Traditional Culture Encyclopedia - Traditional customs - Write a composition in the process of burning bricks

Write a composition in the process of burning bricks

1. A few days ago, I wrote a composition on the topic of "bricks". I want to decorate my house and expand a room at home. Dad invited the builder to help build it. In order to expand, the worker uncle pulled down a wall. They knocked down the bricks piece by piece. My mother and I knocked the cement wall ash off the removed bricks with a knife.

It is not a simple matter to knock off the cement wall ash on the brick. It took me a lot of effort to get them off the bricks. The bricks should not be damaged at all. My mother and I just kept working. Strange bricks passed through our hands and turned into flat bricks. So my mother and I worked until the evening and repaired all the bricks removed from a wall. On this day, I was so tired that I ate a good meal, washed my feet and fell asleep in bed.

The next day, my mother actually let me continue to do odd jobs. Today, I am moving bricks. I went to find a pair of gloves to wear on my hands, and then lifted the bricks one by one. I kept moving, panting and sweating down my cheeks. A worker saw it and said to me, "Don't worry, take your time. You are too young to move. You can sit down and rest for a while before moving, as long as we have enough. " I said, "Oh, thank you!" I thought to myself, this worker uncle really cares about people!

I had a rest, and then I lifted the brick. I thought it was too slow to move bricks one by one, so I moved five bricks at once. It moves much faster this way. After a while, there were too many bricks to be moved, and the bricks could not be put down where they were laid. I just took a break. When some bricks were put down, the place was empty and I continued to move. Moving five plots of land was really tiring, but I got through it. Finally, I moved all the bricks.

After moving, I went to wash my hands and face, and then I lay in bed unwilling to move.

2. Write a 600-word composition with the story of bricks and tiles. Bricks and tiles in China have existed since ancient times. They are the crystallization of mud and fire in the history of human development and the living fossils of traditional culture and primitive culture in China. From the first day they were born, they condensed the softness of soil and the tenacity of fire into a solid stone-like shape, which benefited the world. They have become cultural relics, creating a precedent for human housing civilization. They are still recognized by futurists as "green building materials" and are loved by people all over the world.

Why do the bricks and tiles in China have such strong vitality and conquest? Why for thousands of years, cities and villages have been decorated with customs and cultures of different times, regions and nationalities, and have built ancient and modern civilizations, which are known as living fossils of Chinese culture? This can only be explained by exploring her value orientation.

Brick and tile is a kind of artificial object, and it has become a kind of object culture generally recognized by people because of its practicality. Because of the availability and processability of its raw materials, it is easy to popularize and inherit; In addition, the plasticity of clay material can easily change its physical shape (square, circle, sculpture, plastic), can be made into any shape required by architectural culture, and can meet various requirements of architectural aesthetics, thus becoming the carrier of people's ideological culture, sculpture, painting art, praising the way of saints, attaching to the elegance of literati, showing the skills of masters, being firm but not corrosive, bright but not fading, and carrying awe-inspiring buildings. From the ideological and cultural value of "using without knowing" to the civilized value of "knowing and using". Therefore, it has the attributes of both material means of production and cultural products. Because it is attached to material entities and intangible culture, material culture and spiritual culture have been interpreted for thousands of years and passed down from generation to generation.

