Traditional Culture Encyclopedia - Traditional customs - Lin Daiyu into the Jiafu character analysis summary

Lin Daiyu into the Jiafu character analysis summary

Dream of Red Mansions Character Analysis

I. LIN DAIYU:

Lin Daiyu's mother died after she "had no mother to teach and raise her, and no sisters or brothers to support her, so she went to her grandmother's house and relied on her grandmother and her uncle's sisters". The uncle's sisters". In the past, at home, he often heard his mother say that his grandmother's family was different from other families. Recently, he saw these third-class servants, food and clothing, already extraordinary, not to mention the present to his family. Therefore, step by step, always care, not easily say one more word, one more step, for fear of being laughed at him to go." Although her grandmother loved her and treated her like a baby, she always had a sense of being a parasite, and always treated people with care and concern.

For example, in Mrs. Xing's place, Mrs. Xing "bitterly stayed" her dinner, she politely declined: "Auntie love and cherish the gift of rice, should not resign, but also to go over to see the second uncle, afraid to lead the gift to go disrespectful...... "The words both show her respect and gratitude to Mrs. Xing, but also show their own etiquette of the overall situation, showing that she treats people and things are everywhere attentive. Again, in Mrs. Wang's room, Mrs. Wang sat on the west side of the lower head, see Daiyu came, will be to the east to let, and Daiyu expected that it is Jia Zheng's seat, absolutely refused to sit, they will be next to the bed of the chair to sit. It can be seen, Daiyu even where to sit, are very careful, never easy to engage in.

In Jia mother's room to eat, but even more so. Jia mother is sitting alone on the couch, four empty chairs on both sides, when Wang Xifeng pulled Daiyu into the seat, Daiyu also very much pushed some, until after the mother explained, only then sued the seat, sat.

Daiyu's attention and care, but also at any time to correct some inappropriate answers. For example, when the mother asked Daiyu read what books, Daiyu answered truthfully: "only just read the four books." But when Daiyu "and the book. But when Daiyu "and asked the sisters to read what books", Jia mother said: "What books are read, but only to recognize two words, not open-eyed blind just!" Daiyu heard Jia mother said so, feel that they just lost their mouth, so when Baoyu asked her to read what books, Daiyu will change her mouth: "not read, only went to school for a year, some must recognize a few words."

Daiyu this "step by step, always care" cautious attitude, is a reflection of her feelings under the fence, but also excerpts from the main side of the character.

Secondly, there are two descriptions of appearance, demeanor and charm:

1. The description of Daiyu's age, demeanor, speech, body, face, and flamboyant attitude.

2. The description of Daiyu's appearance and charm when Baoyu met her, using the techniques of couplets and metaphors, with gorgeous symmetrical language, wrote the delicate face of Daiyu as seen in Baoyu's eyes. Performance of Daiyu's **** the same point: beautiful and sentimental, frail and sickly. Especially afraid of "crying" and "tears", not only to echo the first time in the "wood and stone former alliance", but also for the future development of the plot to lay the groundwork.

Second, Wang Xifeng:

Wang Xifeng is a shrewd and capable, used to playing with power. People are tricky and cunning, Ming is a pot of fire, dark is a knife. As a result of good at flattery, she won the favor of Jia mother, and thus took over the power of the house and became the actual ruler of the house. The excerpt shows the character traits of Wang Xifeng at four levels:

1. "I was late, not to meet the guests", and then see "a group of daughters-in-law surrounded by a person from the back door in". No wonder Daiyu Nahan, think with those who "converge voice screen, respectful and strict" compared to the people, it is "ridiculous impolite", which shows that she is in the house of Jia's special identity and status. Through the introduction of the mother, more proof of this point: "He is a famous here a shrewd ragged children," "you call him 'phoenix hot' is it. "Old ancestors" can use such a playful language to talk and laugh with not many people, in addition to her character of spicy, but also shows that she is y favored by the mother of the special characters.

2. Portrait:

Not only specific and detailed characterization of the external characteristics of the character, but also reveals the character traits and spiritual world.

