What are the basic features and aesthetic style of Han Dynasty art?

The basic feature is the integration of various cultures, the aesthetic style does not understand the later generation of the demand for the virtual as the real, white as black and other laws, it is all over the place, full and full, the picture is stuffed to the brim, almost no blank space. This also seems "clumsy". However, it gives people to the future generation of ethereal and delicate art can not be replaced by the fullness of the simple mood.

The culture of the Han Dynasty, also known as the culture of the two Han dynasties, is a vast and profound cultural system that has been admired and envied by modern civilized people in the East and West. However, the formation of the two Han cultures started later than the formation of the culture in the ancient times of China, and the basis for its formation was the Huaxia culture as the core, from the west to the central plains, which was formed and developed on the basis of the cultural essence of the eight Chinese tribes and races.

The main content of the culture of the Han Dynasty and its basic purpose is: "do nothing to rule" laid the foundation of the Han Dynasty; "sole respect for Confucianism" created the Han Dynasty's long-lasting peace and security; "dragon and phoenix culture" became the spirit of the Chinese nation. The "Dragon and Phoenix Culture" has become the spiritual symbol of the Chinese nation. The Qilu culture of the Han Dynasty, the Central Plains culture, the Guanzhong culture, the Northern culture, the Ba Shu culture, the Wu Yue culture, the Lingnan culture, etc. represent the regional characteristics of local culture.

Expanded Information:

< p>Artistic activities in the Han Dynasty, inheriting and carrying forward the pre-Qin many forms of art and technology based on the consciousness of shape-making from the germ gradually tends to mature; Western and Buddhist foreign art imported, more rich Han Dynasty painting and sculpture of the subject matter and techniques, showing a very high degree of originality?

No matter what you think, the Han Dynasty was a time of great creativity.

Whether pottery terracotta warriors and horses, singing and dancing terracotta warriors or painted stone and bricks, the craftsmen knew how to carve these works of people, gods and beasts. In addition to shaping and depicting famous ancient figures, gods and demons, and rare birds and animals with special artistic techniques, the craftsmen were also able to depict the dignitaries, civil servants and military generals, and even the artisans and farmers in the life of that time in a realistic way.

Calligraphy: The main writing script of the Han Dynasty was the official script, which developed from the official script of the Tai Dynasty. "Clerical Script" is also known as "Zoshu," "ancient Clerical," "modern Clerical"? It is also known as the "Eight-pointed Script". Clerical Script has the following characteristics: First, the most important feature of Clerical Script is that it is composed of straight lines, unlike the Small Seal Script, which is composed of interconnected rounded and sometimes reversed lines, but is composed of spread out and straight and square strokes, and all the reversed strokes are turned into smooth strokes, which makes it not only smooth but also fast to write.

Secondly, it was difficult for the strokes to present a concrete image, and the hieroglyphic quality of the ancient characters disappeared from then on, and the forms were not in conformity with the principles of the Six Books. Thirdly, the development of Chinese characters to the official script has been completely "symbolized". The official script omits and simplifies the big and small seal scripts, and the structure is much simpler, which is a great progress for daily life writing.

In addition, the Seal Script formed the mainstream of Chinese calligraphy, and during the Han Dynasty, the Official Script gradually replaced the Small Seal Script as the main writing script, and the emergence of the Official Script laid the foundation of the modern Chinese character glyph structure, and it became the watershed of calligraphy between the ancient and modern scripts. After the development of the two Han Dynasty, another typeface, the Regular Script, was developed and finally matured in the Tang Dynasty.

Baidu Encyclopedia - Culture of the Han Dynasty