Traditional Culture Encyclopedia - Traditional customs - Romance of the West Chamber
Romance of the West Chamber
After reading The West Chamber, I feel 1 "The warbler is loud outside, and every step is pitiful. The waist of the dance is delicate and soft, so graceful, like a weeping willow before the evening breeze. " -"The West Chamber"
The Romance of the West Chamber originated from the legendary novel Yingying Biography by Yuan Zhen, a poet in the Tang Dynasty. It has been widely circulated in the long river of the times, and some literati and folk artists have adapted it into songs and operas. The Romance of the West Chamber, called Cui Yingying Waiting for the Moon, is the representative work of Wang Shifu, a famous playwright in Yuan Dynasty. It is also a beautiful and moving drama and an immortal masterpiece in the history of China literature.
The script tells the story of a couple, Zhang Sheng and Cui Yingying, who finally got married after breaking through many difficulties. There is a 20% discount on five plays. The story is vivid, tortuous, touching and ups and downs. It makes people feel sad and feel immersive.
Seeing these words written with extremely skillful traditional techniques, I always have a mumbling sense of worship. Seeing these delicate and vivid characters again seems to reproduce the love story told through the ages.
"Love rides a white horse,
Like a tiger.
Make a big knife,
The best in the world.
Help the country,
Clear the world,
Slaughtering the world,
A Guo Bang.
Loyal to god,
Willing to make peace,
Open up territory. "
-"The West Chamber"
After listening to this short poem, at this moment, I have to change Yuan Zhen's sentence "It's not that chrysanthemums are favored among flowers, and this flower is even more flowerless" to "It's not that the text favors you, this poem is more poetic"!
In a word, people can't wait in the dark forever. They should bravely pursue the things or events of their dreams, pursue their lingering love, break through many obstacles and pursue their happiness with their other half, as described in The West Chamber.
Reflection on The West Chamber 2 When I first saw The West Chamber, it was only because of a pseudonym that Yuan Zaju was the finale. After reading it, I regretted it and felt bored. I didn't want to read it again, so I threw it aside. Then I found it when I was sorting out books, and I started reading it on a whim. After reading it, I came to a conclusion-what is a good book and what is a durable book.
The book is gorgeous in rhetoric, vivid in plot and delicate in writing, which makes people fondle it. Changting's farewell performance is from "Favorite", which is sentimental and moving, with beautiful words and beautiful timbre. Inging's sadness and hatred of parting are expressed incisively and vividly, so that the whole text is filled with a faint and unspeakable sadness.
This fold mainly describes Yingying's farewell to Zhang Sheng and Yingying's anxiety after breaking up. This poem is not only beautiful, but also borrows many tunes. "Blue sky, yellow flowers, the west wind is tight, flying north and south. Who is drunk in Xiao Lai's frost forest? Always in tears. " It is a masterpiece among them. .
The first four sentences are a scene, which skillfully uses autumn scenery to create a bleak atmosphere and set off Yingying's complicated inner world. The question and answer of the last two sentences make the scenery deeply subjective and the frost leaves intoxicated. In fact, it comes from human blood. These two sentences not only explain the time and season, but also depict Yingying's tearful eyes, which makes the feeling of parting even sadder, thus showing the image of an affectionate woman.
Throughout the ages, there is more than one Cui Yingying, the well-known feelings of butterfly lovers till death do us part, and the story of Du Shiniang's anger sinking into the treasure chest. They are not afraid of persecution by feudal forces, but dare to fight against them precisely because they want to realize their ideals. We should learn from their persistent beliefs and persistent spirit and strive for our dreams and ambitions. As for feelings, we are not old enough to enjoy them.
After reading the Romance of the West Chamber, the four love dramas of Sanyuan Zaju are Moon Pavilion, Romance of the West Chamber, Wall on the Horse and Ghost Story. Of the four plays, The West Chamber is the only one I have watched from beginning to end.
Perhaps the most impressive thing about The West Chamber is the characters in it. The main characters in the play, Zhang Sheng, Cui Yingying and Matchmaker, each have a distinct personality. They set each other off and become interesting. As far as Cui Yingying's personality is concerned, there are many intriguing places.
