Analyze the role and image portrayed in the movie "Big Red Lantern" by the music played in the movie. How is it written?

"The Big Red Lantern Hangs High" is to begin with the clear and floating chant of the Peking Opera Qingyi. It is like a ghost that moves from far to near and from light to strong. This not only foreshadows the tragic ending of the play, but also sets the tone for the music of the whole play, which makes the whole dance music full of Peking Opera music elements. For composer Chen Qigang, this is even more of a complex. Born into a family of artists, he once studied the flower face, and his father's love of Peking Opera has made him have a special hobby for Peking Opera. Chen Qigang has always wanted to create a work and incorporate Peking Opera materials into it. The theme of "Big Red Lantern" suited his idea, so Chen Qigang was happy to join in.

During the year-long creative process, Chen Qigang rewrote the entire first draft of his work. This shows the seriousness and importance he attaches to the "big" play. As far as the music is concerned, elements of Peking Opera are always present throughout the play. In the first act, "Marrying the Bride", the traditional Peking Opera tune "Liu Qingniang" is used. In the second act, "Learning Peking Opera", the popular song "Deep in the Night" comes out from the water-sleeve fluttering in the theater. Especially the mahjong dance before the end of the second act. Chen Qigang's ingenious use of the abacus, an ancient Chinese instrument of calculation, as a musical instrument is complemented by traditional Chinese percussion. The inherent tension and rhythm created between the two emphasized the form of mahjong playing, while also portraying the mindset of a person when playing mahjong.

While the unrealistic and destructive reviews published by certain media often produce a faster mass effect than creative art with heartfelt ideas, trusting one's own heart and judgmental abilities, seeing with one's own eyes whether the big red lantern lights up or not, and listening to its music with one's own ears, is a wise choice for every friend who truly loves art, and in particular, loves and supports original Chinese art.

When "Big Red Lanterns Hanging High" was made, the music exceeded the movie in terms of ideology and artistry, reaching a new level. Zhao Jiping believes that movie music should give a movie a soul and play the role of a finishing touch. Movie is not only a visual art but also an auditory art. Movie composers have to create music according to the plot, picture and atmosphere of the movie within a limited space and time, which has its own particularity. Zhao Jiping has his unique understanding in combining music and picture, and he can create spiritual music according to the director's intention very quickly, and the movie music he creates no longer only has the role of coordinator and medium, but also reveals the deeper layers that the picture fails to express. More importantly, it reveals the deeper feelings that the picture fails to express, and makes the combination of music and picture a harmonious one. He was able to handle all kinds of films, tragic, colorful, epic, urban or folkloric, with ease, from the overall design to the detailed music layout, so that each piece of music was integrated with the film

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