Traditional Culture Encyclopedia - Traditional customs - How to adjust the skin color of brushwork figure painting?

How to adjust the skin color of brushwork figure painting?

Tools / raw materials: pigments (Chinese painting pigments), brushes, palette, rice paper.

1, first, outline, white draft.

2, then, with the flower green dyeing lotus leaves, pay attention to the relationship between the front and back: the front heavier, the back lighter. The sleeves are dyed with eosin, the shoulders are dyed in floral green ink, and the white veil is dyed with ochre ink. Dye the lotus petals from the root upwards with light green to separate the structure. The hair is parted and dyed to create a structure. Using ochre, eosin, azurite, and garcinia, the face and hands are dyed to create the general structure and volume of the face and hands.

3, the lotus leaves first with the blue cover a few times after the transfer of green cover, according to the reality of the repeated painting. After painting enough to wash with water, and then dye. Repeatedly, after satisfaction, and then gently mention with a light stone green. Use rouge ink to draw the broken parts of the lotus leaves. Shoulder with a flower green ink to draw the base, with light ink to draw the square, sleeves with a large red tone white light cover once or twice, the number of times should not be too much. Hair with ink plus coloring, leaving highlights. Face, hand by structure gradually deeper.

4, the relationship between the main pieces of color, make appropriate adjustments. Hair cover dyeing, highlights should not be too bright.

5, will complete the lotus leaves, lotus with eosin dyeing tip, and then use white powder to dye the structure of the petals, dyeing enough to cover with white powder once. Face, hand color dyeing enough, with white, Zhu glimpsed, three green tone into the skin color cover dyeing, color to thin, once not enough to cover again.

6, painting the five senses with rouge ochre, dyeing the structure of the five senses. Around the eyes, earlobes and ears with more rouge, nose and mouth around more ochre. The structure should not be stuck too much, but should have a connection with the surrounding skin.

7, this is completed, look at the overall effect.