Simple fingering operation of suona

Simple fingering operation of suona. As one of the traditional musical instruments in China, the suona is also well known to most of us. The timbre of suona is also very different from other musical instruments. To practice suona, you need to master certain skills. The following is the simple fingering operation of suona.

Simple suona fingering operation 1 suona fingering is directly related to the fluency of melody cohesion and the expression of musical feelings. If fingers are used properly, it is easy for tongue and fingers to mediate, otherwise, it will definitely affect the required speed, the consequences of playing and the full play of skills. Therefore, fingering plays an important role in Zona's performance. At present, the understanding of suona fingering is not comprehensive. Fingering refers to using several holes as "do" (or what sound the drum makes)-to determine the tone of music, which far includes the variation and application of fingering.

On the issue of fingering and tuning, it is not the same between different places (take the suona with three holes as "doing" and the suona with a barrel sound of "Sao" as examples). Some people use D as the fingering of Sao, some people use C as the fingering of re, and some people use C as the fingering of la and A as the fingering of do.

In practice, folk music is influenced by local styles and requirements, so it is normal to adopt fingering that suits you first and then tune it. These music often put fingering in an important position, and the tone is incidental. However, there are differences in ensemble and accompaniment (generally, the fingering is determined according to the tune, and the suona can be changed for the convenience of fingering). Therefore, not all music is treated equally. According to the specific situation, the suona can be fingered without changing the suona.

The most basic method of finger pressing holes, from the order of low to high scale, is to start with Sao fingering. If re fingering is used, the first note of the scale, do, will definitely be blown up (the original' L23' becomes i23). In this way, it is obviously more difficult to control the pitch.

Therefore, in education, the Sao fingering method should be used first, which not only conforms to the educational principle of gradual progress from shallow to deep, but also brings convenience to the mastery of intonation, and also reflects the educational requirements of pronunciation from low to high. In addition, some people say that the D-note suona on the third hole is G-note and the E-note is A-note (that is, the do on the third hole is regarded as Sao), which is a statement that the positive tone is regarded as the opposite tone. I think it is more appropriate to use the third hole as do to set the tone, and now the flute also uses this fingering.

The fingering and tuning of suona usually refers to the fingering of what sound (that is, drum sound) is pressed completely. If it is all coquettish and all hot, it is called coquettish hot fingering. Doing full pressure and the third hole are the same thing, and the statement is different. If you press the cable completely, it is equal to the third hole as do. No matter what fingering is used, the fingering of high octave and low octave is similar. Generally, the upper handle (the seventh and eighth sound holes) is often used, but sometimes the lower handle (the barrel sound and the first sound hole) can be used because of the requirements of music and the convenience of fingering.

The pitch of the lower handle is difficult to control, so beginners usually use the upper handle first. In the use of fingers, no matter what sound is made, there are generally at least three fingers (arranged in the high and low positions of the left and right hands) attached to the pole wall, so that the suona is attached to a certain balanced and stable shape, which is conducive to the sensitive use of fingers. In practice, this is the application of finger protection (interdigitation application).

The application of saving fingers starts from a lower position. Generally, when the first, second, third and fourth sound holes are opened, the first sound hole refers to the reserved finger. If the fifth, sixth, seventh and eighth sound holes are opened again, the fifth sound hole becomes the saving finger.

When the eighth sound hole is pressed, the finger of the fifth sound hole will open again. When you press the fourth sound hole, the fingers of the first sound hole should also be opened. When the finger of the fourth sound hole fingers quickly, the finger of the first sound hole can also be lifted. If fingering techniques such as the fingers of the fourth sound hole are required to slide up and down on the local sound hole (without leaving the polar wall), not only the fingers of the first sound hole should be opened, but also the right thumb should be opened. But when the finger is in the eighth sound hole, it can still keep the finger in the fifth sound hole.

Generally, the sixth sound hole is opened, and the fifth sound hole is the preservation finger. According to my own details, I can hold the pitch without saving my fingers, but I can also drive it with me, which can make my fingers move more flexibly. But when playing the five-step fast melody, I can leave my finger on the fifth hole to make it easier for my finger to move. If the fingers of the eighth sound hole are the same as those of the fourth sound hole, the fingers of the fifth sound hole must also be opened when the rest of fingering techniques occur. In addition, drum fingering is also a typical application method of preserving fingering.

The above is to save fingers according to Sao's fingering, if you change fingering; Because the scale interval changes, the storage finger also changes. Such as Sao fingering, when playing fa, the fifth sound hole is to protect the finger; When fa is played by pulling fingers, the fourth sound hole becomes the finger protection. Only through the above description can we see that the accurate use of reserved fingers really contributes to the sensitive use of fingers, the full play of skills, the accurate control of pitch and the emotional expression of music.

Simple fingering operation of suona 2 Introduction fingering of suona

The general grip method is upper three fingers and lower four fingers; Left hand above, right hand below.

The specific gameplay is as follows:

1. Press the point with the right index finger and press the point with the left finger, and blow 1.

2. Let go of your right hand, press the finger of your left hand on the hole and blow 2.

3. Let go of your right hand, press points with your left index finger, middle finger and thumb, and blow 3.

4, the right hand is completely released, and the left index finger and thumb hold the hole and blow 4.

