What are the ditties of Jingyun Dagu?

"Bao Gong Praises Sang", "Yu Tang Chun", "Single Sword Club", "Battle in Changsha", "Bo Wang Slope", "Assassination of Tang Qin", "Bai Di City", "Exploring Qing Wen", "Daiyu Burning Manuscripts"

", "Chou Mo Yin Chu", "Returning to the Boat after Storm", "Eight Loves", "Luo Shengjiao", "The Party's Good Daughter Xu Xuehui", "Sea Fishing Song", "The Party's Good Daughter Xiang Xiuli", "The Heart of Mountain Dew",

"Han Ying Sees Her Mother", "Wild Boar Forest", "Peach Blossom Village", "Yingtai Crying at the Grave" The Beijing rhyme drum was formed in the late Qing Dynasty and the early Republic of China and became popular in Beijing and Tianjin.

The drum calligraphy artist Liu Baoquan and others at that time changed the wooden drum that was originally sung in Hebei dialect to the Beijing dialect. They widely absorbed Peking opera singing and popular folk tunes in Beijing to create a new tune. In addition to the original three-stringed accompaniment of the wooden drum, they added

Sihu and pipa formed the Beijing-style drum that has been passed down to this day.

There are three major schools of Jingyun Dagu: "Liu", "Bai" and "Zhang" represented by Liu Baoquan, Bai Yunpeng and Zhang Xiaoxuan.

Among them, Liu Baoquan had the highest artistic attainments and made the greatest contribution. People at that time called him the "King of the Drum World" and respected him as a great master.

Following the three major schools, there is the "Shaobai School" created by brothers Bai Fengyan and Bai Fengming.

Jingyun Dagu emphasizes singing and specializes in short pieces.

Liu Baoquan is good at singing the stories of the "Three Kingdoms" about the war and the iron horse, such as "Chang Ban Slope", "Zhao Yun Cutting the River", "Thatched Boat Borrowing Arrows", etc.

Bai Yunpeng is good at singing stories from "A Dream of Red Mansions", such as "Sacrifice to Qingwen", "Daiyu's Sad Autumn", "Baoyu's Marriage", etc.

In addition to singing pieces with storylines, Jingyun Dagu also sings purely lyrical scene-writing passages.

Such as "Chou Mo Yin Chu", "Hundred Mountains Picture" and so on.

"Chou Mo Yin Chu" is a popular traditional aria of Jingyun Dagu that has been sung by generations of artists.

With extremely concise brushwork, the work vividly describes the living conditions of the ancient Chinese people at the end of Chou and the beginning of Yinchu, just like a vivid and simple picture.

Its accent is smooth, the rhythm is lively, and the short sentences and loud accents are cleverly combined.

From the melodious singing, people can get full artistic enjoyment.

The development of Jingyun Dagu has a history of more than 100 years.

Since the 1920s, actresses Liang Xiaolou, Zhang Cuifeng, Luo Yusheng, Sun Shuyun, Yan Qiuxia, Xiao Lanyun, etc. have sprung up on the Jingyun stage. They have made new developments in singing and performance, thus making Jingyun Dagu a success.

It is also favored by the general audience.

After the founding of the People's Republic of China, Jingyun Dagu has made great progress.

Artists have become actors and artists of the people. In addition to singing traditional repertoire that have been handed down, they also compose and create many new repertoires that reflect real life.

Such as "The Glorious Voyage", "The Red Flag of Mount Everest", "The Heart of the Rapid Waves", "Han Ying Meets His Mother", "Bainiu Storytelling", etc.

At the same time, it has also trained generations of young actors.

Achieved ones such as Zhao Xueyi (Bai Pai), Yang Fengjie (Liu Pai), Liu Chunai (Luo Pai), and Zhong Yujie (Liu Pai) have become Beijing-yun drum performers who are very popular with the audience on the folk art stage.