Crosstalk is a traditional language art. Will comedians get angry with their jokes?

Crosstalk is a traditional language art, which is divided into two roles: cheering and teasing. They tease each other and make fun of each other, making ordinary things vivid and full of vitality. Teasing, the actor who tells the story in the performance process, cooperates with the singer, and creates a burden in the narrative through the singer's foil and bedding.

Bangzi, when an actor is performing, he talks about things in a teasing tone, which is also called "measurement". As the saying goes, "there is no size on the stage, but there are rules under the stage." Many of the baggage of cross talk is to amuse the audience. The funny and embarrassing appearance of cross talk made the audience laugh. Some cross talk content designers are slow to respond and jump around like clowns. Of course, both the actors and the audience know that this is not true, but the characters in the play are not.

Crosstalk actors don't get angry because of jokes on the stage. Crosstalk actors don't get angry because of jokes on the stage. If a comedian is angry at teasing an actor, where does the joke come from? Because the art of cross talk is "don't make trouble unreasonably, don't laugh." So the jokes they make when they perform on the stage are rehearsed in advance and will not get angry.

When it comes to joking, Degang Guo plays the most. I often make fun of my uncle Yu Qian. Yu Qian's father, Wang's father. Not only grandpa, but also his father Yu Qian and his sister-in-law Qian have made great contributions and often appear in the program. Like martial artists, archaeologists, archaeologists, old western doctors, gynecologists, chairmen of eight hutongs and so on.

But for professional actors, this kind of psychological ups and downs can be adjusted, but for professional actors, this kind of psychological ups and downs can be adjusted. You can also use your own stage experience to convey this emotion to the audience under the guise of "performance" and let the audience think that they are "playing well". But in fact, my heart is really uncomfortable to the extreme, and I even have the heart to hit each other's big mouth.

This situation is more common in small theaters. In one scene, Meng Tanghe beat Zhou Jiuliang's father. Zhou Jiuliang will scold "I am your father" for one minute in a row. Meng tried to skate several times, but Zhou Jiuliang kept cursing. Even the blood powder under the stage said, "Is Zhou Jiuliang crazy today?" How obvious do you think this is out of control?

Anyone who has heard the cross talk of Deyun Society should know this truth. Anyone who has heard the cross talk of Deyun Society should know this truth. So it is normal for everyone to have any violent scenes on the stage. Only the new audience who just started listening to cross talk will be surprised to ask, "Will that person really get angry?"

I once listened to crosstalk on TV for the first time, and listened to Hou He's Spitting Lotus. At that time, I thought that crosstalk might be similar to magic and acrobatics, and eventually it would really spit out lotus flowers, so I expected to hear it at last, but found that it was not the case; My young mind, I feel a great deception!

In the past, crosstalk in a small theater was often used to revive crosstalk, but some performances that were abandoned in the past were enlarged, including teasing the comedian too much. It is not impossible to use smashing as a means of ridicule, but we will find that some cross talks are now twenty or thirty minutes long, and the quality of smashing for more than ten minutes is not high, and the audience is gradually tired of aesthetics.

Comedians are more likely to get angry, because all jokes have been realized through communication. Even if the comedian hangs his mouth, the door is basically closed. So he is psychologically prepared and will not find it unacceptable.