Headdress

Clothing clothing set of treasures and jewels in one - greed and vulgarity (the emptiness of the inner world)

Clothing

Portrait depiction of the "triangular eyes", "hanging eyebrows"

"Pink face", "Dan lips"

3. See Daiyu:

Through her speech and demeanor to show the changes in her feelings, reflecting her inner world.

First of all, it is complimentary (because Daiyu is Jia mother's favorite granddaughter, not hesitate to compliment to the point of flesh) "the world is really such a beautiful character, I just counted this day to see!"

Then wipe the tears (mentioning Daiyu's mother, thinking of JiaMu will be for the death of her daughter and tears, snatch the first "with a scarf to wipe the tears")

turn sad to happy (because she saw JiaMu smiled, then rush to complete this change of feelings)

Summary: into the wood depicts the WangXifeng "to look at the face, change to meet" - the reason for favor.

4. Back to Mrs. Wang:

A stroke of the pen, further explaining that because of her face to see the color, change to meet, has made Mrs. Wang happy, become the actual power in the Jiafu.

Third, Jia Baoyu:

Jia Baoyu is a rebel of the feudal aristocracy, with resistance to the feudal bondage, the demand for freedom and equality of thought. His defiance of the world, outstandingly independent of all kinds of performance, reflecting his resistance to the feudal rites and feudal morality.

The following three descriptive focus to analyze:

1. Before the appearance:

Side introduction to the general view of Baoyu and his position in the Jiafu (deprecatory attitude).

Madame Wang: "sinful root of a scourge", "a devil", "a moment of sweet talk, a moment of heaven and earth, and a moment of madness and stupidity".

Daiyu: (heard her mother say) "born of a jade" cousin "is very naughty and bad, very bad to read, and likes to hang out in the backyard"

Summary: These criticisms show that what Jia Baoyu did contradicts the feudal orthodoxy, and is incompatible with the common sense of the world. He is a "rebel" in feudal society, but because he is the only son of Mrs. Wang, the central figure in the Jiafu, and has been loved by the old lady since childhood, he is in a special position in the Jiafu, where "no one dares to control him". "

2.

2. Portrait description:

Reflects Daiyu's objective observation: a clear-eyed, handsome and affectionate young man, very familiar, resulting in a sense of intimacy. The use of metaphors, prose, couplets and other rhetorical devices, neat sentences, rhyme and harmony.

3. The two "West River Moon":

How to understand these two "West River Moon"?

(1) the character's ideological character and image shown in the words.

Ideological character: life "downtrodden and ignorant of the world", but in love with the girl, "daughter is the flesh and blood of water", "I see the daughter will be refreshing"; "His "eccentric behavior" often criticized unreasonable phenomena and satirized those who were keen on fame and fortune as "those who seek fame and fortune" and "those who are thieves and ghosts of the country". He also criticized the irrational phenomenon of "heaven and earth", satirized those who were keen on fame and fortune as "people who sell their fame and reputation" and "national thieves and ghosts", objected to the feudal moral concept of "male superiority and female inferiority", and ridiculed the so-called "great man's honor and integrity" advocated by Taoism, which was "nonsense". They ridiculed the so-called "great man's honor and virtue" advocated by Taoism as "nonsense" and "selling reputation", and were "afraid of reading" the Four Books and other "articles" which were regarded as classics by the feudal rulers and had great authority. "Articles", but the "West Wing", "Peony Pavilion" and other books that Mr. Li Xuexue was most opposed to as if they were treasures, all of these are contrary to the traditional morality. It can be seen that "mischievous" and "abnormal"-rebellion is his main character trait.

Baoyu image: he is "the world's first incompetent, the ancient and modern unqualified", not the feudal era of loyalty and filial piety, but "in the country in the family hopeless" of the rebellious son of the two ministers.

The author's attitude towards Baoyu seems to be derogatory but commendable, commendation in depreciation, the body of the anti-work, praise Baoyu.

(2) the role of the word.

First, the author pretends to be a feudal defender of the tone of Baoyu's seemingly mocking praise, cleverly glorified Baoyu's anti-feudal rebellious character, hinting at the tragic end of the novel for the arrangement of Baoyu.

