Historical origin of folk social fire

Southern Fengcheng Shehuo is a traditional folk activity of Jiangyou people in Hexi area of Fengcheng, Jiangxi Province, which has been declared as a provincial cultural heritage. The "social fire" originated from people's sacrifices to bodhisattvas and military commanders of past dynasties. Since the Song Dynasty, various sacrificial activities have spread and formed a colorful "social fire" culture. The local people originated from people's sacrifices to bodhisattvas and military commanders of past dynasties.

The "social fire" in the north is also called "? Fighting tigers is an ancient traditional folk art form in China. Refers to all kinds of vaudeville and vaudeville performances at festivals or festivals. Fire means bustling and lively.

The age of social fire is quite long, which was gradually formed with the ancient sacrificial activities.

In ancient times, human beings were in infancy and their productivity was extremely low. Primitive ancestors could neither resist nor understand human life and death, as well as the phenomena of many natural stars, such as the sun, the moon and famine. They can only fantasize about ruling it by supernatural forces, so they created all kinds of gods.

When social production changed from fishing and hunting to farming, land became the foundation of human survival, so there appeared sacrificial activities to pray for good weather, harvest farming or exorcise ghosts and diseases. Book of rites! "Sacrifice Law" states: "The * * * government is the master of Kyushu, and his son said that the earth can level Kyushu, so he worships it as a society."

Extended data:

There are various forms of social fire performances. An adult with one or three children performs "Returning to the Fire"; There is a kind of "horse fire", with horses, cows and mules. There are also "stilt fire", "car fire" and "mountain fire".

When performing a social fire, it depends on the actor's action performance, accompanied by flags, rituals, drums, cymbals, cymbals and so on. The scale is huge and the scene is warm and spectacular.

The content of social fire performance is also extremely rich and extensive, because it is not limited by time, space and content, because it is not said or sung during the social fire.

From ancient myths and legends of Three Emperors and Five Emperors to historical stories, anecdotes of unofficial history, legendary heroes, etc. Everything is all-encompassing. The current social fire programs are Xuanyuan Huangdi War Tour, Shennong Naye Temple, * * * Palace War Zhu Rong, Wang Yushui, Wang Yaoshou Musashi and so on, all of which are very old.

The drums knocked by the four people together are painted with golden dragons and gossip, and the scene is quite like an ancient sacrifice. The ancient book Gu Ren, the official of Emperor Li Zhou, records: "The thunder drum is used to sacrifice the gods and the spirit drum is used to sacrifice the country."

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