There are many auspicious patterns in Ming dynasty, which have strong national characteristics. Try to find a few analyses.

Ming Dynasty emperors' costumes The Ming Dynasty seized political power from Mongolian aristocrats and attached great importance to rectifying and restoring etiquette. Abandoned the clothing system of the Yuan Dynasty, and redefined the clothing system according to the customs of the Han people. First of all, make clothes for the emperor. Ming Taizu thought that the ancient five-crown ceremony was too complicated, and decided to "worship heaven and earth, worship the ancestral temple, and serve the crown; Bones and other sacrifices, Yi Tian Tong Guan, crimson gauze robe. I don't need it. " This painting shows the emperor wearing a crown. Corona, the front lap is behind, and the front and back are twelve.

After the establishment of the Ming dynasty crown hat, it attached great importance to rectifying and restoring etiquette. Abandoned the clothing system of the Yuan Dynasty, and redefined the clothing system according to the customs of the Han people. The picture at 1 on the left is a coronation suit. The emperor wears a coronation suit, with a front circle and a back circle, and a front and back 12 grid. The second picture on the left is a black veil folded on a towel, which was worn by the emperor in uniform. Its style is basically the same as that of the black gauze cap, except that the left and right corners are folded up and stand behind the gauze cap. The picture on the right shows the official hat. It is framed with iron wire and covered with black gauze. After the crown, two wings were erected (then called "mountain"), and three beams were pressed out with gold wire. For more than three items, the crown is edged with gold thread, and for less than four items, no gold inlay is allowed.

After the establishment of the Ming Dynasty, the clothing system of the Yuan Dynasty was abandoned and re-established according to the customs of the Han people. First of all, make clothes for the emperor. The emperor's costumes include coronation, Tian Tong crown, fur coat (hat worn by men), military uniform and uniform. At the same time, the queen's dresses and uniforms and the uniforms of civil and military officials were also worked out. This picture shows Jinlong robe, a persimmon-knee five-claw dragon robe unearthed from Wang Zhutan's tomb in Zouxian County, Shandong Province, also known as "waist line" or "drag".

A man wearing a net towel in the Ming Dynasty (the picture shows Wu Kai in the Heavenly Palace, a ten-year engraving of Chongzhen in the Ming Dynasty). The net towel is a net cover for tying a bun, which is woven with black strings, ponytails and brown silk. The function of net towel is not only related to hair, but also a symbol of men's adulthood. Generally lined in the crown hat, but also directly exposed to cough. The influence of net towel was about the early years of Hongwu, and its origin was said to be related to Ming Taizu.

Ming dynasty officials who wore public clothes in the Ming dynasty. It is made of a collar with a right slit and sleeves three feet wide. The patterns and colors used in robes vary according to grades: the first to fourth grades are scarlet; Five to seven products, with cyan; Eight or nine products, green. The pattern is also different, with large flowers with a diameter of five inches; The floret is grade two, with a diameter of three inches; Three kinds of scattered flowers, no branches and leaves, two inches in diameter; Four [five] small flowers, one inch and a half in diameter; Six [seven small flowers, one inch in diameter; Below level 8, there is no pattern. The above clothes, together with feet and hoes, are mostly used for important court meetings.

Scholars in Ming Dynasty wore silk scarves and big sleeves (statues of Hou Dynasty). The specific style of the clothes of the scribes is characterized by inclined big breasts and big sleeves, which are full of hands and the length of the clothes reaches the foot surface, and the waist is tied with silk when wearing them. This kind of clothing is similar to a Taoist robe. This kind of clothes has existed since the Song Dynasty. It is a kind of wide and long clothes. In the Yuan Dynasty, the Zen monk also brought a second dress, which was worn by ordinary scholars. In the early years of the Ming Dynasty, Taizu asked the people to straighten the blue cloth. Later, a folk song said, "Erqi, two sleeves are like cloth bags", referring to this dress.

