Calligraphy Experience

Calligraphy is not something that can be practiced overnight, it takes a long time of perseverance and a lot of thought and effort. The following is the "Calligraphy Experience", which is only for reference, welcome to read.

Calligraphy experience (a)

Learning calligraphy has also been a period of time, and now will learn calligraphy experience is summarized as follows:

First of all, as a teacher, can write a good word, write a good word, which is required by the profession! Therefore, in this case, I started learning calligraphy. Teachers, especially language teachers, writing is very important basic skills. Writing we commonly write the word is the chalk in class and usually write on paper pen characters, and occasionally also write the brush character. This is what our teachers often call the three strokes.

Since learning calligraphy, I think calligraphy has the following benefits:

1, the most basic is to make their own words become beautiful;

2, can cultivate their own sentiment, calligraphy requires patience and persistent perseverance, so in the practice of calligraphy at the same time, you can cultivate your mind, which is to improve their own qualities, it is very helpful. Some people say that "the word is like the person", and I think this may be the meaning of this aspect.

I think the benefits of learning calligraphy are mainly the above two points.

How have I been learning calligraphy?

First of all, in the usual work and study, pay attention to develop good habits, in the need to write, I take it seriously, never sloppy, from a stroke to practice, so gradually my word is also good.

Then, after work, I take a certain amount of time to learn famous calligraphy. For example, every week always have to set aside a certain amount of time to practice brushstrokes, in the practice at the same time, cultivate their own sentiments, but also to make their life after work more fulfilling. There are many famous calligraphers, I like Yan Zhenqing's, Liu Gongquan's, Zhao Zhiqian's, and so on, no matter which calligrapher, no matter which font, I will practice. No matter which calligrapher, no matter which font, I would practice it. I would take others' strengths and make up for my weaknesses. From Regular Script to Clerical Script, to Running Script, Cursive Script and so on, I am in the process of learning. I think the cursive script can best reflect the character of a person, and therefore the cursive script is the most difficult to practice, perhaps only the calligraphy of the master can be waved into the cursive script.

Through a period of study and practice, I feel that the study of calligraphy should pay attention to the following points:

First, the study of calligraphy should be diligent, the most important thing is to insist on practicing, there is no shortcut to calligraphy, the word is a stroke of writing out, only to insist on practicing, a certain amount of time after the achievement, do not think of instant results and one step to heaven.

Secondly, learning calligraphy should be diligent, it is best to find a teacher. Calligraphy is a kind of art, and to enter the door of art, it is best to have a guide. If you can find a famous master as their teacher, then the effect of learning calligraphy will be twice as effective. If you can not find a teacher, you can often look at the posters and the works of famous masters of the past generations, when looking at the works of thought about the structure of the word, shape, strokes, force, layout and so on, thinking about how to make a word can have a sense of art, that is, not only beautiful and beautiful, but also has the charm. To do this, need to accumulate observation and experience, I think this is also the realm I want to reach.

Third, calligraphy should have its own characteristics. Of course, this refers to a higher level of calligraphy. When calligraphy reaches a higher level, we should consider adding our own characteristics, adding our own understanding and comprehension of calligraphy, and reflecting our own ideas in calligraphy, so that the characters not only have a shape, beautiful shape, but also have a god, god and form, which is good calligraphy.

There is a saying that, in order to practice good calligraphy, the effort is outside the word. When the calligraphy practice feels boring or when there is no progress, you can do some other activities that are good for your physical and mental health, such as gymnastics, martial arts, dance, fishing and other activities, which will help the practice of calligraphy and improve the level.

All in all, calligraphy as an art, not overnight work can be practiced, need to spend a lot of energy and effort. One thing that needs to be mentioned is that we should usually cultivate interest in learning calligraphy, interest is the best teacher, only a greater interest in calligraphy, we can practice a good calligraphy.

Calligraphy Experience (2)

Calligraphy is a bright pearl in our Chinese culture, shining with brilliant light. Listening to the report of calligrapher Mr. XX today gave me a new understanding of calligraphy. Calligraphy is based on Chinese characters, written with a brush, we can explore and understand from its nature, aesthetic characteristics, unique expression, it reflects the "unity of opposites" the basic law of all things, but also reflects the main body of the spirit of man, temperament and cultivation.

