Traditional Culture Encyclopedia - Traditional customs - Why is the costume of the new King and Queen of Bhutan similar to that of China?
Why is the costume of the new King and Queen of Bhutan similar to that of China?
Bhutanese costumes are indirectly influenced by Hanfu through Tibetan costumes. Characteristics of Han nationality's dress with collar, right neck and lacing. Men often wear knee-length robes made of thick cotton cloth or woolen fabrics, which are called "Gho" and commonly called "Poku". In order to maintain the tradition of Bhutan, the King of Bhutan stipulates that all people must wear traditional clothes when they go to school or work. Bhutanese men wear "Gho", which is a knee-length gown, while women wear "Kira", which is a long-sleeved jacket and a salon-style dress. It is said that in order to set an example, the King of Bhutan even wears a straight "Dong" when exercising.
there is a layer of white jacket inside the "Dong" of Dong and Qila men. The sleeves are longer than the outer robe and then folded outward. The white cuffs and wide robe look very chic. The sleeve width is moderate, and it does not hinder the work. The robe is lapped, and the waist is fixed with a belt. The waist can hold a lot of things without weaving pockets. This half-width sleeve makes Bhutanese men look very free and easy when waving their arms, which also has the function of lengthening their bodies visually. The wide waist design can hide the lower abdomen and has the function of storage, which is both practical and beautiful. Boots worn by monks "Qila" worn by Bhutanese women looks a bit like Fengxian Xiao at first glance. That is, upper skirt, including underwear, robe, belt, long skirt and pin. The upper body, like men, wears narrow long-sleeved collared underwear, then wraps a rectangular piece of cloth into a long skirt, the neck is fixed with a necklace pin, and the waist is wrapped with a wide belt for two or three times, then puts on a long-sleeved jacket, and the cuffs of the underwear are folded back like men. Underwear colors can be freely matched, and it is not necessary to wear white like men. Women wear long skirts, so they wear short boots. The straight line of the long skirt and the short jacket visually lengthen the leg lines, which is similar to the Korean women's clothing. In addition, the booties are higher, which makes Bhutanese women look more slender and have more perfect leg proportions. In addition, narrow sleeves also have a slimming effect visually. The Bhutanese lady wearing the "flag pull", the lady on the left omits the undershirt. The fabrics they wear are of improved design. Ms. Bhutan, who is "a little fan flying fireflies", saves plug-ins for this lady. The fabric she is wearing belongs to the traditional blue and traditional striped design, which is very elegant and expensive. Traditional fabrics are the same as the costumes of various dynasties in China. The styles of "Dong" and "Qila" are fixed, so the pattern and color matching of fabrics have become the focus of fashion. Traditional Bhutanese weaving is dominated by stripes and plaids, which may be because stripes and plaids are easier to calculate in hand-woven environment. Due to a large number of mechanical weaving from India, there are more choices of colors, patterns and fabrics for women's clothing. Due to the influence of Buddhism, the traditional cloth in Bhutan is to pick up wild silkworm chrysalis and weave it with cooked wild silk, which is tough and durable. In terms of color, before the opening of traffic in the 196s, due to limited resources, most colors were dyed blue and black in a natural way. But now there are so many color changes. The three ladies in the picture are wearing improved colors and patterns. In the picture, the lady dressed in dark blue, leaving out the plug-in, is a kind of blue striped cloth with traditional colors and patterns, which feels very formal and elegant. China has a 5,-year-old culture, and each dynasty has different costumes. Therefore, if Hanfu is restored, there are too many choices and changes. China has always been famous for its brocade for thousands of years, and the large overseas demand for China fabrics has also created the famous Silk Road. If Hanfu can be restored, I believe it will also promote the development and continuation of traditional cloth design. Traditional costumes set off the temperament Due to the hot weather in Washington at the end of June, some women who can't stand the heat gave up their outer gowns and only wore inner shirts or outer gowns (the lady in pink on the left in the picture). Some men fold their robes around their waists, which makes people see the casual way of wearing traditional clothes. China's traditional Chinese paintings can sometimes see such a casual scene, which is somewhat chic and heroic. Even the lady who fanned the fan gives people the association of "flying fireflies with a small fan". We can only say that the traditional clothes are really beautiful! Against the backdrop of traditional costumes, Bhutanese men all look imposing, and women all look gentle and beautiful, which really makes people lament the beauty and elegance of traditional costumes and their edifying effect on temperament. Because Bhutanese are mostly descendants of Tibetan and Mongolian ancestors, they are almost identical in appearance to the Han nationality, but with a deep outline and beautiful appearance, we can't help but hope: if our Chinese nation can also restore orthodox Hanfu, how wonderful it would be! Bhutanese wearing traditional costumes are really better than the topless Americans around them. Asians in traditional costumes are so pleasing to the eye. Or chic, or beautiful, or dignified, or heroic, the same style can make so many levels of changes, and the feeling that everyone wears is different! As for heat dissipation, because silk fabrics are warm in winter and cool in summer, they actually dissipate heat in summer, and the so-called mood is naturally cool. At the scene, we found that all the craftsmen, regardless of painting, sculpture, knitting and other artists, were sitting cross-legged on the floor. It is said that the ancients had to meditate and meditate before doing things, so that they could do things well. The exhortation of the ancients in China is indeed confirmed in Bhutan, a country that retains its traditional culture and lifestyle.
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