Ladies in armor in Ming Dynasty (Yan Qin Yiqing photo album). Gaby is a sleeveless and collarless double-breasted vest, which is longer than the later vests. It is said that it came into being in the Yuan Dynasty, which was first brought by the emperor, then became popular among the people and evolved into the clothing of ordinary women. "History of Yuan Dynasty": "Make another dress with a skirt in front and no crotch, and the back is twice as long as the front. Also, go and decorate the leader with two buttons called' Gaby' so that he can bow his horse and imitate it at all times. " Judging from the image data, there were not many women wearing armor in the Yuan Dynasty. It was not until the middle of the Ming Dynasty that a fashion was formed, which was mostly worn by young women. This style can be seen in the picture of "Yanqin Yiqing" made by people in the late Ming and early Qing Dynasties.

Clothing in the Ming Dynasty In the Ming Dynasty, women usually wore skirts and trousers. Among them, silks and satins are cut into stripes with regular sizes, each with a flower-and-bird pattern embroidered, and the other two sides are inlaid with gold thread, which is broken into skirts, that is, "phoenix-tailed skirts". It is more useful to fold the whole satin with fine pleats, which is a "hundred-fold skirt" The picture above shows the phoenix tail skirt (handed down from generation to generation); The picture below shows women's shoes made of cloth (unearthed in kind).

Although the Ming Dynasty costumes and women's hair accessories are not as rich as those in the Song Dynasty, they also have many characteristics. In the early Ming Dynasty, the women's bun didn't change much, and it was basically the style of Song and Yuan Dynasties. Many changes have taken place since Jiajing. There are also "Picking Heart Steamed Bun", "Taojian Steamed Bun", "Goose Heart Steamed Bun", "Falling Horse Steamed Bun", "Golden Plum Blossom" and "Golden Twisted Lantern Hairpin" and so on. There is also a fake bun (also known as parallel bun), which is also a common hairstyle for women in the Ming Dynasty, enriching the style of hair accessories. Generally, it is woven with iron wire and made into a fixed ornament with hair, which was called "drum" at that time. The drum is about half the height of the original steamed stuffed bun. When wearing it, it will shine on the bun to fix the hair. Fake bun has different names such as "Luohan Pian", "Lazy Comb", "Shuang Yan" and "Pillow Loose", which were still sold in some jewelry stores and were still loved by women until the early Qing Dynasty. The picture on the left shows a woman with a "falling horse bun" (illustrated in the Wanli block-printed Eleven Tales); The picture on the right shows a woman wearing a bun (part of Chen Hongshou Fairy Picture).

The secret service of the Ming emperor. The uniform, also called the wing crown, is covered with black gauze and folded with towels. The style is vertical collar, narrow sleeves, embroidered with golden dragon patterns on the front and back and shoulders, and jade leather boots. This suit has many uses. The official robes of the Ming emperor are yellow silk, embroidered dragon, lent text and twelve chapters. From ancient times to the Ming Dynasty, the dragon pattern changed its energy countless times. Generally speaking, the dragon patterns in the pre-Qin period are relatively simple and rough, and most of them have no limbs and claws, similar to reptiles. In Qin and Han dynasties, dragon patterns were mostly animal-shaped, with intact limbs and claws, but without scales. They are often painted as walking patterns, giving people an illusory feeling. The image of the dragon in Ming Dynasty is more perfect, which concentrates the local characteristics of various animals, such as head like a bull's head, body like a snake, horns like antlers, eyes like shrimp's eyes, nose like a lion's nose, mouth like a donkey's mouth, ears like cat's ears, claws like eagle's claws and tail like a fish's tail. The structure and organization of the pattern are also very distinctive. In addition to the traditional dragon walking and Yunlong, there are other names such as Tuanlong, Zheng Long, Zuolong, Ascending Dragon and Descending Dragon. Among the dragons embroidered on clothes in this picture, there are two kinds of dragons: ascending dragon and descending dragon.

The Ming emperors used to wear black gauze to fold towels, which was worn by emperors. Its style is basically the same as the black gauze cap, but the left and right corners are folded up and stand behind the gauze cap. The shape of this crown hat is described in great detail in the statue of the emperor in Nanxuntang Old Collection. This picture is a gold crown (folding towel) worn by the emperor unearthed in Dingling, Beijing, and it is also of this style. The folded towel is worn by the emperor with a collar and narrow sleeves.