Professor xx said: "Calligraphy is rooted in the deep soil of traditional Chinese culture." This time I also realized: to really write good calligraphy is not enough to study the techniques, to understand the corresponding cultural connotations to dig. The history of the evolution of Chinese calligraphy: oracle bone script - seal script - official script (cursive, regular script) - running script, careful study of their laws of development, the rules of change.

The structure of Chinese character writing should pay attention to: horizontal and vertical, the main pen prominent, the principle of nature, the principle of change, the principle of reality, the principle of loose and tight, that is, the eight methods of the word "Yong". Mastered the principle, I think the study of calligraphy but also diligence, the value of persistent practice, calligraphy is no shortcut to go, the word is a stroke written out, only to persist in practicing, a certain amount of time after the achievement, do not think of instant results and one step to heaven. Learning calligraphy also need to think hard, it is best to find a teacher. Calligraphy is a kind of art, and to enter the door of art, it is best to have a guide. If you can find a famous master as their teacher, then the effect of learning calligraphy will be twice as effective. If you can not find a teacher, you can often look at the posters and the works of famous masters of the past generations, when looking at the works of thought about the structure of the word, shape, strokes, force, layout and so on, thinking about how to make a word can have a sense of art, that is, not only beautiful and beautiful, but also has the charm. To do this, need to accumulate observation and experience, I think this is also the realm I want to reach.

In the future, I will be in the usual work and study, pay attention to develop good habits, in the need to write, seriously, never sloppy, from one stroke to practice, so that my penmanship is getting better and better.

Calligraphy experience (3)

Like calligraphy should be counted from into the teacher, xxx teacher and xx teacher's word has always been a kind of admiration for me. After joining the work, due to the work of passion busy teaching, but, like and hobby has not been interrupted. Inevitably often buy some of their favorite post to read and practice. To xx middle school teaching, but also subscribe to the Chinese calligraphy to learn, but due to the foundation is too poor, many places always can not understand, pen is also based on occasional interest only. After work, I read some books about calligraphy and made some calligraphy posters. After working in government departments, this interest is getting stronger and stronger, as long as the good post will be writing some. To the Commission for Discipline Inspection after work, especially by the x secretary of the hobby concept of inspiration, see more, think more, more practice become some deeper views, by xx teacher's many points, so that I learn calligraphy, so that I have a greater level of knowledge, understanding and appreciation of calligraphy. Now on learning to talk about a little feeling and experience.

A, heavy in the pro.

Will write a lot of people, but only skilled mastery of calligraphy techniques and knowledge, in order to improve from the general practical writing to the height of the art of calligraphy mainly ornamental creation. We learn calligraphy first encountered the problem of "what to learn, how to learn" problem? Experienced in practice, learning calligraphy is first from the beginning of the post. Both the ancient post, worship the ancients as a teacher, but also to the modern post. However, the main should pro ancient post, famous post. This is what people often say "vertical take ancient, horizontal take modern". In this regard, the sages and contemporary masters have discussed very clearly, we only need to combine their own actual situation according to do on the line. Master Qigong said in a letter to the calligraphy enthusiasts: "take the law on, only to get in, take the law in, S for the next carry on". No matter who's words, as long as there is a reason, you have to listen to, learn now people are most prone to like, but an elephant, a lifetime off, later regret. "Writing post mainly grasp the structure, the structure of the right, even if all the gestures are deleted, people will say like a family, like a post." Mr. Qigong said more clearly on the ancient and modern.

The second is diligence.

