The opening of "Sideburns Not Begonia Red" has been widely acclaimed, how rich are the elements of the national essence in the drama?

There are a lot of Peking Opera elements in this TV series, and this TV series has not only got the support of China's Peking Opera circles, but also some Peking Opera greats have also served as the drama consultants of this TV series. In this TV series, there are more than 20 opera repertoires, including seven or eight genres of Danjiao, and at the same time, when we watch it, Aqiyi will also provide us with some notes on Peking Opera. But whenever we sing an opera it always gives us the content of the opera. So this play contains elements of Peking Opera, there are very many, can let us better understand the Peking Opera, we understand, maybe we will like the Peking Opera to carry it forward. Peking Opera is one of the traditional cultures of our country, but now these intangible cultural heritage of our country is gradually disappearing, more and more people don't like to watch Peking Opera, resulting in now basically no one will choose to go to learn Peking Opera, so Peking Opera has appeared to be a very big crisis. Of course, in recent years, some traditionalization has also been developed, like De Yun She has carried forward the comedy, and there are more and more people who like comedy and say comedy. Of course, Peking Opera has to have some kind of opportunity for people to understand and like it, so this drama is to let us understand Peking Opera, and after we understand it again, we will like it as much as possible to carry it forward, and don't let the Peking Opera become something that is only known by its name, but not by its content, and finally it is lost by the people, and can never be found again. Beyond the Begonia provides an opportunity for Peking Opera to be known and loved by the Chinese people. This drama is adapted and produced with Peking Opera in mind and contains many elements of Peking Opera. It was filmed with the support of the state and the Chinese Peking Opera community, and Yin Zheng was personally mentored by Bi Gu Yun, a leading Peking Opera practitioner in China, who had his disciples with him the entire time. When this drama first aired, the movements performed by Yin Zheng were basically the same as those performed by a professional actor, which, of course, included Yin Zheng's personal efforts. This drama contains more than 20 Peking Opera plays, and in the beginning there were some Peking Opera initiation plays, which is enough to see how dedicated the producers are in promoting traditional culture. Peking Opera has hundreds of years of cultural history in China, this drama uses blood, flesh and blood characters and a tight storyline to blend the Pearly Gates with the background of the Republican era, and also brings out the cultural essence of Peking Opera. As Chinese people, we certainly have the responsibility to carry forward the traditional Chinese culture. Of course, we should first understand the content of traditional culture before we can love it and finally carry it forward. I hope there will be more such dramas in the future, so that we can understand the traditional Chinese culture and then fall y in love with it.