Ming emperors used to wear black gauze, folded towels, standing collars, narrow sleeves and embroidered robes (statues of emperors in Nanxun Hall). The black veil was folded on the towel, which was worn by the emperor in uniform. Its style is basically the same as that of the black gauze cap, except that the left and right corners are folded up and stand behind the gauze cap. Collar, narrow sleeves and embroidered robes are the official clothes of the emperor. Uniforms, also known as wing crowns, have many uses. The official robes of the Ming emperor are yellow silk, embroidered dragon, lent text and twelve chapters.

The clothes of concubines in Ming Dynasty mainly include shirts, coats, gowns, backs, bibs and skirts. Most of the basic styles of clothes were imitated from the Tang and Song Dynasties, and they were generally right-handed, which restored the customs of the Han nationality. There are strict regulations on the clothes worn by married women, which are generally divided into formal clothes and regular clothes. This picture shows the empress of the Ming Dynasty wearing a crown and clothes, dressed in military clothes (statues of emperors in Nanxun Hall).

The clothes of concubines in Ming Dynasty mainly include shirts, coats, gowns, backs, bibs and skirts. Most of the basic styles of clothes were imitated from the Tang and Song Dynasties, and they were generally right-handed, which restored the customs of the Han nationality. There are strict regulations on the clothes worn by married women, which are generally divided into formal clothes and regular clothes. The queen usually wears a Dai Long rockhopper and a long-sleeved red coat with a robe, a long red dress and a red lapel. The first dress is decorated with dragons and phoenixes, and the clothes are embroidered with golden dragons and phoenixes. This picture shows big sleeves.

Women's wear in Ming Dynasty mainly includes shirts, coats, gowns, back pockets, bibs and skirts. Most of the basic styles of clothes were imitated from the Tang and Song Dynasties, and they were generally right-handed, which restored the customs of the Han nationality. There are strict dress codes for married women. Bi Xia is a kind of scorpion, shaped like two colorful exercises. It bypasses the head and neck and hangs on the chest with a golden pendant. Bi Xia appeared as early as the Southern and Northern Dynasties. After Sui and Tang Dynasties, people often praised this kind of clothing as beautiful as rosy clouds, so it was named Bi Xia. Bai Juyi's "Dancing in Dresses and Feathers" is described as "a colorful dress and a summer dress shaking the crown step by step". In the Song Dynasty, it was officially used as a dress, and the embroidery patterns varied with the level.

The costume of the Empress of the Ming Dynasty, the phoenix crown, is a kind of ceremonial crown with barbed wire as the fetus, decorated with a small emerald phoenix and jewelry tassels. As early as the Qin and Han dynasties, it has become the prescribed clothing for the Empress Dowager, Empress Dowager and Empress. There are two kinds of crowns in Ming dynasty, one is worn by empresses, and the crown is decorated with dragons besides phoenixes. The other is the colorful crown worn by ordinary women, which is not decorated with dragons and phoenixes, but only with beaded flowers, but also called rockhopper. This painting shows the dragon, phoenix, pearl and emerald crown.

Exhibition map of official uniforms in Ming Dynasty. The costumes of civil and military officials in the Ming Dynasty mainly include court clothes, sacrificial clothes, public clothes and regular clothes. Kirin robe is the official's royal dress. Its clothing is characterized by a large front, a sloping collar and loose sleeves, and a horizontal front. ,? It is full. Embroidered patterns, in addition to the chest and back group, are also distributed at the upper end of the rotator cuff and under the waist (a horizontal bar). In addition, a wide edge made of natural color was sewn under the left and right ribs, which was called "pendulum" at that time. Liu Ruoyu, the eunuch of the Ming Dynasty, described this kind of clothing in his book Proceedings. He said: "It has a continuous back, but it has a pendulum on both sides, two sections in front and a horse face fold under it, starting from both sides." According to the regulations, the materials and patterns used in this kind of clothing have a certain system. "History of Ming Dynasty, Yu Fu Zhi" said: In the thirteenth year of Zheng De, "I gave the minister red silk to store yarn. Its clothing color, bullfighting one product, flying fish two products, python three products, Kirin four or five products, tiger six or seven products; Hanlin technology is not limited to achievements; However, Cao's five products are not harmonious. " The clothes in this painting are embroidered with unicorn patterns. Kirin is an animal in ancient legend, which looks like a deer, with scales, horseshoes and horns. Later generations regarded it as a symbol of good luck and widely used in the decoration of various utensils. The image of Kirin has also undergone some changes. The head is painted as a faucet with two horns, and the tail is painted as a lion's tail. In the Ming Dynasty, it seems that the official dress of embroidered Kirin is not limited to four or five products, but can also be worn by a Royal Guards with special duties.

