Tone of various instruments Loudness Pitch.

I don't know much about Western instruments, so let's talk about folk music. Nowadays, the sound range of folk instruments is very wide, and the loudness is very relative, depending on the quality of the wood. However, the guzheng has a loud sound among folk instruments, and the aftertone is very long, as is the guqin's aftertone. The following is a specific introduction to the tone of various musical instruments, this talk is very full, because it will be helpful to you.

(I) Wind instruments: melodic development.

(1) Han and Jin styles: secular moods

(2) Ocarina: lamentation in witchcraft

(3) Xiao: chanting in the study

(4) Flute: singing in the wilderness

(5) Pipe: lamentation in the field

(6) Shoji: solvents in the orchestra

(2) Percussion instruments: laying down the rhythm <

(1) The Spirit of Shang and Zhou: Nobility

(2) Drums: The General's Command

(3) Chimes: The Sound of Princes and Nobles

(4) Chimes: The Charm of a Lady

(3) Rattles: The Colorful Laying Down of Rhythms

(1) The Meteorology of the Sheng Tang Dynasty: The City's Elegant Manners

(2) The Qin: The Old Man's (3) Thur: the sincerity of a strong man

(4) Zheng: the sharpness of a young man

(5) Sanxian: the boldness of a rider

(6) Nguyen: the gentleness of a man of letters

(7) Pipa: the ramblings of a small family

(3) Stringed Instruments:: deepening of the rhyme

(1) The interest of Ming and Qing dynasties: Local flavor

(2) Erhu: the warmth and lingering of the South

(3) Jinghu: the soaring excitement of the North

(4) Banhu: the loudness and breadth of the West

(5) Falunculus: the ruggedness and warmth of the Central Plains

Music is ultimately an art of sound, and the most important thing is the character of the timbre, which plays a direct role in the appreciation of the charisma of Chinese music. Timbre plays a direct role in the appreciation of the charm of Chinese music. As the charm of Chinese music is expressed through the charm of each instrument, and the timbre has a strong individuality, it is necessary for us to interpret the unique timbre of each instrument, and trace out the timbre of Chinese musical instruments through time, which will help us to feel and understand the historical connotation and aesthetic flavor of Chinese music.

Shaw: Chanting in the Study Hall

Shaw is one of the most classical and literate musical instruments.

Thousands of years ago, the Xiao was circulated in folklore. At that time, the Xiao for a single tube of speech Xiao, cross (should be bamboo character under

face a cross, the dictionary) Xiao. Later, people found that different lengths of tubes can emit different heights of

music sound, so they invented the row of Xiao. The earliest row of Xiao is a pair of "female

male Xiao" unearthed in the tomb of Zeng Houyi of the Warring States period in Suixian County, Hubei Province. Shaped like a phoenix wing, all by 13 lengths of thin bamboo tubes arranged in sequence.

Shaw's tone is soft, elegant, the bass area pronunciation is deep, mournful, has a strong penetration and shock,

especially when the weak play the aftertone, curling unceasingly, give a person "such as grudges such as the moo, such as sobbing, such as complaining," the sense of. Mid-range sound

color round, beautiful, soft and strong, gentle with inner strength, suitable for the expression of bright and open mood,

expression of human tenderness, depression and lingering inner feelings, with a strong literati mood and bookish atmosphere. Xiao

More use of the middle and lower register.

The flute: singing in the wilderness

In wind instruments, the flute has always occupied a dominant position, is the king of wind instruments.

The flute has an early origin, with bone flutes unearthed in Hemudu, Yuyao, Zhejiang Province, dating back 7,000 years. One of the thicker and longer ones had six holes across it, just one hole away from today's flute.

There are two main types of flutes: the bang flute and the qu flute. The bang flute is popular in the north, and its tone is high, crisp and clear

bright, and its sound is quick and sensitive, which is suitable for playing joyful and enthusiastic music and expressing high and impassioned emotions. The flute is mainly

popular in the south, is the main accompaniment of the Kunqu Opera, the tone is deep and soft, fresh and mellow, the volume is strong

when bright, but not rigid, when weak, soft, but not astringent, suitable for playing sparse, delicate, beautiful lyrical music.

