The music that dominated in the south during the Wei, Jin, and North-South Dynasties period was the

The music that dominated the south during the Wei, Jin, and North and South Dynasties period was Qing Shangle

Qing Shangle, also known as Qing Shangqu, and abbreviated to Qingle in the Sui and Tang dynasties, was a kind of music that emerged during the Three Kingdoms, Jin, and North and South Dynasties and dominated the musical life at that time. It is the product of the combination of the old Xianghe song and the "Wu sound" and "Western song" developed by the southern folk songs after the Jin family moved south, and is the direct continuation and development of the Xianghe song.

The traditional classical music of the Han people is roughly divided into three stages of development, the first one is the ancient music before the Three Kingdoms, which is dominated by the so-called elegant music of Confucius, the second one is the Qing Shangle, also known as Qingle, in the era of the Wei and Jin Dynasties, and the third one is the Yanye, also known as Banquet music, which has the greatest influence on the folk music that has been developed at the beginning of the Tang Dynasty, which absorbed the music of the Western regions by the Qing Shangle. Qing Shangle is a kind of Han traditional music that emerged in the Three Kingdoms, the Two Jin dynasties, and the North and South dynasties and dominated the music life at that time.

It is the result of the southward migration of the Jin family, the development of the old Xianghe songs and the Han folk songs from the southern region of the "Wu sound", "Western songs" (or "Wu song".) and "Jingchu western songs" (or "Wu song".), The combination of "Wu sound" and "western song" (or "Wu song" and "Jingchu western sound") developed by the Han folk songs in the southern region is a direct continuation and development of the Xianghe song. The "Wu Song" and "Western Song", on the one hand, drew useful experience from the Xianghe Song, and on the other hand, still played its original musical characteristics, forming a variety of distinctive musical structures.

One of the significant differences between the Songs and the Sanghwa Songs is that most of their works are based on the theme of love, and fewer of them touch on the reality of social conflicts. Its style is generally more delicate and beautiful, but many of its works do have the beauty of freshness and nature. This situation, of course, is directly related to the hedonistic needs of the scholar-landlord class, but as a most common expression of feelings, it is also another need of the times.

Mainly used for officials, eunuchs, giant banquets, entertainment and other occasions, but also used in the court on New Year's Day, feasts, sacrifices to the gods and other activities. Because it and the Han Dynasty phase and the old song are traditional music, therefore, at that time in a variety of music kabuki, known as "Qing Shangzheng sound phase and five keys kabuki", for the court to pay attention to.