The background of the September miracle is not simple, but why are they not as successful as Phoenix Legend?

Phoenix Legend moved from the "Avenue of Stars" to the whole country, and soon brought a dance wave, which swept the middle-aged and elderly people, especially the square dance aunts, and became the strongest pop music group in China. At the peak, it is said that there are 300 million listeners, killing all small fresh meat.

? Phoenix Legend's success inspired a lot of imitation. Among them, one group stands out with super strength and distinctive style. After winning the championship of the Avenue of Stars in 2009, he participated in the fifth CCTV Spring Festival Evening, and Chinese style, Chinese beauty and flowers became popular songs for a period of time. This combination is a miracle in September.

Wang Xiaohai, the male lead singer, is tall, handsome, gentle and very creative. His vocal range is wide, his bass is heavy, his treble is steady and his timbre is gorgeous. No matter national opera or bel canto, all kinds of singing methods can be switched freely, which is really first-class singing.

Wang Xiaowei, a girl, is not only tall and beautiful, but also plays double-row key instrumental music with rich timbre, skillful technique, gorgeous stage effect and strong musical appeal. However, it is such a pair that is not inferior to Phoenix Legend in appearance, musical accomplishment, singing ability and so on. They have been on CCTV Spring Festival Evening for many times, but they can't replicate Phoenix Legend's success, and their fame and influence are far less than Phoenix Legend's. Phoenix Legend's biggest killer is grounding gas. In order to please the audience, it is not at the expense of the richness and level of music.

They have their own persistence, found a perfect way of integration between western music elements and national music traditions, sang songs that are both trendy and popular with ordinary people, and maintained a relatively high creative ability. They have a lot of pop songs, and any passerby can hum at least three of their works, which is the real influence. Many songs of Miracle in September are covers, but their own songs mainly cater to the needs of big stage performances and are more suitable for occasions, but their positioning is vague, which can neither attract audiences of a specific age nor get long-term support from most people. Later, they themselves realized this problem and began to launch some excellent works for young people. Unfortunately, they have missed the best period.