What is the basic structure of aesthetic image?

What does China's aesthetics think is the basic structure of aesthetic images?

Scenery fusion is the basic structure of aesthetic image.

The unity of emotion and scene is the most basic structure of aesthetic image and the product of the blending of scene and scene. In this complete aesthetic image structure system, there is a scene in love, a scene in love, and love and scene are inseparable.

Why do you say that aesthetic images only exist in aesthetic activities?

When people's sense of aesthetic form formed in productive labor is gradually mature and unified with people's essential power to transform the world, it indicates that aesthetic consciousness has become an important form in the human spiritual world. At this time, aesthetic activities can be separated from other human activities and begin to inspect and guide people's lives and productive labor in its independent form.

First, aesthetic activities and their characteristics

As a special way for people to grasp the world, aesthetic activity is a free and creative practice for people to grasp the reality according to the law of beauty in the unity of sensibility and rationality.

Generally speaking, the characteristics of aesthetic activities mainly include the following aspects:

First, aesthetic activities look at human life and productive labor from the perspective of aesthetics (art). This includes two meanings: first, people can create according to the "law of beauty" in the process of life and production and labor. In this creative process, people have overcome the passivity completely controlled by external nature, and truly realized the unity of regularity and purpose. Such as animals (such as bees, ants, beavers, etc. However, people can build houses with different functions and styles for themselves according to their own needs and the characteristics and laws of objects, such as quadrangles, villas, palaces, skyscrapers, circles or squares, wood structures or reinforced concrete ... which can fully reflect the interests and standards of builders and unite people's hearts. Second, the static results of human life and productive labor conform to its beautiful external form, regularity and purpose.

Secondly, because aesthetic activity has been separated from material production and labor, its aesthetic value is not hidden behind practical value, but has occupied a leading position in human life and labor production and its achievements. Therefore, the aesthetic value at this time will become an important measure to measure the rationality of all life and productive labor in a special form.

Third, in aesthetic activities, the grasp of the process and results of life and production labor comes more from perceptual forms. In other words, aesthetic activities start from the intuitive perceptual form and never leave the intuitive representation and emotional experience form of life and production labor process and its results. However, due to the unity of the regularity and purpose of beauty, aesthetic activities are always accompanied by certain rational content. Will cause people to think deeply at the rational level. It is different from general cognitive activities. The rational content in aesthetic activities is not mediated by concept, that is, it does not appear in the form of concept, but by emotion and imagination and image as the carrier. It is precisely because of this that aesthetic activities can maintain their free and independent character.

Secondly, aesthetic subject and aesthetic object.

(A) the formation of aesthetic subject and aesthetic object

In human aesthetic activities, man and object, subject and object are always in a state of unity of opposites, and the formation of aesthetic subject and object reflects the development achievements and level of human productive labor.

In the early days when human beings were engaged in productive labor, due to low productivity and backward understanding level, people could not understand and transform nature on their own. Nature has not been branded with human freedom and consciousness, nor is it an amiable living environment from which human beings get aesthetic enjoyment, nor is it a symbol of human life with aesthetic significance. In this case, the subject is oppressed by the object. What happens between them is not the unity of opposites between aesthetic subject and aesthetic object in the aesthetic sense. At this time, when people look at objective objects, their hearts are full of stings and they will never look at them with aesthetic eyes.

Subject and object really have aesthetic essence, or the real formation of aesthetic subject and object is realized in the process of "natural humanization", that is, it is actually generated in the process of human production and labor. In productive labor, on the one hand, people process and transform natural things according to their own will and desire through understanding and mastering the laws of the objective world, so that the objective world that was originally opposed to people becomes humanized nature. On the other hand, it constantly develops and perfects its will, emotion, rationality and various sensory abilities in the process of productive labor. "Just because of the richness of the objective development of human nature, the richness of people's subjectivity and sensibility, such as ears with a sense of music and eyes that can feel the beauty of form. In short, those feelings that can become people's enjoyment, that is, the feeling of confirming that they are human's essential strength, are partly developed and partly developed. ......

