Chang 'an Twelve Hours Clothing Traditional Culture

The role of Li Bi is based on Li Bi, a politician and scholar in the history of the Tang Dynasty. In the play, Li Mi is a monk, but also a counselor of the prince, and his political ambition is to be a prime minister. At the age of 20, he was already a Jing 'an Chengsi, and everyone in Jing 'an Temple listened to him and obeyed his command. Then, as a modest son, Jackson yee in The Longest Day in Chang 'an, what are the characteristics of his clothes?

First, Li Bi's two sets of clothes

In the play, Li Bi wears two sets of clothes, both of which are Taoist robes. Wearing a lotus crown of pure lotus and a lotus crown of jade Qing on the head, using a meridian hairpin on the hairpin, holding dust and wearing cloth shoes. The first set of robes is a brown upper skirt and lower skirt with a shroud; The second set has the same interior style, except that a vest dress is added outside. Both sets of clothes are blue with white, which is very fresh. The blue cassock makes him stand out among many officials of Jing 'an Company, which shows that he is different. This costume setting not only points out Li Biru's identity as a Taoist, but also shows the audience Li Binian's youthful, noble and independent character image through the combination of costume color and crown.

Second, Li Bi's clothing replacement

During the 24 hours of the play, his costume changed only once. When the blue robe he wore for the first time became dirty, the maid Tan Qi changed it into a vest robe with similar color and style. In the memory plot of the play, Li Bi and Tan Qi live in seclusion in the deep mountains and forests, and also wear vest-style robes. The scenery of Tsing Yi contrasts with the mountains, and the atmosphere is harmonious and quite quiet and comfortable. What a reclusive and modest gentleman. But with the development of the story, Li Bi's clothes are also changing. In the course of the plot, after a series of unexpected events, Li Bidao's robe changed from clean and spotless to bloodstained and tattered neckline, and even the jade crown symbolizing identity and etiquette was lost. The details of clothing change with the development of the story, and the advancement of the story changes the hearts of the characters and reflects their growth step by step.