Bricks, tiles, sculptures and plastics are often regarded as extensive and common building components, and few people have studied their deeper value attributes, but at most they are only a description and inheritance of their functional attributes; Few people discuss the position of its culture in the construction of architectural civilization from its spiritual significance. At most, the building is compared to a silent symphony, and the bricks are fixed as buildings-the notes on this solidified music score are praised, that's all. When the building dies, these notes seem to be just a pile of rubble and have no meaning. At this point, many archaeologists, after realizing the artistic and cultural significance of bricks and tiles, can't help feeling sorry for neglecting the historical, cultural and artistic significance of bricks and tiles in archaeological excavation. What's more, in many old city reconstruction sites, in many new construction sites, and in many factories that borrow soil and burn bricks, there are many earthenware brick carvings, painted portraits, dripping tiles, colored glazed dragons, birds and animals, etc. , all under the pestle of those ignorant people to pieces. Of course, there are also some stupid literati who have seen through their cultural heritage for thousands of years, looking for their real roots in the broken bricks and tiles, brushing away the dust on them, repairing some residual limbs and broken arms in a subtle way, and putting them in museums for people to enjoy and study, and writing books. This is a rare move, and it is difficult to motivate people to innovate. On the contrary, the bizarre theory of "eliminating Qin bricks and Han tiles" seems to be like the bad luck experienced by Confucian culture in Kongjiadian that year. It should be noted that an advanced nation stands among the nations of the world by relying on advanced culture to defend its body, and advanced national culture itself is an open and inclusive "harmonious culture", which is the crystallization of multi-culture and develops innovatively in tolerance; Develop and innovate in teaching and learning; Lumens never go out in firewood; Get enlightenment and know new things through hearing and seeing; Understand morality and justice without desire; Emphasize harmony and distinguish right from wrong; Observe the golden mean in learning and teaching; Support social development and innovation, civilization and progress. The reason why the Chinese nation has maintained a unified national pattern for 5,000 years and developed along the main line of peace and harmony is inseparable from the continuous innovation and development of Chinese culture and its unparalleled inclusiveness. China's cultural thought, with the world's advanced cultural genes, was and is a wonderful flower in the world's cultural treasure house. From this, we realize a truth: Chinese culture is the "soul of the country"; Cultural innovation is the pulse of the country. Brick and tile culture in China still has such a strong vitality after thousands of years, but it is also.

Write a 600-word composition and listen to the story of bricks and tiles. Ancient bricks and tiles are telling.

Goethe said, "Music is flowing architecture, and architecture is solidified music". If architecture is music, then the bricks and tiles of traditional architecture are beating notes. In the China Ancient Brick and Tile Museum in Jinxi Town, Kunshan City, Jiangsu Province, you will see pieces of ancient, simple, heavy and beautiful bricks, which are like a string of notes that make up a classic song. This melodious voice floated from the depths of history and sang the replacement and evolution of the history of human civilization.

Entering the China Ancient Brick and Tile Museum in Jinxi Town, which is located in the "Ding Zhai" of Qing Dynasty, all kinds of ancient brick and tile treasures are dazzling. The earliest brick in the museum has a history of more than 5,000 years and is a relic of Liangzhu culture. It is made of soil, chaff and straw, with bamboo poles and reeds as the skeleton and burned by fire. Archaeologists call it "stew soil" and it is also the "ancestor" of brick.

Qiu, a curator who loves ancient bricks and tiles, gave a rather * * * explanation before "stewing soil". "Chinese ancestors carried out a revolution of mud and fire with transcendental wisdom, hard-working hands and amazing verve, and created human living civilization. Dish mud into blanks, open kiln to burn bricks, build houses, solve the disadvantages of' Mao Ci Tu Bu', build a city to live in, and gather different countries. Split chaos, get out of the flood and meet the Xuanyuan civilization that is about to rise on the eastern horizon. "

There are more than 2,300 exhibits in the 400-square-meter ancient brick and tile museum, spanning more than 5,000 years of Chinese civilization. From the city bricks of the Han Dynasty, the bricks of the Six Dynasties, the bricks of the Western Jin Dynasty, the bricks of the Tang and Song Dynasties, to the blue bricks of the Ming and Qing Dynasties, the Taiping Heavenly Kingdom and the Republic of China, and even the five-star symbol, it can be called a long scroll in the history of brick development. Each collection is an artistic crystallization that shines with the wisdom of the ancient working people in China.

China is the birthplace of bricks and tiles in the world. In Lu Qiusheng's eyes, these ancient bricks bear the history and record the steps of human civilization.

The treasure "Tongque Tile" is the remains of Jinfeng Terrace, Bingjing Terrace and Tongque Terrace built by Cao Cao in Linzhang, Hebei Province in the 18th year of Jian 'an. The back of the tile is engraved with "Made in March in the 5th year of Jian 'an". The bronze sparrow terrace in those days has long been forgotten by the dust of history. However, after 1700 years, this tile is still well preserved in a corner of Jiangnan town, which makes the viewer's thoughts fly to the magnificent Three Kingdoms era. ...