Officials in Ming Dynasty wore official uniforms, embroidered robes and jade belts (a portrait of Wang Shu in Ming Dynasty). The horn-expanding hoe is taken from the towel of the Tang Dynasty, but it has a hard helmet and iron wire as a hard leg. It is one foot and two inches long, and it must be worn by people with positions in the court. Python clothing is a kind of clothing given by the emperor. Wear a jade belt when wearing a python suit. The python suit is similar to the dragon suit worn by the emperor. It was not included in the official uniform, but was given by the eunuch and Zaifu of the Ming Dynasty. It is considered a great honor to receive such a gift. Python and dragon are very similar, but their claws are different. The dragon has five claws, and the python has four claws. In the Ming Dynasty, only emperors and their relatives were allowed to wear clothes of five-claw dragons. At the end of the Ming Dynasty, some dignitaries also wore dragon clothes with five claws, but they called them "python dragons". )

The story of the Ming Dynasty officials wearing Sim's cage towel, square collar and official uniform. The costumes of civil and military officials in the Ming Dynasty mainly include court clothes, sacrificial clothes, public clothes, regular clothes, dresses and so on. In the Ming dynasty, officials wore robes, both civil and military, and Guan Liang. According to the number of beams on the crown, there are one to eight beams, including the crown of Gong, Hou, Bo and Xu Liang, and the story of losing the Sim cage towel is square, with golden cicadas or hawksbill cicadas on the front and back. There is also a pheasant tail (pheasant hair) on the duke's crown. All officials below the first level only wear a tube, not a "heart-losing cage towel." At the top of Guan Liang, there is usually a curved bamboo pen with a velvet brush at the top. This pen is called "Li Pen", which actually imitates the "Bibi" system in Han Dynasty.

In the Ming dynasty, officials wore black gauze and embroidered gold robes in both the royal and official uniforms. The costumes of civil and military officials in the Ming Dynasty mainly include court clothes, sacrificial clothes, public clothes, regular clothes, dresses and so on. Embroidered robe is a kind of clothing given by the emperor. Wear embroidered robes with jade belts. The embroidered robe is similar to the dragon armor worn by the emperor. It was not included in the official uniform, but was given by the eunuch and Zaifu of the Ming Dynasty. It is considered a great honor to receive such a gift.

The imperial and official clothes of officials in the Ming Dynasty were all made of jade, with buttons and hooks. The crown is made of gold wire, inlaid with green nacrite, coiled by a four-claw python, with a forehead under the crown and long pheasant feathers and Zhu Ying inserted. In addition, there are jade hair crowns and so on. Whenever you are lucky enough to hunt for a ride, the eunuch wears it. Wear a narrow-sleeved sweater with a jade belt when wearing this crown. The use of hooks can be traced back to the Spring and Autumn Period. Many objects were found in the tombs unearthed in Shandong, Shaanxi, Henan and other places, and historical materials were also recorded. Because it is more convenient to use hook system than gentry belt, it is gradually widely used, replacing the position of silk tapestry. After the Warring States period, princes, nobles and celebrities were decorated with hooks, forming an atmosphere. The production of hooks is becoming more and more complicated. Its function is not only to bind the waist at the top of the belt, but also to wear knives, swords, mirrors, seals or other decorative items at the waist side. After the Northern and Southern Dynasties, a new type of belt "water swing belt" replaced the hook belt. The sling hose does not need a hook, but with the buckle, the function of the hook disappears. Hooks began to be used again in the Ming Dynasty, and their functions were similar to those of the previous generation. At the same time, it also played a decorative role.

Original copies of Ming Dynasty clothing Wanli silk and clothes. The dragon robe is one of the emperor's dragon robes, which is used with the dragon robe when the emperor worships heaven and earth and ancestral temples. This kind of silk robe is a kind of right robe with wide robe and wide sleeves. The main decorative patterns of the clothes are twelve chapters, of which Tuanlong 12 is peacock feather wool, with three fronts and three backs and one shoulder. Twelve patterns are distributed on the shoulders and the front and rear skirts.