5. Press the hole with your right finger, press the hole with your left finger, and blow 5.

6. Press the hole with the index finger, middle finger and ring finger of the right hand, and press the hole with the finger of the left hand, and blow 6.

7. Press points with the index finger and middle finger of the right hand, press points with all fingers of the left hand, and blow 7.

Playing skills

1, circulating ventilation method

Cyclic ventilation is not commonly used, and it is only used when playing some continuous long sounds. Its method is to control breathing with the strength of the lower abdomen, inhale through the nose and exhale through the mouth. When the nose inhales, the ribs expand and the lower abdomen contracts inward, so that the breath moves upward, that is, the breath is sent to the mouth with the pressure of the lower abdomen.

Then, according to the required amount, the breath of both cheeks is gradually discharged outward, and the abdominal muscles are gradually relaxed with exhalation. Repeat the same process for the second breath. It should be noted that at the end of the first process, the second breath should be inhaled through the nose first, and then the breath in the mouth should be controlled, so that the connection between the two processes is very coherent, no trace of ventilation can be heard, and the long sound can be well maintained.

When practicing this breathing method for the first time, you can prepare a reed and a bowl of water, then insert the reed tube into the bowl and blow air into the reed according to the above-mentioned cyclic ventilation method until it can bubble continuously in the water. The method is basically correct. Practice like this, and then practice on the suona. When practicing, play the eighth hole first, and then practice other sounds.

2, gas vibrato

Air vibrato is a kind of intonation, and a "-"is added to the notes. Its playing method is: breathe fully, the lower abdomen strongly supports the breath and makes elastic contraction, so that the sound is slightly undulating, and its effect is like the kneading of strings. This vibrato can be divided into fast and slow and strong and weak according to the requirements of music. Usually used for long notes, sometimes its fluctuation can express the styles of different nationalities or places.

3. Teeth trill

Tooth trill is also a kind of intonation, which is expressed by the phonetic symbol "-"plus the word "tooth". When playing, gently vibrate the whistle root with your lower teeth to make it vibrate. This kind of singing is mostly used to play traditional opera, folk art and folk music with strong style. There are two types: hard tremor and soft tremor: hard tremor is to directly touch the whistle root with teeth, and soft tremor is to put the lips between the teeth and the whistle root. Tooth vibrato usually uses one sound, so we should pay attention to the uniformity of vibration.

4. Finger vibrato

Finger vibrato, also called "finger flower" in folk, is a widely used skill. This technique is often used to express cheerful and enthusiastic feelings, and it is even more varied when it is used to decorate the feelings expressed by some voices in some lyric songs. In performance, it is characterized by being able to clearly hear the rapid alternation of two adjacent sounds. Although the alternating movements are fast, the edges and corners should be very clear, otherwise it will become the effect of intonation and lose the characteristics of vibrato.

Simple fingering of suona Three playing methods of suona

Suona is a double-reed instrument. Some people say that the soul of the suona is a whistle, but Mr. Pan Xiao and Mr. Zhao Ming say that breath is the soul of the suona. In other words, learning suona means practicing breath and fingering.

Play with the mouth: Teacher Pan Xiao summed up six words: the labial muscles are closed and the smiling muscles are closed. Generally speaking, the muscles of the lips contract and smile. Include one-third or two-thirds of the whistle, as the case may be.

Breath: Breath is the soul of suona. How to correctly play suona with breath is very important for beginners. Teachers often say that you should use Dantian gas when playing suona, so that you won't feel chest tightness and dizziness, and the sound of suona can be round and full.

Inhale: What is Dantian Qi? Teacher Zhao Ming once said that the so-called Dantian Qi is a folk name and a name for people who practice martial arts. In fact, dantianqi is a chest-abdomen breathing method, and everyone knows it. When we sleep normally, our breathing is chest-abdominal breathing, and our breathing is sinking. So when you practice breathing, you can feel the breathing method while sleeping. Inhale quickly and exhale slowly.

Exhale: take a deep breath, put your palm or back of your hand two or three centimeters in front of your mouth, feel the exhaled breath, feel that the exhaled breath is hot, and exhale correctly; It is wrong to feel that the exhaled breath is cold.

Exercise: Beginners don't have shortcuts, just lengthen the notes and play each note as long as they can. You can also play eight beats first and then increase the number of beats later. At least half an hour every day, every day. We should practice what Pan Xiao said, low but not scattered, high but not fried.

Maintenance: After the new suona is bought, it can be wiped with olive oil to avoid cracking in the future. The suona should be cleaned frequently, so as to prevent dirt from affecting the tone and performance of the suona.

High notes: It is a common problem for beginners that high notes can't go up and down. After changing Qin Zi, you still need some skills. At the same time, hold it with your fingers. For example, when the drum sound is 2, when playing treble 1, the left hand covers all three sound holes of the upper handle, and when playing treble, the middle finger is quickly raised, which is equivalent to playing treble 6 and sliding onto treble 1.