Secondly, the author uses the technique of "saying the opposite" to appreciate Baoyu's cynical attitude towards feudalism, and to praise his spirit of not yielding to the world and being brave enough to resist. His "sadness" and "hate" are the manifestations of the bitterness of not being able to get rid of "worldly affairs" and "articles"; his "stupidity" is the manifestation of his "stupidity". His "stupidity" and "madness" are the result of authoritarian oppression and confinement, a state of mind in which he seeks a new life and ideals in pain, but cannot find a way out and is trapped in disappointment and perplexity.

Summary of the full text:

First, around the center of the description:

The characters in the work are around the central event of Daiyu into the Jiafu, through Daiyu's insights to describe. Daiyu into the house in accordance with the rules of feudal aristocratic families, must go to visit their elders, sisters of the same generation to meet, the author chose this opportunity to make the main characters in the work appear, is the necessity of the text, but also the matter of necessity.

Second, the characters appeared, successive appropriate, detailed and appropriate, virtual and real.

Wang Xifeng, Jia Baoyu and other major characters written in detail, the mother of Jia, Madame Xing, Madame Wang, Li Dandy and Jia's three sisters are written slightly; on the mother of Jia, Wang Xifeng and other appearances of the characters is the actual writing, and Jia Zheng, Jia Pardon and other characters who have not yet appeared in the virtual writing; on the Jia Baoyu, Wang Xifeng, and so on is a separate writing, and Madame Xing, Madame Wang, Li Dandy, Yingchun, Xichun, and so on, only to make a collective introduction. This description is not only the penmanship changes, and in many characters can make the description focus.

Third, characterization and environmental description of cross, with natural, complementary.

Bao Dai will feel déjà vu and connected. As soon as Daiyu saw Baoyu, she felt: "It's strange, like I've seen it there, why is it so familiar to me?" Baoyu looked at Daiyu also felt "this sister I have seen" "although I have not seen him, but I look good, even if the heart is an old acquaintance." The two first meeting produced a kind of mutual acquaintance of telepathy. The author wrote this, on the one hand, is from the first time of the story of God Ying and Jiang Zhu Xian Cao, to give the relationship between the two a layer of romanticism; and on the other hand - more importantly, through the first meeting of the telepathic communication, to show that the two people for the tacit understanding of the feelings for the development of love for the two people later Zhang Ben.

In the first meeting, although the feelings of Bao-Dai are similar, similar ideas, but the performance is not the same, Daiyu see Baoyu is a "shock", and Baoyu see Daiyu is a "smile", a store in the, a hair in the outside. This different performance comes from the different psychology generated by their different status. Daiyu is used to listening to other people's comments on the treasure jade: lazy, ignorant, naughty ...... but today a see is not so, naturally "will eat a big surprise"; Besides, Daiyu first came to the Jiafu step by step to pay attention to, so although a "surprise! ", but just "think", do not dare to easily say out. And Baoyu is different, in the Jiafu he is spoiled, so blunt, even if the mother said he "is nonsense", he did not care, still say.

Summary of the character analysis of Lin Daiyu into the Jiafu

Lin Daiyu into the Jiafu is a high school humanities version of the compulsory three of an excerpt from the text, which allows us to "Dream of the Red Mansions" of several important characters have a preliminary understanding: Wang Xifeng spicy, cunning, shrewd and competent, but also brilliant; Lin Daiyu weak, sensitive, cautious and compassionate. Cautious and merciful; Jia Baoyu frank, sentimental, casual and everywhere amazing; the image of Wang Xifeng in the text focuses on the rendering of the dress, Lin Daiyu is heavy on the portrayal of its psychology and demeanor, and Jia Baoyu can be said to be out of the ordinary, the qu qu qu quan. Describing its dress, drawing its demeanor; describing its crazy words, recounting its actions; praising its weirdness, praising its fanaticism. Let the readers in the many faces of the House of Jia had to pay more attention to him, more thinking, but also more appreciation.

