The characteristics of Beijing opera have the greatest influence. These operas are all over the country and are called national operas.

Beijing opera is the quintessence of our country. Basically, when people talk about traditional Chinese opera, the first thing that comes to mind is Peking Opera. Its final position in China opera culture can be seen. Chinese opera reached its peak in the Republic of China, when numerous scholars competed with each other? Ticket friend? There are even many people who are proud of singing opera. So what are the characteristics of Beijing Opera? Let's get to know it together!

Characteristics of Peking Opera One of the biggest characteristics of Peking Opera is its strong procedural nature, because different operas have different voices, even different performances, costumes and props. Everyone blends other styles and vocals on their own basis. Therefore, there will be strict norms and fixity for these, and people who watch the drama even know what your next move is. If you don't do it, it will be easily seen.

So programming can also play a normative role for performers. Peking Opera, also known as Pingju and Peking Opera, is the most influential opera in China, mainly distributed in Beijing and spread all over the country. China Opera? Peking Opera is an important manifestation of China's traditional culture and a symbol of China's traditional culture in China.

Peking Opera is the first batch of national intangible cultural heritage in China, and its representative works include Farewell My Concubine and Drunken Guifei. At first, it was because some Huizhou classes went to Beijing, that is, the famous Sanqing class, Sixi class, Riverlip class and Chuntai class. They all had their own characteristics and were the most popular Huizhou classes at that time. Later, Sanqing class went to Beijing, which was a great success, so the other three classes also went to Beijing for a period of time.

Seeing that they were so popular in Beijing, those teams went to Beijing one after another. From then on, the great integration and development of China traditional opera began, and finally it developed into what it is now. At that time, there were some records about these four Huizhou classes. The axis of Sanqing, the joy of four joys, the handle of He Chun and the son of Chuntai? This shows the popularity of these four Huizhou classes. Interested parties can know who is Shang Xinrui's prototype?