Learning calligraphy has "bitter", "joy", is to seek happiness in the bitter. Qing people, "the book mountain has a path of hard work, the sea of learning is not the end of the bitter boat" poem, a more profound image of the truth of hard work and practice. Calligrapher Mr. Feng Guoyu's famous saying, "Why should I come to this world if I have no feelings, and why should I be tired of this body if I have a good life?" profoundly reveals the broad-mindedness of the calligrapher and his tireless pursuit of the spirit. He said: I practiced calligraphy through the "five steps of purgatory". The dragon leaps over the heavenly gate, the tiger lies down in the phoenix que, the sacred sword is listed, the uninhibited horse walks, all of which are preceded by the pro. The post to worship a famous teacher, do not admire the name, concentrate on hammering to create. This is one. The heart adores the hand, and creates a unique style. This is the second. To be broad, broad-minded and tolerant, with heaven and earth as one's teachers, and everyone as one's teacher. This is three. Knowledge, character, and cultivation are all in harmony. This is four. Enlightenment is the fifth. What is enlightenment? "It is said that enlightenment is the first, but I say that enlightenment is forgetting the opportunity. The stormy wind and rain Zhang Changshi, falling flowers and snow monk cloth, bone and marrow to inherit the previous training, the ancient style and appearance do not follow the custom. Epiphany originally from hard work, the chest of a hundred rivers from the pen to escape." It can be seen, in order to have achievements in the art of calligraphy, not through hard work, not through deep study and serious experience of enlightenment is not possible. However, just rely on the "head" practice is not enough, there is a method of learning and practicing, the trick question. Famous calligrapher Ouyang Zhongshi said: the word is not "practice" good, is "learning" good. To learn is to take, to take is to learn. To think of themselves as "writing", and "word" written the best is Wang Xizhi, Yan Zhenqing such as the ancients, if not honestly to the sages to learn, do not adhere to the traditional treasury to take the treasure, "word" is not written well. "is not well written. It is also said: a horse without night grass is not fat, people without foreign wealth is not rich. In terms of learning calligraphy, "foreign wealth" is to learn from outsiders, to learn from the merits of outsiders, outsiders of the good things are absorbed or even "snatched" over. Do not learn from outsiders, you can not enrich and create their own. In "making a fortune", the traditional treasury of foreign wealth is the most abundant, this treasury is open to anyone, depending on whether you go to take, whether to take a piece or many pieces, whether to take a time or often. People can't be rich without bringing treasures from others! From this point of view, only the combination of human talent and good learning, good study of the spirit of hard work, to do talented and not superficial, with full dedication, sleep and food practice, "back to the pen into a mountain" of perseverance, erudition and deep thinking of the enlightenment, to be able to calligraphy in the art of quick-witted, handy, rigid and flexible, to create a magnificent, dashing and flying! The only way to be able to create a good work of calligraphy is to be able to think quickly and easily, to be able to use both the hard and the soft, and to create a powerful and elegant work with its own characteristics and style.

Three, constant in love.

The art of calligraphy, like and love, is the premise and foundation of learning calligraphy. For a good calligraphy tablet, a good piece of calligraphy, is often tired of watching, practicing, love, watching a harvest, practicing a one time to improve. This is the emotion, this is the charm of art. Without this hobby and feelings, is unable to learn the art of calligraphy.

Emotional factors in the art of calligraphy is very important, calligraphy is to talk about the power and emotional nature. There are many old comrades with good skills, but the emotional nature can not, written very dead, very board. Power is technical, emotional is spiritual, these are two different levels. This is what is often referred to as the need to practice calligraphy with a calm and unruffled state of mind. This is not only to have kung fu, to master the rules and regulations; but also to see the emotional nature, to run away from the dust, and to follow the generous but not to exceed the rules. The so-called heart and hand double smooth, work and feelings of both. So that the heart of the thought, the feeling of love, the intention of the trust, the pen of the movement of the paper, to complete the talent, the expression of temperament, personality and the diffusion of the beauty of the vivid process.

calligraphy experience (4)

x month x to x day, I was fortunate to be dispatched to participate in the xx city xxx high school organized by the x session xx city education system "calligraphy masters into the campus" the first backbone of the calligraphy teacher training courses. This training course is designed to promote "calligraphy into the classroom", teachers from the city's primary and secondary schools, listened to the lectures from the xx Calligraphers Association, the Hard Pen Calligraphy Association, xx City Calligraphy Association of the master teacher, they on the history of calligraphy, and writing, teaching and other aspects of professional knowledge for a concise explanation and guidance.

Three days of training time for calligraphy learners is as short as a white horse, but I was y touched and benefited greatly. In the training, through the calligraphy teacher's words and teachings, so that I have a more in-depth understanding of calligraphy, broaden their horizons, grow insights, and improve the understanding of the art of calligraphy. Let me realize the profoundness and long history of Chinese calligraphy art. This training, though short, is a deep feeling and a great benefit. As a young art teacher, this training not only makes me have a more systematic understanding of professional knowledge of calligraphy and a new understanding, but also recognize the importance of educators on the heritage of calligraphy.