Officials in the Ming Dynasty used to wear uniforms. This picture shows the supplementary services of officials and their work. Put on their jobs and hats, and put on robes with narrow sleeves. A "collar" is a high collar with a round brim. This kind of robe is the main clothing style of men in Ming Dynasty, which can be worn not only by bureaucrats but also by ordinary people, but with different colors. The collar clothes worn by ordinary people must avoid dark black, purple, green, willow yellow, turmeric and bright yellow, while others such as blue and ochre are not restricted, commonly known as "variegated collar clothes". Twenty-five years after the founding of the Ming Dynasty, the court made new regulations on official uniforms. All civil and military officials, regardless of rank, must put patches on the chest and back of the robe, with birds for civil servants and beasts for military officers to show the difference. This is the most distinctive costume in the official costume of the Ming Dynasty.

In the Ming Dynasty, officials used to put on official posts and plates to mend clothes. Wearing a black hat and mending clothes are the main costumes of officials in Ming Dynasty, and officials distinguish them by mending clothes. This kind of robe is the main clothing style of men in Ming Dynasty, which can be worn not only by bureaucrats but also by ordinary people, but with different colors. The collar clothes worn by ordinary people must avoid dark black, purple, green, willow yellow, turmeric and bright yellow, while others such as blue and ochre are not restricted, commonly known as "variegated collar clothes". Twenty-five years after the founding of the Ming Dynasty, the court made new regulations on official uniforms. All civil and military officials, regardless of rank, must put patches on the chest and back of the robe, with birds for civil servants and beasts for military officers to show the difference. This is the most distinctive costume in the official costume of the Ming Dynasty.

Ming Dynasty clothing Wanli winged three-eyed dragon, double-breasted, narrow sleeve embroidered dragon robe (unearthed object), the vertical part of robe material has been cut short. From ancient times to the Ming Dynasty, the dragon pattern changed its energy countless times. Generally speaking, the dragon patterns in the pre-Qin period are relatively simple and rough, and most of them have no limbs and claws, similar to reptiles. In Qin and Han dynasties, dragon patterns were mostly animal-shaped, with intact limbs and claws, but without scales. They are often painted as walking patterns, giving people an illusory feeling. The image of the dragon in Ming Dynasty is more perfect, which concentrates the local characteristics of various animals, such as head like a bull's head, body like a snake, horns like antlers, eyes like shrimp's eyes, nose like a lion's nose, mouth like a donkey's mouth, ears like cat's ears, claws like eagle's claws and tail like a fish's tail. The structure and organization of the pattern are also very distinctive. In addition to the traditional dragon walking and Yunlong, there are other names such as Tuanlong, Zheng Long, Zuolong, Ascending Dragon and Descending Dragon.

Late Ming Dynasty and Ming Dynasty Costume Golden Land Silk Peacock Feather Robe. The whole body is embroidered with dragon patterns. Judging from the clothing style, the style is inclined collar robe, which is the emperor's casual clothes. From ancient times to the Ming Dynasty, the dragon pattern changed its energy countless times. Generally speaking, the dragon patterns in the pre-Qin period are relatively simple and rough, and most of them have no limbs and claws, similar to reptiles. In Qin and Han dynasties, dragon patterns were mostly animal-shaped, with intact limbs and claws, but without scales. They are often painted as walking patterns, giving people an illusory feeling. The image of the dragon in Ming Dynasty is more perfect, which concentrates the local characteristics of various animals, such as head like a bull's head, body like a snake, horns like antlers, eyes like shrimp's eyes, nose like a lion's nose, mouth like a donkey's mouth, ears like cat's ears, claws like eagle's claws and tail like a fish's tail. The structure and organization of the pattern are also very distinctive. In addition to the traditional dragon walking and Yunlong, there are other names such as Tuanlong, Zheng Long, Zuolong, Ascending Dragon and Descending Dragon.