A group of characteristic tiles in Song, Yuan, Ming and Qing Dynasties attracted my attention. These tiles involve dragons and phoenixes, flowers, fish and insects, pine, plum, bamboo and chrysanthemum, stone durian, and rich peony. They are either rough and freehand, or finely carved, with high quality and complete collection, which is amazing. Since the Song and Yuan Dynasties, the decorative art of ancient bricks and tiles has spread from Hui Ze, the royal court, to the people, which has created convenience for the cultural inheritance of ancient brick and tile art. From Jiangnan dwellings to Suzhou gardens, from Huizhou merchants to Shanxi merchants, and even to Beijing quadrangles, the ancient brick carvings used are novel in composition, vivid in knife cutting and exquisite in craftsmanship.

A row of "golden bricks" displayed in the main hall of the museum are square bricks for laying the floor of the palace. According to the museum's data, BRIC is a kind of Qin Gong material, and its quality requirements are very strict. Only when the color is pure blue, the knocking sound is loud and intact, can it be considered qualified. "BRIC" has large specifications, easy deformation and extremely low yield. Generally 10 brick only produces 1 2 pieces of finished products. The origin of "BRIC" is in Suzhou, and with the high transportation cost, there is really a sky-high price of "one or two BRIC" in history.

After visiting the brick carving exhibits, look at the brick carving gatehouse in Ding Zhai. This deep house compound in the south of the Yangtze River, built during Shunzhi period of Qing Dynasty, was originally the residence of a businessman named Ding. The antique and vicissitudes of old houses set off the ancient brick and tile culture more thickly and far away.

Jinxi, a beautiful water town, once had 72 kilns, and brick kilns have a long history. A large number of ancient bricks and tiles are scattered among the people, which has aroused the strong interest of some collectors. 1in the spring of 996, in order to further explore the treasures of ancient bricks in China and promote the "ancient brick culture", the "China Ancient Brick Museum" was formally established by the people of Kunshan City and Jinxi Town. At present, based on the Millennium history and culture, relying on ancient towns, ancient bridges and ancient rivers, Jinxi has carefully built the "Hometown of Folk Museums in China", with 15 museums including China Ancient Brick Museum, China Coin Collection Museum, Huaxia Planetarium, Huaxia Stone Museum and East China First Antique Museum. This feature is attracting many Chinese and foreign tourists to visit Jinxi ancient town.

4.brick's self-reported composition, kid, do you know my name? My name is Brick, and everyone calls me firebrick.

You see I'm angular, maybe you'll be afraid? Touch it again. Am I hard? Ha ha! Why am I so good at pinching? So square again? You don't know, do you? Then I'll tell you bit by bit! I used to be mud, and people even called me mud. Thanks to people digging me to make bricks.

Making bricks is not as easy as you think. After they dug me up, they put me in the machine and stirred me up and down, making me dizzy and uncomfortable! But I endured, and let people directly stir me into uniform mud with adhesion.

People put me in the machine and beat me to pieces. At this time, they all called me mud brick, and the book called me brick blank. This kind of pain is unbearable for me. But I endured it.

I was taken to bask in the sun again. You know what scares me most? I am most afraid of heavy rain, because it will break me into pieces, so the pain I endured before will be in vain. Thank you, they have prepared hemp fiber for me to shelter me from the wind and rain, so I don't have to worry.

It's extraordinary to appreciate the composition of brick by brick. I praise bricks!

The weather-beaten house stands.

I stood in front of the house with strong respect and looked at the burnt bricks.

Bricks are made of clay and then put into a kiln to burn fiercely.

Angular bricks, loose and hard, brittle and hard, can meet the various needs of many buildings. Build as high as you want; Build as big a factory as you want; Build as beautiful as you want.

In the garden, all kinds of flowers are surrounded by bricks. They stand silently and are willing to be the protectors of flowers. Bricks laid on the steps, lying silently, are willing to be stepping stones for people to climb; The underground bricks were made into sewers and cesspools. I never doubted that those sewage polluted the red clothes that had been burned.