Jia Baoyu is undoubtedly the centerpiece of this excerpt. For Daiyu, who first came to the Jia residence, this cousin, whom she had never met, had long been familiar with her heart, and she had often heard her mother say that this cousin was a simple and playful man, who hated to study, and who often hung out in the inner apartment. When she went to see her second uncle, she had several conversations with Mrs. Wang. Mrs. Wang's instructions to her, the other sisters only a few words: "Your three sisters are very good, and later a reading and learning to learn needlework, or occasionally laugh, have all let's." While on Baoyu, this let him love (because it is her son) and headache of the baby bump but let her always hanging in the mouth, a word of its "evil roots of the child", and then called its "devil", and then counted down its abnormal behavior: "" You do not know the reason: he is with his son, and he has a lot to say. You do not know the reason: he is different from others, since childhood because of the old lady love, the original system with the sisters in a spoiled. If the sisters ignored him one day, he was quieter, even if he was not interested, but out of the two doors, behind the back of the two youngest out of anger, cooing for a while on the end. If the sisters and he said one more word this day, he was happy, how many things will be born. So I told you not to pay attention to him. His mouth for a moment sweet words, for a moment there is no day, for a moment and crazy and stupid, just do not talk about him." Poor parents, such a cynical son but became the center of her conversation with Daiyu, even the parents of the Jiafu or authority figure Jia Zheng also but chat a word and over, see its special status.

The text of the appearance of Jia Baoyu description is also extremely detailed: "head wearing a bundle of hair embedded treasure purple gold crown, Qi Mei Le two dragons snatch pearl gold forehead; wearing a two-color gold butterflies through the flowers of the big red arrow sleeve, bundled with five-color silk save flower knot long spangled palace tapestry, outside the cover of the stone and green flower eight groups of Japanese satin rows of spangled coats; boarding the green satin pink-soled small dynasty boots." Among them, "treasure", "beads", "jade", "gold" and other words showing the rich and noble weather in this paragraph of the dress description Repeatedly appear many times, but also reappeared again still spared no ink: head wear "big beads" "gold eight treasures pendant horn", wearing collars, precious jade, send name locks, amulets and so on. He set all the rich and valuable goods, auspicious objects in one, afraid of being a little damage, encounter a little failure. Such wear, such dress, I am afraid that only Baoyu one person to enjoy, Jiafu no second person can have this kind of rich, comfortable, generous life treatment.

According to common sense, Jia Baoyu is the happiest and richest son. He should cherish all this, and he should consolidate all this possession and unconditional obedience to obey the grandmother, parents and education, according to their sense of growth, according to their sense of development. Even if he did not become a Confucian scholar who read the scriptures, he should have become a Xue Pan-style playboy. But he never put himself different from the ordinary people of the noble status in the eyes, in the heart. Everyone is going "to learn and excellence" of the road, he not only refused to follow the trend, but also to say that people go "the right way" is "selling fame and reputation of the people", He not only refused to follow the trend, but also said that people who follow the "right path" are "people who sell their fame and reputation" and "the stream of national traitors". He was wearing the property obtained under the feudal landlord class system, but in his heart he wanted to be equal with all the daughters. In the "male superiority and female inferiority" social and moral concepts, but he said: "Daughter is made of water flesh and bone, men are made of mud flesh and bone, I see the daughter will be refreshing, see the man will feel the stench of the people!

Lin Daiyu despised the world of power and wealth because of her sad family situation and the situation of the fence, and Baoyu such a well-bred son of the anointed, in the case of not any common sense to embark on the path of rebellion, in the unlikely under the possible, no, is a miracle, glowing with the color of the world! He carried the mission of pursuing education and advancement, but walked a rebellious path that was contrary to the Confucian way. The two words of "West River Moon" is the author of another intentional portrayal of Baoyu:

No reason to seek sadness and hate, sometimes like a fool like crazy. Even if you are born with a good skin, the belly of the original reckless. The first time I saw this, I was in the middle of a conversation with a man who had a lot of money. The behavior of the people is so eccentric that they don't care if the world slanders them!

The rich don't know what to do, the poor can't stand the misery. I'm sorry to say that I've failed to live up to my reputation, but I'm not sure if I'm going to be able to do that. The world's first incapable, the ancient and modern unqualified. I am not going to be able to do that, but I am going to be able to do it!