In the Ming Dynasty, officials usually wore five bats and held a robe with a longevity pattern, while men wore square nipples and robes. In Ming Dynasty, men's casual clothes were mostly robes and shirts, mainly with wide breasts, right sleeves and wide sleeves, and the bottoms were knee-length. The leisure fabrics of aristocratic men are mainly satin, with patterns and tapestries painted on them. Most of the patterns on robes are auspicious. Among the more common clouds and bats, there is a group of "longevity", which means "five bats hold longevity". This pattern was particularly popular in the late Ming and early Qing dynasties, not only in clothing, but also in other utensils and architectural decoration. On the other hand, true flower is an abstract decorative pattern, which is usually based on lotus, honeysuckle or peony, distorted and exaggerated, and interspersed with some branches and leaves and buds to form a neat, dignified and lively decorative pattern. This style of clothing was very popular at that time. Since the Tang Dynasty, a large number of precious flowers have entered costumes and become the favorite artistic patterns of the broad masses of the people. In the Ming dynasty, baohua was once a special pattern for emperors and queens, and it was forbidden for people to use it, just like python dragon pattern. But soon the ban was lifted and applied to all kinds of clothing. This picture is the former kind of casual wear. The fabric of the clothes is blue satin embroidered with longevity patterns, and there are gold, silver and light blue plates.

Officials in Ming dynasty used to wear men's casual clothes in Ming dynasty, mostly robes and shirts, with wide chest, right chest and wide sleeves and knee-length bottoms. The leisure fabrics of aristocratic men are mainly satin, with patterns and tapestries painted on them. Most of the patterns on robes are auspicious. Among the more common clouds and bats, there is a group of "longevity", which means "five bats hold longevity". This pattern was particularly popular in the late Ming and early Qing dynasties, not only in clothing, but also in other utensils and architectural decoration. Decorating casual clothes with real patterns was also a major feature of men's wear at that time. On the other hand, true flower is an abstract decorative pattern, which is usually based on lotus, honeysuckle or peony, distorted and exaggerated, and interspersed with some branches and leaves and buds to form a neat, dignified and lively decorative pattern. This style of clothing was very popular at that time. Since the Tang Dynasty, a large number of precious flowers have entered costumes and become the favorite artistic patterns of the broad masses of the people. In the Ming dynasty, baohua was once a special pattern for emperors and queens, and it was forbidden for people to use it, just like python dragon pattern. But soon the ban was lifted and applied to all kinds of clothing. This painting shows a brocade robe wrapped in branches and precious flowers. The fabric is brocade with a "precious flower" pattern.

The picture above shows the casual clothes of aristocratic families in the Ming Dynasty, which are unearthed from the big sleeve robe (unearthed from Songjiang, Shanghai). The style is large sleeves with collared right sleeves, and there are swings on both sides of the long sleeves. Most of them are sacrificial clothes, hanbok, Yan clothes and single underwear. The short clothes worn by the people are mostly collared clothes. The middle picture shows the unearthed material object of the big sleeve robe (unearthed material object in Zhenjiang, Jiangsu). The style is a waist skirt with right slit and big sleeves, similar to a knitted coat since the Yuan Dynasty. The front is split in two, and the waist is folded. This kind of clothing was called drag in the Ming Dynasty. The picture below shows a cardigan with narrow sleeves (unearthed in Wuxi, Jiangsu).

Jewelry for women in the Ming Dynasty The hairstyle of women in the Ming Dynasty is not as rich as that in the Song Dynasty, but it is also very distinctive. In the early Ming Dynasty, the women's bun didn't change much, and it was basically the style of Song and Yuan Dynasties. Many changes have taken place since Jiajing. There are also "Picking Heart Steamed Bun", "Taojian Steamed Bun", "Goose Heart Steamed Bun", "Falling Horse Steamed Bun", "Golden Plum Blossom" and "Golden Twisted Lantern Hairpin" and so on. There are also fake buns (also called parallel buns). These buns will also be inserted with various pendants and hairpins according to different preferences. This picture shows the jade ornaments, hairpins and hairpins worn by women in the Ming Dynasty.