Brick never asks the beneficiaries to praise it, not even a grateful glance. It only knows that its life is created by human beings, and it can only silently bear all kinds of buildings made by human beings. It is never proud, it always adheres to the principle of its original identity, the angular red brick.

Simplicity, humility and selflessness are its noble sentiments; Ordinary, resolute, nothing to ask. Is its eternal soul. Even if you are shattered in the process of creating great achievements, you still have no regrets and would rather die than surrender.

On the land of the motherland, it is everywhere. Workers with masonry knives are using their own feelings to cross the fire-like bricks into the red wall. In the future, bricks and workers will contribute to buildings, factories and beautiful theaters.

Bricks are common and come from the earth. Born in a kiln, it has never been taken seriously, just like a worker building a house.

I want to praise the ordinary but extraordinary bricks loudly.

6. The enlightenment of composition brick is made of clay. It takes six stages to turn clay into brick: first, choose the right clay to make brick, then put it in the mold, then dry it in the sun, then burn it in the furnace, and finally dry it again to get a complete brick.

After listening to it, I thought, it's not easy for such an ordinary brick to go through so many processes and tests. At this moment, I remembered a little thing that happened in the past.

That was when I was in the fourth grade of primary school. Once, the whole class had an oral math test. After handing out the paper, I found that the questions on the paper were all exercises that the teacher asked me to do yesterday. I immediately panicked and thought, ah! Oh, shit. Yesterday, Miss Yang asked me to do five groups of oral arithmetic exercises, but I forgot to do them. Today's grades are definitely not good. Sure enough, I only did more than 60 things right. Teacher Yang severely criticized me. After class, my classmates ignored me. In the face of teacher's criticism and classmates' indifference, my self-esteem was hurt. Since then, I have practiced oral arithmetic every day. Whenever I want to give up, I will tell myself to hold on.

Finally, my grades improved, and I got better grades in the next few quizzes. Think about it. When it brings convenience to our life, do they also give us some enlightenment about life? When the soil was first put into the furnace and faced with the test, it was soft and fragile, but it gradually hardened in the fire. Of course, some of them were broken in the process of firing, but when it was finally transported to the construction site, the original soft soil has become today's hard brick, which has withstood the test of fire.

We are the same. When we were born, we were as fragile as earth and never experienced the vicissitudes of the world. However, in our later life, we have to experience ups and downs and encounter many unsatisfactory things in order to make ourselves more mature. Finally, when we are old, we have experienced the hardships of life and become a strong person. The process of brick forming, like a person's life, has to go through hardships.

There is a lyric that sings well: "How can you see a rainbow without experiencing wind and rain?" I want to be like a brick, not afraid of the test of life, not knocked down by the difficulties in life, overcome the difficulties, bite my teeth, get through it and be a strong person.

7. Composition describing bricks (writing bricks is to unite us and shelter us from the wind and rain) In life, bricks may be very inconspicuous because they are too ordinary.

Bricks are usually yellow or blue. 12 straight rectangle, a bit dull. Its rough skin makes people look uncomfortable at all.

However, although the shape of brick is not beautiful, it has many advantages.

Brick can be described as "shine on you is better than blue", which is made of clay by sintering. In the process of changing from mud to brick, it has to go through many hardships. It has many advantages of mud and makes up for many disadvantages of mud. For example: mud melts when it meets water, but bricks don't; Mud walls are not strong, but brick walls are indestructible. ...

Brick is also a modest gentleman, making contributions to mankind in obscurity. When building a wall, it uses its own rigid body to build a high wall. When bricks finish their tasks, let cement and lime cover themselves up and make people think that cement and lime are the most active. When people praise cement and lime, only it smiles silently.

Unity is the best quality of bricks. It always thinks of its companions. When it is working, it will always compete for the first place so that its companions can step on their heads and have a comfortable seat. Bricks will also work closely together. This brick will be divided here and that brick will be divided there. They interweave and hold hands with each other, making the building very strong.

In life, there are also many things with noble quality like bricks. While looking for these things, we should also learn these qualities and make them everywhere. When building our home, we are an unknown brick, working hard.

Honey, the composition you want is a little different, but it's okay. Thank you for your approval. O(∩_∩)O~