Cui Yingying, who was born in a noble family, took to the stage with youthful melancholy. In feudal society, women were often taught "Don't say anything if you are indecent, see no evil, don't listen if you are indecent" and "three obedience and four virtues". Cui Yingying is also a good family born in this background. However, when she meets the romantic and elegant Zhang Sheng, they are attracted to each other like magnets. When she obviously noticed a strange man staring at her, her reaction was "wearing a fragrant shoulder and smiling only at the flowers". The screenwriter and matchmaker urged her to avoid it, and her reaction was: look back at the end. At this point, Yingying's behavior has forgotten the rules of feudal ethics. In this subtle movement, it is not difficult to imagine the future development of Yingying's character. At this age, she seems to be a little rebellious in adolescence, but after all, she is a' good family' under feudal ethics. On the one hand, she pursues love strongly, which seems admirable, but on the other hand, she has scruples about the matchmaker, so she is warm and calm, smart and cunning. When I saw her, she was sometimes serious, sometimes arrogant and sometimes awkward.
There are still many places worthy of admiration and learning from the vivid characters in The West Chamber. In fact, these characters are also the basis of an ancient classic love drama.
After watching The Romance of the West Chamber and The Romance of the West Chamber, I was still shocked and appreciated, because I was only interested in listening to the teacher talk about this valuable drama before, and I especially wanted to know more about it, so I got a general understanding of its plot.
The plot of the whole opera is ups and downs, full of twists and turns, but extremely rich and vivid. Wang Shifu's detailed description of the psychological activities of the characters is vivid and vivid, which makes the heroine Yingying stand out, and also shows the shyness and reserve of ancient women in China, which is full of another kind of beauty of women.
The whole play is divided into four climaxes, and the first line runs through it, which means that the whole work takes Cui Zhang's love as the clue of plot development from beginning to end. The second kind of contradiction refers to the fundamental contradiction between the progressive forces represented by Cui, Zhang and Hong and the feudal forces represented by the old lady, as well as the misunderstanding contradiction between Cui, Zhang and Hong. These two contradictions constitute two different dramatic conflicts, which interact and develop together, thus making the plot vivid and tortuous. These three characters refer to Cui, Zhang and Hong, who are the central figures in the whole drama structure. The whole drama is centered on these three characters, showing their characters through plot development and launching conflicts through their characters. There are six climaxes in the development of the whole plot section of The West Chamber, namely, Temple Police, Ignoring Marriage, Ignoring Bamboo Slips, Copying Red and Fighting for Marriage. The whole drama has both unified clues and six major turning points, which makes the plot full of twists and turns and is extremely infectious.
Among the four characters portrayed in the play, Zhang Sheng pursues love persistently on the one hand, and has doubts about Yingying's heart on the other. Yingying, she wants both.
Overcoming the long-term influence of feudal ethics on him, we should avoid the eyes and ears of the old lady, but also show the dignity and reserve of the young lady, full of consideration and embarrassment, and various objective factors plague her. In this process, the psychological and personality characteristics of each role are particularly distinct.
Throughout the ages, the most authentic thing is family, the most profound thing is friendship, and the most elusive thing is love.
Love is strange to us, even more out of reach. But Wang Shifu's "Three Nights in the Bright Moon" made me understand his interpretation of love and the unfailing love of a young man and woman. I admire them for daring to oppose feudal forces.
The first time I saw The West Chamber, it was just a pen name and the ending of Yuan Zaju. After reading it, I regretted it. I felt bored and didn't want to read any more, so I threw it aside. Later, when I was cleaning up, I found this book and started reading it on a whim. After reading it, I came to a conclusion. What is a good book and what is a durable book.
This book is gorgeous in rhetoric, vivid in plot and delicate in writing, which makes people fondle it. The farewell of the pavilion belongs to my favorite. The song is sentimental, beautiful and pleasant, and the tone is euphemistic and pleasant. It shows Yingying's sorrow and hatred to the extreme, and makes the whole text full of a faint unspeakable sadness.
This fold mainly describes Yingying's farewell to Zhang Sheng and her anxiety after leaving. This fold is not only beautiful, but also borrows a lot of music. "Blue sky and yellow flowers, the west wind is tight, flying north and south. When dawn comes, who is intoxicated in the frost forest? Always in tears. " This is one of the most important works.