During the training, the instructor's patience has given me a new understanding of the art of calligraphy. In the past, I have always thought that calligraphy is writing, and good writing is good calligraphy. My hobby for calligraphy is usually to write and draw according to my interest. And now I know that is a narrow understanding, is a single, one-sided understanding, is very good wrong understanding. Lu Xun once said: "our country has three beautiful words: meaning beauty to feel the heart, sound beauty to feel the ear, the shape of beauty to feel the eye". Calligraphy is an art, the formal beauty of the art of calligraphy is formed through a regular combination of lines on the paper. Not simply can write good words is to learn calligraphy, is the need to use "heart" to learn, spend time to learn the art. To have some achievements in calligraphy, the first thing you have to be able to observe, observation will have a direct impact on the accuracy of the writing, only the whole body and mind "into" the word can be carefully observed. Observation to do, to read the post, read the post to read to the word of the pen, word, ink, chapter, to read out the characteristics of each stroke, read out the rhythm and rhythm of the strokes. Read posting read accurate, you can post, of course, here is not the posting of the "gourd painting", but try to accurately restore the pen of the ancients, posting time to post, into the bone, so that the word written out of the "tendons" " Bone" "flesh" are in, will not be and the ancient word looks like two skin. After observing, reading and copying the posters, you can imitate them to a certain extent, and then you can add your own style to create.

Calligraphy is not something that can be practiced overnight, it requires a lot of perseverance and effort. This is the general consensus among the teachers who participated in this training***. Therefore, as a teacher, especially a language teacher, to persist in practicing calligraphy in normal times and mastering this professional skill is not only a learning of professional knowledge, but more importantly, it conveys a responsibility, that is, the responsibility to pass on the traditional culture of calligraphy in the motherland. Chinese culture is profound and far-reaching. Calligraphy, as a traditional art of the Chinese nation, is the excellent culture of China for 5,000 years, which is in harmony with Chinese culture and the spirit of the Chinese nation, with deep cultural connotations, and it is the marvel of the world's art forest. I think there are many benefits of learning calligraphy, it can cultivate our artistic cultivation, cultivate noble sentiments, improve the quality of culture; can gradually develop a good habit of meticulous patience, conscientiousness and conscientiousness, but also beneficial to the exercise of the will; you can learn a variety of knowledge of writing, literature, history, etc.; can be subject to the spirit of the nation, the traditional virtues of the subtle influence of the inculcation. Therefore, as Chinese people, we have the responsibility to inherit the tradition of calligraphy, and we have the responsibility to spread it to the world, so that everyone can understand this excellent art. Through the study I feel that learning calligraphy should pay attention to the following points:

A, to Lin as the first

Will write is not the same as mastering the art of calligraphy, only skillful mastery of the techniques and knowledge of calligraphy, in order to improve from the general utility of writing to the height of the art of calligraphy to the main ornamental creations. Experienced in practice, learning calligraphy is first from the beginning of the post. Both the ancient post, worship the ancients as a teacher, but also to the modern post. However, the main should pro ancient post, famous post. This is what people often say "vertical take ancient, horizontal take modern". In this regard, the sages and contemporary masters have discussed very clearly, we only need to combine their own actual situation and do it. For example, the Ming dynasty Ni Su door in the "calligraphy" said: "must take the ancient great one for the patriarch, the gate must be, heel firmly put, night and day Shen sound which, make sure that the pen is pretty like, so that people look at that is known to be this kind of full-fledged school." Master qigong said in a letter to the calligraphy enthusiasts: "take the law on, only get in, take the law in, s for the next. Don't know who's words, because he has reason, you have to listen to him. Because if we *** with learning some ancient masters, not better. Learning now is the easiest like, but a like, a lifetime off, later regret. "Writing post mainly grasp the structure, the structure of the right, even if all the gestures are deleted, people will say like a family, like a post." Mr. qigong said more clearly on the ancient, pro today. Pro post there is a "into the post" and "out of the post" problem. Small Cangshan Room Poetry and Literature Collection" said: "do not learn from the ancients, the law can not be; competition like the ancients, where I am." It should be said that the post is only the premise and method of learning calligraphy, is to cross the river "bridge" and "boat", once across the river, you have to go their own way, can not always stay in the "bridge" and "boat" on. "Boat". The post like, that is, "into the post", how can "out of the post"? Personal experience, in the "into the post" on the basis of more than a few famous post for the study of pro, take its long to go short, for my use, through continuous practice and exploration, slowly form their own characteristics and style, which is "out of the post".

