style was basically based on the school of Xiaoyuan Yuanhong (Wei Liansheng), but he also embraced various schools of Peking Opera, Peking Rhythm Drums, and Taiping Lyrics, and used them for his own purposes. After middle age, according to their own voice characteristics, created a narrative-based, more bass "Dazi cavity" or "silver school" Lao Sheng singing, to the true and false voices and the use of rigid in the soft, this new school of Bangkok singing, for this endangered ancient local opera species

This new genre of opera singing has injected new blood into this ancient local theater on the verge of extinction.

Yindazi's repertoire includes "Regulus", "Playing the Golden Bough", "Battle of the North Plains", "Butterfly Cup" and so on.