The first four sentences are a scene, which skillfully uses autumn scenery to create a bleak atmosphere and highlights Yingying's complicated inner world. Two questions and one answer, the scenery is deeply divorced from people's subjective color, and the frosted leaves make people fascinated. In fact, it comes from human blood. These two sentences not only explain the time and season, but also depict Yingying's tearful eyes, making parting more sad, thus showing the image of an affectionate woman.
Throughout the ages, there is more than one Cui Yingying, the well-known love of butterfly lovers till death do us part, and the story of Du Shiniang's anger sinking into the treasure chest. They are not afraid of the persecution of feudal forces and dare to resist because they want to realize their ideals. We should learn from their persistent beliefs and unremitting spirit and strive for their dreams and ambitions. As for feelings, we are not old enough to enjoy them.
Reflection on the Romance of the West Chamber 6 "Romance of the West Chamber" is a realistic masterpiece of China's classical opera, which is adapted from a tragic story "Yingying Biography". Wang Shifu, the author, combined with his own creation on the basis of previous adaptations, finally turned a great tragedy into a happy reunion and broke the feudal ethics. From this perspective, Wang Shifu is indeed an anti-feudal playwright.
The Story of the West Chamber has a complicated plot, ups and downs, distinctive characters and strong drama. Through different lyrics, the characters of different characters are portrayed. At first, Zhang was a poor scholar, but Cui Yingying's identity was Miss Guo Xiang, and the identity setting was not very different. In ancient times, it was "inappropriate for a family", but it happened that their marriage was arranged by Yue Lao. Perfect match, but the feudal hierarchy defeated by two people is doomed to be impossible together. Zhang Sheng finally won the first prize in the exam and gained social status, but Cui Yingying was never forgotten in his mind. "Dreams never leave Pudong Road." All shall be well that ends well for lovers. It can be said that The Romance of the West Chamber tells the story of two people from acquaintance to love and finally together. Does Cui Yingying care about Zhang Sheng's reputation? The answer is no, Cui Yingying never disliked the birth of Zhang Sheng, and he didn't care whether Zhang Sheng could go to high school. When seeing Zhang Sheng off in the pavilion, Cui Yingying said, "If I get sick, I will come back.". We can also see that she doesn't care whether Zhang Sheng can get the position. It can be seen that their love is pure and above material and status, which is the author's view of love. He broke the shackles of feudal ethics with the happy ending of Zhang Sheng and Cui Yingying. It is really commendable that feudal society can have such an idea.
Anti-feudalism is the theme of The West Chamber, which also influenced later scholars. Tang Xianzu's Peony Pavilion and Cao Xueqin's Dream of Red Mansions are both representative works of anti-feudal thought, and they both inherited Wang Shifu's thought to varying degrees. It is no wonder that some people later commented that The Romance of the West Chamber is a must in heaven and earth.
Reflections on the Romance of the West Chamber 7 The Romance of the West Chamber describes the love story between Zhang Sheng and Cui Yingying, in which the matchmaker is the key figure. Zheng Huan and Zhang Sheng both emphasized the role of matchmakers when they wanted to win Cui Yingying. I think the matchmaker should be the image of matchmaker or recommender today. It is very important for a person to meet a recommender and guide who can help him succeed in his career.
The love described in The West Chamber was also blocked by Cui Mu. That is, using family mismatch to obstruct. In my opinion, in today's society, there are also poor boys who don't want to marry their daughters. What parents care about is family wealth and family conditions. They are afraid of their daughter's hardship, but forget whether her daughter is happy or not. It is better to marry a poor boy who is affectionate and righteous than to marry a rich man. I thought: I am poor now. As long as I work hard, I will have everything in the future. Therefore, I think it is better to have a lover or family. Today, after reading The West Chamber, I suddenly felt the feelings of my college lovers around me. Some people talk sweet words, some people give in to each other, some people encourage each other and help each other ... but this floating fireworks can last for a long time. I once remembered a girl who didn't want to give up the boy who really loved her because her parents didn't agree to her falling in love. She chose to jump off a building to solve this contradiction, and then she became a vegetable. Apart from her sadness, we can't help thinking: Who is to blame for her becoming a vegetable? Therefore, I think it is very important for college students to establish a correct view of love and cultivate strong psychological endurance. Besides, I think college students' lovers should be more like Zhang Sheng and Cui Yingying in The West Chamber.