"No reason to look for sadness and hate, sometimes like a fool like crazy", "behavioral remoteness sexual perversity", is the real portrayal of Baoyu. Selected text, is talking well, heard that Daiyu did not hang like their own piece of jade, it is "immediately launched a dementia, take off the jade", "hard to fall", but also cursed "I do not want this labor! I don't want this piece of labor." In the subsequent chapters of Dream of the Red Chamber, he also saw the plants on the sadness, saw the animals on the emotion, saw the fish in the water and fish talk, saw the sky and swallows and swallows talk. So to the nature of a lovely person, but became those who adhere to the feudal tradition of thought in the eyes of the strange, madman, the author of the use of commendation in the use of the technique is not the true nature of the Baoyu very praised!

"Out of the mud without dyeing, turbid green lotus and not demon", which in the body of Baoyu nowhere not show. He is one of the most radiant characters in the Jiafu. His eye-catching is not in its expensive clothes, but its inner human glory.

Expanded reading: the character of Lin Daiyu essay

Full of ridiculous words, a handful of bitter tears. I'm not sure if I've ever been in a position to do this before, but I'm not sure if I've ever been in the same position. The first thing you need to do is to get a good deal of money to pay for the work. The first time I saw this is when I was in the middle of a movie, and the second time I saw it was when I was in the middle of a movie. The Grand View Garden's prosperity and magnificence, and listen to the five Xuanqin celestial music, and taste the poetry of the world's splendor!

When you are quiet, you are like a delicate flower shining in the water, and when you are in action, you are like a weak willow helping the wind. This is the original Lin Daiyu's true portrayal, since the ancient red face more thin life, which is also for her weeping tears and buried the ambush of the end. Lin Daiyu is the realm of imagination Jiangzhu fairy, in order to pay for the favor of manna, willing to fall into the mortal world, but that the original ice and jade fairy, has not been stained with the world of the world, is still the same "water out of the hibiscus, natural to carve and decorate." Lin Daiyu earned us too many tears, her nature is lonely, innocent and pure, not affected by the influence of the feudal society secular utilitarian, she did what she wanted, but in the Jaffa such a prestigious family, naturally, there will not be good people.

I appreciate Lin Daiyu's, "the heart is more than the dry more than a hole, sick as the son of three wins". She is certainly frank but never reckless, on the contrary, she is very cautious. This feature can be seen in the original third "Daiyu first entered the Rongguo House", "Daiyu often heard his mother said, his grandmother's family is different from other families. ...... Therefore, she was careful at every step, always concerned, and refused to easily say one more word or take one more step, lest others laugh at him." This passage will be Lin Daiyu's cautious behavior, depicting the best, but also Daiyu's meticulous portrayal of the mind into the wood three points.

Since ancient times, talented women are sad spring and autumn, sentimental, like Lin Daiyu this kind of vulgar people, is no exception. Daiyu's sentimental, the most classic section of the embodiment of the "Daiyu buried flowers" in this episode. She could not bear to see the fallen flowers tarnished, and hoped that they would be "pure and clean". She once asked in the 27th episode of "Burying Flowers", "Where is the fragrant mound at the end of the sky?" Therefore, she also said: "If the brocade bag collects the colorful bones, a cup of pure earth to cover the wind flow." Thus, "Daiyu buried flowers" has become an indelible trace in the history of Chinese literature!

Lin Daiyu although sentimental, but her talent in the Grand View Garden is second to none. This line is a profound expression of the spiritual suffering of Daiyu in the feudal society, but also reflects the amazing talent of Daiyu. There is also in the chrysanthemum appreciation is Daiyu chanted "Wing Chrysanthemum", "ask the chrysanthemum", but also the talent of the group. All of this shows that Daiyu's outstanding talent is not to be ignored.

Lin Daiyu is not only pure and arrogant, cautious, thoughtful, sentimental, with excellent talent, but also a rebel who does not abide by the feudal etiquette, avant-garde thinking. Even if she is young, the fragrance of the death of jade, lonely return to the Taixu, is a representative of the tragedy, but also flaws.