Kirin Mountain Qin Opera Synopsis

Qinqiang "Kirin Mountain" Introduction:

Tang Taizong, ghost-faced Yang Chi rebellion, the treacherous Minister Wenhua Hall University Professor Zhang Yusong commander-in-chief, the veteran Ma Sanbao and his son Ma Jilong, Ma Jihu for the vanguard. Because Zhang Yusong and the Ma family has a gap, through the communiqué of personal vengeance, the first point of the big dao, to Ma Sanbao beheading, thanks to the Duan Zhixian block, still heavy responsibility for the forty.

The Ma family father and son on the battlefield and the ghost face Yang Chi, the first battle won, Zhang Yusong again to the charge of private intention to send troops, will Ma Jilong heavy responsibility for forty. Ghost face Yang Chi set up a ghost formation, the Ma family father and son to break the formation back to the city, Zhang Yusong and assassinated Ma Jilong. Thanks to the move to Duan Zhixian, Mrs. Ma two road troops, *** with the extermination of the ghost face Yang Chi, randomly stabbed Zhang Yusong, only completely in addition to the internal and external trouble.

Qinqiang, one of the oldest Chinese Han dramas, started in the Western Zhou Dynasty, originating from the Western Province (the core area is Qishan (Xiji) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province).

Matured in Qin. Qinqiang, also known as messy bomb, is popular in northwest China, including Shaanxi, Gansu, Qinghai, Ningxia and Xinjiang, among which the Xifu Qinqiang accent of Baoji is the oldest, preserving more ancient pronunciations. It is also known as "Bangkang Cavity" (梆子腔), commonly known as "桄桄子"

Expanded：

Qinqiang Opera (traditional theater of Northwest China)

Qinqiang Opera (秦腔), also known as Bang Bang Opera (梆子腔), is a traditional theater of Northwest China, and is one of the intangible cultural heritages of the country.

Anciently, the area around Shaanxi and Gansu belonged to the state of Qin, so it was called "Qin Opera". It is also known as "Bang Bang Cavity" because of the common use of jujube wood clappers for accompaniment during the early performances of Qin Cavity.

After the Qinqiang took shape, it spread all over the country, and because of its mature and complete performance system, it had different degrees of influence on different kinds of dramas, and directly influenced the Bangqiang to become the ancestor of Bangqiang. The performance techniques of the Qinqiang are simple, rough and bold, rich in exaggeration, with a strong sense of life and a wealth of skills.

On May 20, 2006, it was approved by the State Council to be included in the first batch of national intangible cultural heritage list. Intangible Cultural Heritage Number: Ⅳ-16.

References:

Baidu Encyclopedia-Qinqiang