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Name: Pedro Almodovar (Almodóvar) Occupation: Film director Pedro Almodovar was born in September 1949 in Calatrava (Calatrava series), Spain, a small poor village in Cal

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Calzeda.

Pedro grew up in a traditional Spanish family, studied with Christians, sang in the choir, and always felt a little out of tune with his partners.

He later claimed that when it came to living like this, for me, growing up in such an environment was like being an astronaut in King Arthur's palace.

'At the age of 12, Pedro saw the emotional film "Rich Housewife" by Richard Brooks ("Cat on a Hot Tin Roof") and they decided that for the rest of his life, he would be a

believers because of their evil and depraved lives. After this, the teenage Pedro watched many films by Billy Wilder (Billy Wilder), Douglas-Sektevkar

(Douglas Sirk), Alfred Hitchcock (Hitchcock), Luis Bu?uel, Black-Edwards (Blake Edwards) and Neorealist Marco-Ferreri Marco

Ferreri and Fernando Fernandez Gomez (Fernando Fernandez) were deeply affected and decided to make a movie in 1969, Pedro Almodóvar left his hometown of Cala.

Trava, Madrid Development With no money to go to university, and the Franco government closing all film schools in the early 1970s, Almodóvar could only make ends meet by peddling books, and later he entered the country.

Telephone Company, where he worked for 10 years. During this time he worked at the Telephone Company every day and wrote stories in the evenings, mocking news and other items in exchange for royalties, and shot a number of short films and feature films.

He directed the first explicit comedy, "Pepi, Cormorant," based on an erotic novel of the same name they wrote for a science fiction magazine in 1980.

"Jumbo" is a sexy satire, a slap in the face of Franco-era Spanish society.

The film was released and was a big hit.

Two years later, Almodóvar released his second directorial comedy, "Labyrinth of Passion" ("Labyrinth of Passion"), which once again showed the theme of carpe diem and sexual promiscuity.

The counterculture era was changing in Spain, and his early production of these films, which the press and the public had recognized, catapulted him into Spain's star position in the New Wave movement of the late 1970s.

But there are many biased 'quality' film critics in Spain who dismiss Almodóvar's work, considering him to be too modern and too flashy.

In response to these opinions, Almodóvar released two films, "Dark Habits" ("Dark Habits", 1983) and "Why Am I Destined Like This" ("What Have I Done Worth?" 1984).

"Dark Habits", he explores the lives of nuns who live on the margins of society, and describes a story about women who are forced to work as nuns. "Why I Ordered the Case" tells the story of a housewife's life of hard work and inner suffering

and struggles. Themes about oppressed housewives and other women, such as independence and self-reliance, appeared more than once in his films, directed by Pedro in 1986 with the famous star Antonio Banderas (Antonio Bandera

("Matador"), the film explores the relationship between sex and death, and depicts various relationships for the audience, including fetishism, homosexuality, voyeurism, necrophilia,

A more in-depth explanation of these sensitive subjects of sexual and related legal issues was mentioned again in the 1987 romantic comedy "The Law of Desire" ("The Law of Desire"), but also with an added spice - openness to same-sex sexuality.

In the film, Antonio Banderas played Antonio, a gay woman. The next year Antonio Pedro also starred in the director's next film, "Women on the Verge of a Nervous Breakdown" (1988).

It touches on sensitive topics, female sexuality and desires. It is Pedro's most satisfying female-themed film, but it also established Pedro Almodovar's status as a "female director".

It earned a reputation on the international film scene and grossed $7.8 million in the domestic market, a figure that was the highest in the history of Spanish cinema and remained the success of Pedro Almodovar's female films for 10 years.

Turning to absurd, bizarre video shoots. In 1990, he directed the erotic film "Tie me up, tie me up!" ('Tie me up! Tie me up!'), which tells the story of a famous actress who falls down.

Love and kidnapping, criminals who took hostages.

This was unanimously rejected by Spanish film critics, who accused him of losing his feel as a director.

The film sparked heated debate in the United States, condemning feminists and women's rights groups.