What about Tomb-Sweeping Day's paintings?

The most famous painting about Tomb-Sweeping Day is The Riverside Scene at Qingming Festival.

The silk painting The Riverside Scene at Qingming Festival is 528.7 cm long and 24.8 cm high, which is one of the top ten famous paintings handed down in China. It is a genre painting of the Northern Song Dynasty and the only masterpiece that Zhang Zeduan, a painter of the Northern Song Dynasty, has ever seen. This is a national treasure, which is now in the Palace Museum in Beijing. With panoramic composition and rigorous brushwork, the whole volume shows the scenery along the Bianhe River in the suburb of Bianliang, the capital of the Northern Song Dynasty, and the urban area in the eastern corner of Menli during the Qingming period.

This picture can be roughly divided into three parts: first, the rural scenery in the suburbs; Second, the Bianhe River with Hongqiao as the center and its vehicle and boat transportation, handicraft industry and commercial trade activities on both sides; Third, the bustling scene inside and outside the city gate, criss-crossing streets, shops and traffic.

The painter manages attentively in his creation, adopts scattered perspective, and the long scroll composition is full of dramatic plots and fascinating details. The whole picture has foreshadowing, ups and downs and climax. The tense scene of the ship crossing Hongqiao is arranged near the central part of the whole volume, forming the most wonderful part with artistic effect.

Because the river under the bridge is narrow and the water depth is fast, the boatmen have fought fiercely to make the tanker cross the bridge safely: some hold poles, some steer, some put masts, some throw cables, some shout for command, and they are very nervous. At the same time, on the bridge with narrow roads and crowded people, officials riding sedan chairs came face to face, shouting and quarreling, and there were frightened donkeys beside the bridge. All kinds of contradictions constituted the climax of the book.