Should help each other, * * * efforts, more responsibility!
Four love dramas, including Moon Worship Pavilion, Romance of the West Chamber, Coming Against the Wall, and Ghost Story. Of the four plays, only The West Chamber is the one I watched from beginning to end.
I'm afraid the most impressive thing about The West Chamber is the characters in it. The main characters in the play, Zhang Sheng, Cui Yingying and the matchmaker, all have their own distinct personalities, and they set off each other. As far as Cui Yingying's personality is concerned, there are many interesting places.
Cui Yingying was born into a noble family and lived in the middle of the family. He toyed with the melancholy of youth. In feudal society, women were often taught not to say evil, not to see evil, not to listen to evil, and to obey three virtues. Cui Yingying is also a good family born in this background. But when she meets the romantic and elegant Zhang Sheng, she attracts each other like a magnet. When she obviously noticed a strange man staring at herself, her reaction was "holding the fragrant shoulders and only laughing and twisting the flowers." In the script, the matchmaker urged her to avoid it, and her response was: I finally turned back. At this time, Yingying's behavior has forgotten the rules of feudal ethics, and it is not difficult to imagine the future development trend of Yingying's character. At this age, she seems a little rebellious in adolescence, but after all, she is a good family under feudal ethics. On the one hand, her strong pursuit of love seems admirable, but on the other hand, she has scruples about the matchmaker, so she is gentle and calm, smart and cunning. When she saw that she was sometimes serious, sometimes clumsy and sometimes clumsy,
There are many notable figures in The West Chamber, which deserve people's admiration and study. In fact, these characters are also the basis of an ancient classic love drama created by successful people.
After watching the West Chamber, I have nothing to do recently. I met the West Chamber and finished reading its novel version.
From the perspective of modern people (in fact, accurately speaking, we China people are not modern people at present, but only in the primary stage of modern people), Wang Shifu told a very stylish love story.
Zhang fell in love at first sight, and after several waves of divorce, family divorce, top scholar scandal, etc., he finally won a happy story about the return of a beautiful woman. The most wonderful story lies in the detailed description of the correspondence between the matchmaker and Yingying and Zhang Sheng, and the correspondence between Zhang Sheng and Yingying, resulting in the overlap of flowers and shadows. For example, "How come there is no leap month in leap year", and for example, "I wish I could let the maple tree catch the sun that has set in the west". Love baptism, ups and downs, many chapters are very interesting to read. I also thought of the men and women in the serial, but the story is more tragic and fantastic, and the sex is straightforward, which is far from being comparable to the romance of the West Chamber.
Imagine how difficult it was for the ancients to fight for the freedom of marriage and love under the oppression of traditional ethics. Imagine how sad it is that ancient people often defile their innocence with one-night stands because of their imperfect security measures. Think again that many marriages in ancient times were only the comparison of conditions and the general contracting of parents, and it was a pity to lose too many ideas in life.
Perhaps because of this, there are so many touching stories circulating: the meeting of Cowherd and Weaver Girl, the elopement of Sima Xiangru and Zhuo Wenjun, the tragedy of Fan Xiliang and Meng Jiangnv, the beauty of Zhou Lang and Xiao Qiao, Cao Zhi's yearning for Zhen Shi, Fan Li and Xi boating in rivers and lakes, become a butterfly with Liang Zhu, E Huang crying for Yu Shun, the goddess will help the king, Wu Sangui will win the crown, and Su Xiaoxiao will be beautiful.
One night in Shaoxing, I came to Shenyuan alone, looking at the words of the year still left on the wall, listening to the euphemistic Changyue drama "Hairpin Phoenix", thinking about the beautiful love between Lu You and Tang Wan, and my feelings surged for a long time.
I think of an old professor's evaluation of love in China's ancient classics in CCTV's Lecture Room. Speaking of emotion, his hands are shaking and his voice is shaking. These loves are linked together and are a great epic.
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