Qinqiang originated in which dynasty

The origin of Qinqiang is said to be different, and there are three kinds of sayings that it was formed in the Qin Dynasty (or Pre-Qin Dynasty), in the Tang Dynasty, and in the Ming Dynasty.

1, "Lotus in the Pottery" is the work of an unknown person in Jiangnan, proving that it has spread to Jiangnan. Jiangnan far from Shaanxi, the spread of time, according to this, the Qin cavity in the middle of the Ming Dynasty when it has been formed. According to another survey, the earliest Ming dynasty Qinqiang class society is Zhouzhi people founded the Huaqing class, was famous Gan, Shaanxi area.

Later, the Qinqiang in Shaanxi Province has developed into four roads: east, west, center and south. The east road was Tongzhou Bang Bang, the west road was Xifu Qinqiang, the south road evolved into Han Tiao Arenga, and the middle road was Xi'an Chaobang, which is commonly known as Qinqiang today. The art of Qinqiang has a long history.

2. According to legend, Emperor Li Longji of Tang Xuanzong once set up the Pear Garden, which was specially designed to train singing children to sing both court music and folk songs. Li Guinian, the musician of the pear orchard, was originally a Shaanxi folk artist, and his "King of Qin breaking music" is called "King of Qin cavity," or "Qin cavity" for short. This is probably the earliest Qinqiang music. Later, Qinqiang was influenced by Song lyrics and perfected from content to form.

3. During the Jiajing period of the Ming Dynasty, the Qinqiang in the area of Gan and Shaanxi gradually evolved into the Bang Bang Opera. During the Qianlong period of the Qing Dynasty, Wei Changsheng, a famous Qin opera singer, entered the capital from Shu, and became a sensation in the capital with his touching cadences, popular words and exquisite acting skills, and the Xipi Running Water Cantata of today's Peking Opera comes from the Qin opera.

Expanded Information:

. p>Cultural characteristics of Qinqiang:

The music of Qinqiang is divided into two kinds, the joyful and bitter sounds, the former mainly expresses the joyful and happy emotions, and the latter mainly expresses the sad and desolate emotions. The Qinqiang is sung in the form of slow boards, two or six boards, generation boards, starting boards, sharp boards, rolling boards, etc. The accompanying bands are divided into the cultural field and the martial arts field, and the cultural field is dominated by the Banhu, supplemented by the flute, the three-stringed string, the Yueqin, the Suona, etc. The Qinqiang music is characterized by its joyful tone and the bitter tone.

The martial arts field basically uses percussion instruments, including fingerboards, dry drums, drums, war drums, hook gongs, hand gongs, and water water. Traditionally, the Qinqiang's footwork is divided into four students, six dancers, two purifiers and one clown, each with their own complete singing and performance procedures. The Qinqiang's singing voice of the Sheng and Pure lines is high and vigorous, generous and sad, and majestic; the Dan's singing voice is euphemistic and delicate, and is refined, delicate and elegant.

Qinqiang actors are also extremely heavy frame and stunts, in the long-term stage practice formed a trip horse, pulling the frame, carrying firewood, fire, tip Gong, pouncing on the fall and other characteristics of the performance mode. In addition, the Qinqiang face painting is also unique.

Baidu Encyclopedia-Qinqiang

China.org-Qinqiang