Traditional Culture Encyclopedia - Traditional customs - Is ink painting a Chinese painting?

Is ink painting a Chinese painting?

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China ink painting refers to the painting made of pure ink, also known as Chinese painting, which is a traditional painting in China. The painting tools of China's ink painting are "pen, ink, paper and inkstone", and his creation pays attention to "vivid charm" and "writing spirit with form".

Ink painting: it is a form of painting. More often, ink painting is considered as the representative of China traditional painting, that is, Chinese painting. Basic ink painting, only ink painting, black and white, but advanced ink painting, but also meticulous flower-and-bird painting, colorful. The latter is sometimes called color ink painting.

Basic introduction

A Chinese painting. Refers to a painting made of pure ink and wash. There are three basic elements: simplicity, symbolism and nature. "Ink painting" composed of China's special cigarette ink has become a unique form of Chinese painting. Ink can be divided into five types: ink, light ink, strong ink, extremely light ink and Jiao Mo ink, namely, Jiao Mo (original ink), a strong ink, a heavy ink, a light ink and a clear ink.

Ink painting: In Chinese painting, a unique material of Chinese painting, ink is the main raw material, and the amount of clear water is thick ink, light ink, dry ink, wet ink and Jiao Mo. To draw different shadows (black, white, gray). Don't have a charm called "Mo Yun". And form a painting form dominated by ink and wash.

Pay attention to "vivid charm", not stick to the appearance of the object, but emphasize the expression of the author's subjective interest. Chinese painting emphasizes "expressive form", pursues a feeling of "beauty lies between similarity and dissimilarity", and pays attention to the charm of pen and ink. Writing requirements: flat, round, left, heavy and varied. Ink method requires ink to be divided into five colors, thick, light, broken, splashed, dyed, burnt and lingering. Pay attention to "brushwork", not focus perspective, not the influence of environment on the change of light color of objects, but the blank layout and the "momentum" of objects.