Traditional Culture Encyclopedia - Traditional customs - Understand the local art forms with national characteristics, or the traditional operas in my hometown (independent reading records)

Understand the local art forms with national characteristics, or the traditional operas in my hometown (independent reading records)

Is this your composition? I wrote you a general background for your reference only.

Beijing opera.

Although Beijing Opera is called "Beijing", it is not limited to Beijing, but is actually a "country". It is found all over the country. I didn't like it before, but I was suddenly attracted by a song I overheard. I chose this paragraph for you because you look like a boy. I'll give you the whole paragraph, you can extract it)

Advise chitose not to export the word,

The veteran told the Lord from the beginning.

Liu Bei was originally the queen of King Jing,

The great-grandson of Emperor Gaozu left a vein.

He has a second brother.

Hanshou Hou Ting,

Qinglong misty moon is full of ghosts and gods;

Before Bai Mapo's execution, Wen Chou,

I beheaded old Cai Yang in the ancient city.

His third brother, Yongde, is very prestigious.

Zhangba snake spear is used to take people's throats;

Whip you. He fought like a bull,

Hulao Pass's pre-war climate;

When there was a roar in front of yangqiao,

Drink the bridge and the water will flow back.

His four disciples, General Long Changshan,

Heroes of the earth crown Kyushu;

Changbanpo saves the sinus,

I'm worried about killing Cao Bing.

Who has this class of military commanders?

And Zhuge's tricks.

It doesn't matter if you kill Liu Bei,

How could his brother give up after hearing this!

If the soldiers come to fight,

Cao Cao took advantage of the profits.

I turned to play the queen mother,

Play your own game.

I like the Three Kingdoms since I was a child, and I have heard and read storytelling and comics. Read the original when you grow up. But it is the first time to listen to the story of the Three Kingdoms. This song highly summarizes the achievements of several generals in Shu, and its words are concise and hearty. Later, I asked around and learned that this passage was called "Kanluoji". Later, it was discovered that many Beijing operas were based on the themes of Three Kingdoms, Water Margin and Yang Jiajiang, such as borrowing from the east wind, empty city planning, Li Kui jy visiting his mother, and Shiro visiting his mother. . . . . .

Later, I saw some introductions of Beijing Opera, and then I knew what singing, chanting, beating, hand, eye and body movements were. I used to think listening to Beijing opera was quite corny. Later, when I saw the national leaders entertaining foreigners with Peking Opera when they received guests and visited, I realized what "national quintessence" was.

Unlike some arts, Beijing Opera can talk but can't sing. It can sing, dance and play. One person can sing a cantata, and two people can sing a duet. With more characters, you can make a big show. She is not only an art of her own, but also teaches people to distinguish between good and evil, know beauty and ugliness, and understand their own culture. Only by identifying with one's own national culture can national self-confidence be generated. It is difficult for a person to develop without confidence, and it is also difficult for a nation to develop without confidence.