What are the famous "literati paintings" in China, and what is their artistic conception?

China's famous literati paintings include Su Shi's Dead Trees and Strange Stones, Wen Tong's Ink Bamboo Map and Wang Wei's Snow Creek Map in the Tang Dynasty. There is a picture in the poem, and there is a poem in the picture? It also had a far-reaching impact on later generations.

First, "Quehua Autumn Color Map" reflects the retro style.

At the beginning of Yuan Dynasty, the scholar-bureaucrat painters, represented by Zhao Mengfu, advocated the spirit of restoring ancient ways, returned to the tradition of Tang and Northern Song Dynasties, and advocated painting style. Therefore, most of their paintings pay attention to charm, not to beat and rhythm, but to subjective lyrical atmosphere. So their works all reflect the retro style. 2. The Stone Wall Map of Tianchi embodies the idea of avoiding the world. At the end of the Yuan Dynasty, the thought of valuing martial arts over literature became more and more serious. Painters represented by Huang, Wang Meng, Ni Zan, Zhenwu, etc. all embody the idea of passive seclusion and just want to live in seclusion among mountains and rivers, but their paintings are not short of lofty, aloof and faithful spirit. Most of them give priority to freehand brushwork, pinning their feelings on painting, and expressing their persistence with Mei Lan, Zhu Shi and Song Ju as themes. Third, the styles of the two factions in Ming Dynasty are different.

The styles of Ming painters are also divided into two factions. One school pays attention to retro, mostly courtyard painting, and inherits the tradition of courtyard painting with the Royal Academy of Painting. The representatives are Wei Wu and Dai Jin. Dai Jin's Xitang Poetry and Painting embodies the structure of college painting and has the idea of ink painting. On the other hand, the literati painting in Ming Dynasty, represented by Wu Men School, is in opposition to the academy painting. Because most of the main characters are literati and celebrities who deeply feel sinister in their official career, they inherited the painting tradition of the Yuan Dynasty, indifferent to fame and fortune, entertaining themselves with poetry and calligraphy, and advocated expressing their character and feelings with freehand brushwork. For example, Tang Yin's Loneliness in the Sunset embodies his thoughts.