Second, diligence as a path

Learning calligraphy has "bitter", "happy", is the pain in the pursuit of happiness.

The Qing Dynasty, "the book mountain has a path of diligence for the path, the sea of learning is not the end of the bitter as a boat" of the poem, a more profound image of the truth of hard work. The traditional treasure trove of foreign wealth is the most abundant, this treasure trove is open to whoever, depending on whether you go to take, is to take a piece or many pieces, is to take a time or often take. A person cannot be rich without bringing treasures from others! From this point of view, only the combination of human talent and good learning, learning the spirit of hard work and study, to achieve talented and not shallow to devote themselves, sleep and food practice, "back into the mountains" of perseverance, erudition and deep thinking of the enlightenment, to be able to calligraphy in the art of quick-witted, handy, rigid and flexible, to create a magnificent

Three, based on love

The art of calligraphy, like and love, is the premise and foundation of learning calligraphy.

For a good calligraphy tablet, a good calligraphy, often never get tired of watching, practicing, loving, watching a harvest, practicing a one-time improvement. This is the feelings tied, this is the charm of art. Without this kind of love and affection, it is impossible to learn the art of calligraphy well. I started practicing from the beginning of the word has been to see Chu Suiliang paste feel like his words so write not tired, only their own like to have the patience, the heart to sit down and write carefully, because I learned a short time font is not very good, I hope to practice more in the future to go further.

And now with the increasing popularity of computers and cell phones, the traditional way of writing is facing the unprecedented challenge of electronic goods, and the decline of the grouping of Chinese character writing level has become an indisputable fact. But the impact of new technologies is not the root cause of the decline in people's writing level. In modern culture, which emphasizes fast pace and freshness, people have begun to ignore the rich artistic value of ancient Chinese characters, and have gradually blunted their ability to scrutinize the unique aesthetics of Chinese characters, and lacked a sense of heartfelt treasure and reverence for the traditional Chinese character culture. In response to the "Chinese Character Crisis", the Ministry of Education has issued a circular requiring that students in grades 1 to 3 of elementary school focus on cultivating their ability to write with a hard handwriting, and that from grade 3 onwards, students should learn to write with both hard and soft handwriting. In the language curriculum for grades 3 to 6, one hour of calligraphy is scheduled each week, and optional calligraphy courses are set up in general high schools. Some adjustments have been made to the "Literacy and Writing" section of the curriculum standards promulgated, with clear requirements for strengthening the teaching of writing, with the first semester stipulating that "one should be able to write with a hard pen in accordance with the rules of the stroke order, pay attention to the structure of the intermediate frames, and have a preliminary feeling for the beauty of the shape of the Chinese characters"; and with the second semester requiring that "In the second grade, it is stipulated that students should be able to use a hard pen to write regular characters skillfully, and to do so in a standardized, upright and neat manner. The third section requires "to be able to use a brush to write regular script, and to experience the beauty of Chinese characters in writing."

For primary and secondary school students, calligraphy class can cultivate sentiment, enhance cultural cultivation, for the country, calligraphy class not only to enhance the quality of the national requirements, but also has the traditional culture to carry forward, nourishing the significance of the reality of the children and grandchildren. Therefore, it is agreed that calligraphy education starts from childhood. Students of calligraphy education is inseparable from the teacher, to "calligraphy into the classroom" smoothly, in the school opened a calligraphy class, facing the biggest problem is the lack of teachers, the Municipal Bureau of Education to take full advantage of the social resources, the joint Qinghai Provincial Calligraphy Association opened the first calligraphy teacher training courses in xx city. I think this may be the root of the teacher calligraphy training course.

In short, this calligraphy training not only improves the calligraphy level of our young teachers, but also on the heritage of the national culture and art, cultivate the quality of human qualities, and further develop calligraphy education activities in the school has a very important significance. Calligraphy, as an art, is not practiced overnight and requires a lot of energy and effort. In the coming period of time, we should try to squeeze out time, calm down and think seriously, act positively, digest and absorb the knowledge of the training as soon as possible, and reach the goals and requirements of the training as soon as possible. Strive to make due contribution to the inheritance of calligraphy.