From Nezha's point of view, apart from accelerating the maturity of technology, can we only cater to the public's aesthetics by adaptation?

I think asking this question is a bit extreme. Is a good adaptation that easy? Compared with the unrecognizable adaptation of China's traditional story by foreign film companies such as Disney Company, Nezha is simply recognized as a work of conscience by China people!

"Nezha" is a frequent visitor in China's film and television, literary and animation circles. Nezha, who first appeared in The Origin of the Three Religions in Search of God, was finally active in the classical novel "Journey to the South" and "Romance of the Gods" by The Journey to the West. So most of the stories about Nezha that we saw later were based on these two classic works, and Nezha was no exception.

For the role of Nezha, there is no so-called "original work". Nezha's story is gradually enriched and shaped in one fairy tale after another. Only before this animation appeared, what I saw was basically the same "hero" image, and the "magic boy coming to earth" who was biased towards the sword would inevitably shock my heart.

I think the biggest breakthrough of this film is to break the traditional myth that there is no hatred between Nezha and Ao Bing, but to reshape their image through a mistake. There is no absolute good and evil between the two characters, and there is no clear black and white. Everything is the fetters of destiny takes a hand, the acquaintance under causal coincidence, and the killing under causal accident. Perhaps for a long time, after reading the clever Guo Man, most people were full of curiosity and expectation about Nezha's adaptation of this kind of reverse thinking. From Nezha's classic chanting when he appeared in the preview to the final image transformation, it was not just individuals who were ignited. "I am a little monster, free and easy, killing people without blinking, eating people without adding salt." Anyway, I like it very much. What about you?