Aesthetic characteristics

In aesthetic psychology, aesthetic feeling and aesthetic feeling are combined, which are collectively called aesthetic feeling. This is the basic psychological form of aesthetic feeling. Feeling, according to psychological analysis, is a reflection of individual characteristics of things, such as sensory impressions of colors, lines, sounds and textures of things. It is obtained through direct contact between the senses and the object. People's ears, eyes, nose, tongue, body and brain nervous system constitute the sensory analysis organs of hearing, sight, smell, taste and touch, and receive and transmit all kinds of information from the outside world. When we feel a certain color, sound, line, texture and produce pleasure, this pleasure begins with feeling. Although these pleasant feelings are physiological, they are the basis and starting point of aesthetic experience. All advanced and complicated psychological phenomena, such as perception, imagination, emotion and understanding, are produced on the basis of feeling. Wang Chaowen once pointed out that "only things that appeal to feelings can arouse strong emotions". External objective objects can only cause aesthetic feeling after feeling.

Psychological research shows that different colors of * * * cause different physiological reactions. This feeling, as a physiological reaction, including the * * * that comes with it, is not aesthetic feeling. In the long-term practice, various social life contents and emotional patterns similar in structure to some physiological feelings have gradually infiltrated and accumulated in our feelings consciously or unconsciously, making them have certain social rational significance and completely different from animal feelings.

Perception, according to psychological analysis, is the overall grasp of the complete image composed of individual characteristics of things, even including the grasp of various meanings and emotional expressions of this complete image.

Aesthetic feeling is not a judgment of knowledge, nor a scientific classification, but a grasp of their emotional expression through the form of things. Only when people see a gurgling stream, they immediately feel its joy and vitality; I feel threatened and depressed when I see the scene of dark clouds pressing the city; When you see river of no return, you feel the passing of time and the ruthlessness of history ... these are aesthetic feelings. On the surface, aesthetic perception is done quickly and intuitively, but behind it lies all the life experiences of the subject, including his beliefs, prejudices, memories and hobbies, which inevitably involve imagination, emotion and understanding. As the starting point and destination of aesthetic activities, aesthetic feeling is interrelated and interacted with other psychological factors.

Aesthetic perception is developed on the basis of feeling and formed under the direct influence of social conditions, while life experience, cultural accomplishment and mood under different conditions as aesthetic subjects directly affect the content of perception. Only when the subject integrates the existing experience, emotion, interest and purpose orientation of will into his own perception of present things can the general perceptual image be sublimated into aesthetic image. However, aesthetic perception is different from general perceptual perception, which excludes the utilitarian consideration of the object and pays special attention to the image characteristics of the object, so that all the perceptual richness of the object is fully accepted by the senses. The objective things are rich and colorful, and the aesthetic subject always chooses the object with clear perception. This psychological phenomenon is most obvious in children's paintings. In children's landscape painting, the sun is always painted red and big, hanging high in the sky. The scenery they are most interested in always occupies a prominent position in the picture. The obvious difference between aesthetic perception and ordinary perception is that it has a distinct sense of color and is accompanied by strong emotional activities. Therefore, aesthetic perception is often carried out in the selection and comparison of various attributes of the object, which is centered on emotional experience and carried out in accordance with the logic of emotional development, so it is a proactive psychological activity and reflects the dynamic role of the subject of perception. It involves not only the combination of external form and existing psychological structure, but also some understanding and explanation. The ultimate goal of aesthetic perception is to create an independent aesthetic world that combines a rich and broad external world with a tortuous and profound internal world.

How can I make my girlfriend think I'm more mature?

Talk less and do things beautifully.

Talk less and do more.

