Traditional Culture Encyclopedia - Traditional customs - Who is the painter of rising sun and rising sun in the Great Hall of the People?

Who is the painter of rising sun and rising sun in the Great Hall of the People?

Xu Beihong.

I. Introduction to the Works

The Rising Sun is a landscape pattern of traditional Chinese painting. The origin of the rising sun: "The Book of Songs, the wind and the bitter leaves": "When the geese are singing, the rising sun begins." . It means that people or things are rising like the sun, like the rising sun in the morning, full of hope and vigor.

In the pattern, a waterfall flies down and the red sun Ran Ran rises in the distance. Whether it is a pattern or a name, it is very suitable for hanging in the living room. Similar to this design, there is a long history, which is larger.

Second, the author's brief introduction

Xu Beihong (July 19, 1895—September 26, 1953), Han nationality, formerly known as Xu Shoukang, was born in Qiting Town, Yixing County, Jiangsu Province, and was a modern painter and art educator in China.

In p>1917, Xu Beihong was appointed as the tutor of the Painting Research Association of Peking University, and the highest institution of higher learning successively made Xu Beihong, a master of painting, and Shen Yinmo and Li Zhimin, two masters of calligraphy history of Peking University. ?

I studied in France to learn western painting. After returning to China, I have been engaged in art education for a long time. I have taught in the Art Department of National Central University, the Art College of Peiping University and Peiping Art College.

Since p>1949, he has been the president of the Central Academy of Fine Arts. He is good at figures, animals, flowers and birds, advocates realism, especially praises Ren Bonian in tradition, emphasizes the integration of Chinese painting reform with western painting techniques, advocates light and modeling in painting, and emphasizes the anatomical structure of objects.

The accurate grasp of the bones and the emphasis on the ideological connotation of the works had a great influence on the painting circles in China at that time. Together with Zhang Shuqi and Liu Zigu, they were called the "Three Masters of Jinling" in painting circles. His traditional Chinese paintings are full of color and ink, especially for galloping horses.