A lady who decorated herself with pearls and jewels and a maid who hung Yu Pei in the Ming Dynasty (Chen Hongshou's Picture of a Dragon Full of Tons). Chen Hongshou was an important painter in the late Ming Dynasty, especially good at painting ladies. His creative attitude is serious, absorbing the fine traditions of Tang and Song painting at any time and constantly innovating. His paintings are fine in outline and elegant in color, forming a unique style. One of his representative works is "Long Bu Jia Tu", which depicts three ladies. The first one is a little older and luxuriously dressed, and the other two are young, like maids. One of them has a uniform in his hand. The dress styles of the three women are basically the same, all of which are typical Song Dynasty dresses, and some of them have cloud shoulders on their shoulders. In the Ming Dynasty, women often hung a ribbon-woven "uterine tapestry" on their belts. This picture clearly reflects the specific image and usage of uterine tapestry. Generally, we make a few circles in the middle and then hang them on the ground. Some even strung a piece of Yu Pei in the middle to hold down the skirt, so that it would not spread out and affect the appearance, and its function was similar to that of Yuhuan ribbon in the Song Dynasty. In addition, the top of the ladies' bun is decorated with hairpin heads, which are commonly used by women in the Ming Dynasty, and the material depends on people's identity.

Jewelry for women in the Ming Dynasty The hairstyle of women in the Ming Dynasty is not as rich as that in the Song Dynasty, but it is also very distinctive. In the early Ming Dynasty, the women's bun didn't change much, and it was basically the style of Song and Yuan Dynasties. Many changes have taken place since Jiajing. There are also "Picking Heart Steamed Bun", "Taojian Steamed Bun", "Goose Heart Steamed Bun", "Falling Horse Steamed Bun", "Golden Plum Blossom" and "Golden Twisted Lantern Hairpin" and so on. There are also fake buns (also called parallel buns). These buns will also be inserted with various pendants and hairpins according to different preferences. This picture shows the jade hairpin worn by women in the Ming Dynasty.

Jewelry for women in the Ming Dynasty The hairstyle of women in the Ming Dynasty is not as rich as that in the Song Dynasty, but it is also very distinctive. In the early Ming Dynasty, the women's bun didn't change much, and it was basically the style of Song and Yuan Dynasties. Many changes have taken place since Jiajing. There are also "Picking Heart Steamed Bun", "Taojian Steamed Bun", "Goose Heart Steamed Bun", "Falling Horse Steamed Bun", "Golden Plum Blossom" and "Golden Twisted Lantern Hairpin" and so on. There are also fake buns (also called parallel buns). These buns will also be inserted with various pendants and hairpins according to different preferences. This picture shows the golden jade hairpin worn by women in the Ming Dynasty.

Jewelry for women in the Ming Dynasty The hairstyle of women in the Ming Dynasty is not as rich as that in the Song Dynasty, but it is also very distinctive. In the early Ming Dynasty, the women's bun didn't change much, and it was basically the style of Song and Yuan Dynasties. Many changes have taken place since Jiajing. There are also "Picking Heart Steamed Bun", "Taojian Steamed Bun", "Goose Heart Steamed Bun", "Falling Horse Steamed Bun", "Golden Plum Blossom" and "Golden Twisted Lantern Hairpin" and so on. There are also fake buns (also called parallel buns). These buns will also be inserted with various pendants and hairpins according to different preferences. This picture shows the jade hairpin worn by women in the Ming Dynasty.

Women's Jewelry in the Ming Dynasty In the Ming Dynasty, women often hung a "palace sash" woven with ribbons on their belts. The specific image and usage of uterine tapestry are clearly reflected in this picture, and usually several rings are tied in the middle.

Jewelry for Women in Ming Dynasty Women in Ming Dynasty often hung a "palace sash" woven with ribbons on their belts. The specific image and usage of uterine tapestry are clearly reflected in this picture. Usually tie a few knots in the middle and then hang to the ground. Some women will string a Yu Pei in the middle to press the skirt, so that it will not spread out and affect the appearance. Its function is similar to that of Yuhuan ribbon in Song Dynasty. This painting shows a jade pendant.

The common clothes and casual clothes of women in Ming Dynasty mainly include shirts, coats, gowns, backpacks, bibs and skirts. Most of the basic styles of clothes were imitated from the Tang and Song Dynasties, and they were generally right-handed, which restored the customs of the Han nationality. Among them, Bi Xia, Beizi and Gaby are double-breasted and split left and right. Adult women's clothing, with the changes of family and identity, has a variety of different shapes. Ordinary women's clothes are relatively simple, mainly including skirts, backs, coats, shoulders and robes. Robe evolved from the back, characterized by low collar, double-breasted and wide sleeves, with little or no lace on the collar and sleeves, long and plump.