Traditional Culture Encyclopedia - Traditional customs - Brief introduction of Jun porcelain of five famous kilns in China
Brief introduction of Jun porcelain of five famous kilns in China
Jun porcelain originated in the Eastern Han Dynasty, which is a treasure in the traditional porcelain-making process of the Han nationality, and is called national treasure and national treasure. It is not only a unique national treasure porcelain in Shendong Town, Yuzhou City, Henan Province, but also famous for its unique kiln transformation art. It is known as "gold is valuable and priceless" and "a rich family is not as good as a jun porcelain". It is known as the first of the "Five Famous Porcelains" in China with its quaint modeling, exquisite craftsmanship, complicated glaze color matching, magical kiln transformation of "one color in the kiln, one color in the kiln", endless graphic colors and wonderful charm of lakes, mountains, clouds, fog, people, animals, flowers, birds, insects and fish. After the founding of New China, under the direct care of Premier Zhou Enlai, Jun porcelain resumed firing and developed rapidly. Especially since the reform and opening up, the production technology and level of Jun porcelain have been improved epoch-making, and Jun porcelain, as a national gift, has been constantly appearing in the world.
Jun porcelain is a member of China ceramics family, but it is very special and unique, and it also has a unique position in the history of China ceramics. Porcelain, which began to appear in the Eastern Han Dynasty, became more and more mature in the Tang Dynasty, and gradually formed two systems, namely, "southern blue and northern white", and was represented by two kiln mouths, "southern Vietnam and northern prosperity". However, whether it is Yue kiln celadon or Xing kiln white porcelain, their glaze color is single, either blue or white, without exception. Jun porcelain, on the other hand, is unique in the porcelain forest because of its unique natural kiln artistic effect.
The artistic effect of the renovation of Jun porcelain enamel kiln is not artificial, but naturally formed at the high temperature of the kiln. When Jun porcelain entered the kiln, it was colorless and plain and pure. Colorful, shocking and gorgeous colors and natural and vivid pictures are all formed in the kiln during the firing process. This is the kiln change, which is what we often say: "One color enters the kiln and the other color leaves the kiln." The principle of kiln change is a physical and chemical phenomenon that glaze minerals change into colors at high temperature in fire. The factors needed to form a good kiln transformation effect are very complicated, and it is necessary to have a skillful combination of a kiln with good performance, the best position of utensils in the kiln, and a scientific firing system. If you are not careful, you will lose all your efforts. Even today, people have a good understanding of the phenomenon of kiln change, but they can't fully grasp the effect of kiln change, and it often comes unexpectedly, which adds to the shocking charm of Jun porcelain art.
At this point, you may have a preliminary appreciation of the charm of Jun porcelain, but seeing is believing. If you want to feel it to the fullest, you still want to see it in front of your real body. The author is incompetent. I once read in the book how the author felt when he saw Jun porcelain with his own eyes. Then, after reading these, you must also imagine how surprised and ecstatic those archaeologists who know the goods are when they first see the eyes of Jun porcelain. I hope the above contents can help you know more about Jun porcelain!
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