Aesthetic photos of aesthetics

As an important and universal aesthetic category, "aesthetic photos" have been widely used in both Chinese and western aesthetic theories and practices. However, although people often use this category, most of them know nothing about its connotation and origin. I read Mr. Lin's article "What Philosophers See-An Analysis of' Meditation' in Plato's Philosophy" in theNo. 1 issue of Philosophical Research in 2003, which is very enlightening. From the perspective of China's philosophy and aesthetics, this paper makes a preliminary analysis of the aesthetic category of "aesthetic photos". In my opinion, aesthetic photography is an inevitable process of human aesthetic activities and a special way of practical contact between aesthetic subject and object. The entry of aesthetic state and the realization of aesthetic activities depend on the occurrence of aesthetic reflection at this stage to a great extent. As an aesthetic experience, aesthetic photos are closely related to intuition, imagination, association, memory and empathy, but they cannot be equated. In the practice of aesthetic activities, observation and intuition are very similar, even have some common properties, but in theory, aesthetic photos are irreplaceable. If all the elements of aesthetic experience do not necessarily appear or exist in the aesthetic process, then aesthetic photos are essential. In other words, it is not an "aesthetic" activity without aesthetic observation of this process. In a sense, aesthetic photography is the most critical and essential link in aesthetic activities, and its existence is a sign that aesthetic activities are different from general cognitive activities. Aesthetic photos are the most direct connection between aesthetic subject and object. Observation is an intuitive and vivid way, which projects objects with representation purposefully, thus generating images with aesthetic value. There can be no visual way to observe, which also means that the object of observation must be the object of appearance. At this point, I quite agree with the British aesthetician Bao Sangkui. Bao Sangkui believes that only concrete and perceptual things can become aesthetic objects. He said: "Nothing is useful to us except what we can see. What we feel or imagine is only what can be a direct representation or representation. This is the basic theory of aesthetic reproduction. " [1][ 1] But at the same time, aesthetic photos are far more than ordinary visual viewing, and they also combine obvious psychological activities. The original meaning of "observing" comes from China's philosophy, and its meaning is not limited to general visual viewing, but refers to grasping the noumenon and ultimate meaning of things through visual viewing. (This will be discussed below. ) observation does not exclude cognition, and the process of observation will include the generation of cognitive value; And if knowledge is the essence of observation, it is naturally a distortion of observation characteristics. Observation is the appreciation and experience of the aesthetic subject when he looks at the object with emotion and wisdom beyond logical thinking. This process is not only a reflection of the object, but also a unique angle to transform it into an aesthetic image based on this object. It is not only the object of appreciation, but also the mutual investment with the object, forming the relationship between things and me. The aesthetic relationship between subject and object is thus formed, and the generation of aesthetic value is also in this process. Aesthetic photos need corresponding conditions for aesthetic subject and object. As far as the object is concerned, it can be the object of aesthetic photography. First, it is perceptual and concrete, which can provide a prototype or a whole material for the aesthetic subject. Second, the object itself has some aesthetic attribute or cloud beauty potential, which makes its beauty potential or attribute appear or "bright" in the intentional call of the subject; From the perspective of aesthetic subject, we should first eliminate desire, make our mood empty and focus on the object; Second, the subject is intuitive and has unique wisdom and spirituality. Without this condition, it is difficult to talk about aesthetic photos. Aesthetic photography is a special way of human subject-object relationship, and the process is relatively short. It is hard to imagine long-term meditation with the object. Aesthetic photography is the most important and critical stage for the subject to enter the aesthetic process and aesthetic situation. When the subject enters the aesthetic photo, he temporarily cuts off all contact with other things in any way, and puts himself into the object's attention intentionally or unintentionally, thus producing aesthetic pleasure. The shape of the subject and the object has become a situation in which things are forgotten by me. In fact, things in this situation and I forget each other are just a feeling theme. But it is precisely the aesthetic pleasure produced by the subject that accompanies this situation. When meditation reaches its peak, it is ......