The development process of French clothing history

French clothing design culture is a multi-source culture, cultural instincts are more open, easy to integrate foreign clothing culture.

In the process of its formation, clothing is regarded as a special body art, focusing on the form, that the form is the content.

In the process of its development, the era is characterized by obvious style changes.

Variation and innovation are much greater than inheritance and continuity.

French clothing focus on three-dimensional, the shape becomes rich in change, clothing using three-dimensional decorations have their brilliant: First, three-dimensional decorations and three-dimensional structural modeling echoes, natural harmonies; Second, the decorative effect in line with the aesthetic psychology, because all the flat, all-encompassing surface, easy to cause a monotonous feeling, and the layers of the rich, virtual and real with the overlap of interspersed surface space, there is an intriguing effect, the effect is not only aesthetically appealing but also aesthetic. There is an intriguing effect, easy to provoke the ornamental sense of beauty.

At the same time, as far as possible, the modeling reflects the beauty of the body.

France emphasizes the beauty of the human body clothing modeling there is no absolute comparison between the two better or worse.

The French are famously romantic in the world.

So the French clothing design especially focuses on reflecting the romance and luxury, the beauty of clothing modeling, pay attention to the environment and contrast.

The selection of materials is rich and excellent, the design is bold, and the production technology is highly skilled, enjoying a good reputation in the world.

In the early 1920s, elegant French noblewomen wore up to six dresses a day, and the style of clothing at that time was to emphasize the meticulous craftsmanship and tailoring, this slender evening dresses can be perfectly presented with the delicate curves of women, and clothing a variety of exquisite natural graphics have been through the influence of the Art Nouveau at that time.

But with the advent of the Second World War, the extravagance disappeared and was replaced by a simple, functional style that was conservative and sometimes difficult to distinguish between men's and women's clothing.

By the post-war period, French fashion was once again active, as can be seen through this exhibition of Chanel clothing, when the clothing focuses on highlighting the female temperament, and began to pay attention to the overall shape of the design of the clothing and accessories, this period of clothing achievements of a group of active, courageous and enterprising and vibrant modern women.

And to the 40s, from the exhibition of clothing can be seen to Dior as the leading extreme luxury evening dresses began to get out of hand, these dresses noble and elegant shape, the use of a lot of fabrics and decorations, colors, styles and collocation also began to skyrocket, no wonder, this period of time can be said to have awakened a long time of silence of the French fashion.

Even in modern times, this luxury wind has not been the slightest decline, the difference is that it is not as dominant as it was at the beginning, because the mini group, tutu, transparent clothing and other more personalized clothing has brought an unstoppable tide of modern thinking into the tide of fashion.

French clothing design also advocate the expression of contradiction, conflict, in the composition of clothing emphasizes ***, extreme form, to highlight the personality of pride.

Human body beauty, emphasize the display of human sexual differences, not taboo performance sexy.

Classical mode is to show the second sex characteristics of women, clothing styles to show the neck, shoulder, back, half-breasted, to tighten the waistline and padded buttocks to show the curves of the female carcass.

The modern model is a simple form of expression of the human body's natural body shape, to short dew and tight for the modern fashion for a hundred years of French fashion to today has been very diverse, but who would believe that it will continue to create a new fashion to amaze the world.

When it comes to French fashion design, we have to mention French haute couture.

And many French people see Lacqua as the savior of French haute couture.

Since the 1980s, the minimalist style has swept the world, especially on the traditional French haute couture had a great impact.

Some traditional brands began to rely on attracting young, avant-garde blood and turning tradition on its head.

Today, for example, many of the designers at Chanel and Dior come from outside of France, except for Lacqua, who was born and raised in France.

Lacqua is undoubtedly the one who has transformed the essence of French local culture into the most thorough and clear expression through the language of clothing.

"As fashion moved into the 90s, and styles became more and more simple and minimalist, Lacqua continued to try to depict the deepest dreams of the soul in a fashionable way, and continued to launch gorgeous and dazzling works.

In 1992, he launched a vintage baroque era of women's clothing, using precious satin, chiffon, gossamer, cutting is the most sophisticated, full of the spirit of the French classical court art.

In 1994, his new label, Bazzer, infused the sophistication of haute couture with youthful styles, and was recognized as combining glamour and freedom with ease.

Today, French haute couture is known around the world.

This is something that China's fashion industry lacks and cannot match