Traditional Culture Encyclopedia - Traditional customs - What is the relationship between the emergence and development of national music and the living areas, lifestyles, economic forms, cultural traditions, cultural exchanges and other factors?

What is the relationship between the emergence and development of national music and the living areas, lifestyles, economic forms, cultural traditions, cultural exchanges and other factors?

Okay, I'll answer you. Hehe ~ I study music. For us, the people here are the Chinese nation.

China's national music is a broad conceptual category. To put it simply, all music works created by China people and in line with the overall style of China music can be regarded as the national music of China.

National music is developed on the basis of national traditional culture, which embodies national cultural characteristics, lifestyle, culture and regional characteristics. However, culture, economy, geographical conditions and cultural exchanges have in turn affected the development of national music.

And your question is more inclined to folk music (China), so I listed four characteristics of Chinese folk music for your reference:

First, the oral and collective nature of creation.

Folk music is a spontaneous oral creation of working people, which is mainly spread in oral form. In the process of being handed down from generation to generation, it has been processed and adapted by countless people, which has condensed the collective wisdom of the people of China in previous dynasties and is the crystallization of the thoughts, feelings and artistic expression experience formed by the people of China in the historical process of thousands of years.

Second, locality.

Locality, also known as locality or regionality. Under the same sex of a big nation and a big culture, different regions have different characteristics in geography, climate, natural production conditions, social changes, cultural traditions, dialect sounds and so on, and people's lifestyles, customs, temperament and aesthetic tastes are also different.

Third, improvisation.

The basic mode of transmission of China folk music is oral teaching, the disseminator relies on performance, and the learner relies on hearing and memory, rather than written music score as the main mode of inheritance. Improvisation is a creative way of folk music, and the creator is a performer. Although improvisation is only a partial change in a relatively fixed tune, it has promoted the development of folk music through the accumulation of several generations.

Fourth, communication variability.

The spread mode of folk music, as well as its locality, improvisation and uniqueness, lead to its variability in the process of circulation.

First, regional differences. When a folk song is spread in a different place, it will change its melody because of the change of lyrics and dialects, and it will also change its mood because of the different personality characteristics of people in different places.

Second, the intersection and infiltration between genres. Some folk tunes have absorbed the expressive techniques of rap music, and enhanced the expressive ability of telling stories and unfolding plots.

The folk music listed here was proposed by you. The first and third points answered your birth and development. The second answer is your region, lifestyle, cultural tradition and economic form. The last point is about your cultural exchange. I want to talk about it here. Your folk music actually prefers folk music. Finally, the landlord can become the answer you want as long as he integrates himself a little.

If the landlord is studying music, he should give me extra points. I am a musicologist.