In terms of playing style, the flute has an extremely strong melodic function and is one of the main melodic instruments in national instrumental music.

Zheng: The Sharpness of Youth

The zheng was mainly popular among the folk during the Zhou Dynasty, and was a much younger

instrument than the qin and the serpent, which were more populist and secularized. The zheng originally originated from the stringed instrument, zhu, but later received the influence of the plucked stringed instrument, serp,

. It was during the Han and Wei Dynasties that the zheng changed from the bamboo body of the zhu to the wooden body of the serpent. It was only in the Wei Dynasty that the zheng was made from

Zi wood from Sibin.

The zheng was first made of five strings, and after the transition to nine strings, it became a 12-stringed zheng at the end of the Warring States period; after more than 800 years,

it was passed down to the Sui Dynasty, when one more string was added to the zheng to form a 13-stringed zheng; in the Tang Dynasty, 12-stringed zhengs and 13-stringed zhengs existed side by side, with 12 strings used in

Elegant music and 13 strings in secular music; 13-stringed zhengs were the mainstay of the Song Dynasty; 14-stringed zhengs and 15-stringed zhengs were seen in the Yuan and Ming Dynasties, and 16-stringed zhengs appeared in the late Qing Dynasty.

The 16-stringed zither appeared at the end of the Qing Dynasty, and has been used until now. After the founding of China, 19-string, 21-string,

25-string and 26-string kites were developed.

The tone of the koto is mainly determined by the *** sound box and the strings. There are three kinds of kites

: big kites, small kites and steel-stringed kites. The big kite is about 2 meters long, the *** sound box is larger, using silk strings, soft and elegant pronunciation; the small kite is

1.3-1.5 meters long, the *** sound box is smaller, using silk strings, crisp and bright pronunciation, the tone in the middle and lower regions is similar to the big

kite, just a little bit harder; the size of the steel string kite is similar to that of the small kite, just using steel wire strings, so the pronunciation is clear and bright

. The steel-stringed koto is similar in size to the small koto, except that it uses wire strings, so the sound is bright

gorgeous.

In the function of performance, zheng is direct and exposed, with strong lyrical effect, it is the most perfect

expression of youthful mood. The highest peak of Tang Li's poem "Zheng" is also in the clouds: "The new song is issued in the tent, and the clear sound is pointed down. Tin mounted mold six

rhythm, columns with three talents. Do not listen to the West Qin play, zheng zheng have left sad".

Pipa: the ramblings of a young girl

In plucked instruments, the most colorful, when belonging to the pipa.

The pipa's tone is both crisp and soft. The first string is the brightest and transparent, the middle two strings are softer and fuller, and the fourth string is pure and long. The entire range can be divided into high, medium and low registers. The low register has a long, lyrical

emotional flavor, and if you use the chanting and vibrato playing method, the effect is better. The middle register is clear, soft, and most rich in pipa characteristics

color, and is the section of the pipa where the pipa's skills are most fully utilized, while the treble register is crisp and solid. The timbre of the pipa also varies according to the position of the right hand plucking the strings, with a harder tone near the whisk hand and a softer tone away from the whisk hand; the pipa's

volume amplitude doesn't vary much, but the effects of strong and weak playing are interesting in their own ways. When playing weakly, the pronunciation is clear, clean and

elastic, with a soft and light lyrical style; when playing strongly, although the volume does not increase greatly, the pronunciation becomes

solid and steady, and when playing with many strings, it can give people a kind of power and vigor.

The colorful effect of the pipa is the result of its clear and bright tone and flexible playing techniques. If

The pipa is compared to a human being, it should be a young woman, not a lady of the house, but a little girl of the family; not

reservedly elegant, but lively, enthusiastic and talkative; dress is not a lady of the house of the plain, but more brightly colored

colorful, and elegant.

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