Sad images in poetry; Sad images in ancient poetry

What are the sad and sorrowful images in poetry? An analysis of willow images in classical poetry. Willow is one of the most common images in China's classical poems and songs, and it is also the most beautiful and moving image. A serious and in-depth study of the role of willow images in ancient poetry is of great benefit to understanding the cultural traditions of the ancient Dai people, improving national cultural literacy and enhancing poetry appreciation. First of all, I use willow to express my deep affection for Bie. "Chang' an is unfamiliar with infinite trees, and only weeping willows can manage Li." (Liu Yuxi's Nine Poems) The most essential artistic feature of the willow image is to bid farewell. The ancient poem Qu used the willow image to express the feeling of parting. "Spring breeze knows not to suffer, and it doesn't send wicker green. "(Li Bai's Old Laoting)" Weicheng is light and dusty, and the guest house is green and willow. I advise you to drink more wine, there is no reason to bask in the sun in the west. "(Wang Wei's" Send Yuan Er Shi Anxi ")" Raise the head of the Yangtze River and worry about killing people crossing the river. " (Zheng Gu's "Farewell to Friends in Huaishang") "Xi seems to be not, Huayang is a bit, it is a tear." (Su Shi's "Yi Shu Long Yin") "Affectionate feelings have been hurt since ancient times, and it is even worse to neglect the Qing Autumn Festival. You wake up from the wine tonight, Yang Liuan, and the wind will stop. " (Liu Yong, "Yulin Order") "It is difficult to tie the willow silk, and I hate it when it is sparse." (Wang Shifu's "The West Chamber") These beautiful sentences of Jia Ci are all sentimental with willows. Incense is associated with parting. First of all, because Zuo's posture is gentle, gentle and affectionate. "I used to go, and Yang Liuyi; Kim, let me see. It's raining. "The lingering feeling coincides with people's lingering feelings of parting, so that Liu Xie in the Southern Dynasties praised:" The freshness of peach blossoms is like the posture of golden willows. " It is believed that "Liu Yang Yiyi" vividly shows the gentle and beautiful realm of Liao, and that "there are always reasons for many things, and feelings are not easy". Judging from the source of The Book of Songs, the image of willow in China's classical poems has the meaning of farewell and enlightenment. Secondly, it is because the ancients had the habit of folding willows to bid farewell. The so-called "bringing wine to spring, folding willows is parting." This custom of Xi was especially popular in the Tang Dynasty. At that time, many people in Chang 'an went to Baqiao to fold willows to bid farewell. According to "Three Auxiliary Huang Tu", "Baqiao Bridge is in Chang 'an East, crossing the water as a bridge, and * * * sees Fujian off at this bridge. "This is the earliest record about the close relationship between Zheliu and farewell." A high-risk building is low in dust, and Baqiao is a good place to climb. Thinking is a ruthless tree, which welcomes people and only gives them away. " (Pei Shuo's "Willow") "Baqiao Yanliu, Qujiang Pond, should treat others." (Lu You's Eye-catching) "Liu Yang is green and hanging on the ground, while Huayang flies for a long time. The wicker flies away, and I invite pedestrians to return. "(Anonymous" Farewell ") recorded that" Liu "and" Liu "are homophonic, and Liu folded down, which meant to retain, expressing the reluctance to leave as soon as possible." Liu Yang in Xicheng is soft in spring, leaving sorrow and parting, and tears cannot be collected. I still remember making out. I once went back to Xi on the boat. On Bi Ye Zhu Qiao's Day, people disappeared and the water ran out. "(Qin's view of" Jiangchengzi ") Another point is that there is" Zheyangliu Farewell Song "in ancient music. For example, the song "Cross Blowing Song" by Han Yuefu has the song "Folding Willow". In the folk song "Folding Willow Song" in the Northern Dynasties, the phrase "Don't mention the whip when getting on the horse, but turn Yang Liuzhi upside down" is used. Wang Zhihuan, a historian of the Tang Dynasty, wrote "Liangzhou Ci": "The Yellow River is far above the white clouds, so the old city is covered with mountains. Why should the flute blame the willow? The spring breeze is not enough. " Among them, "folding" refers to "folding". Li Bai's "Smelling the Flute in Luoyang City on a Spring Night" is even more: "Who secretly flew and scattered into Manluo?" In this nocturne, I heard Liu Zhe, who was homesick and couldn't remember. "Smell the flute and arouse homesickness, Chu moved away from sorrow, why not? Therefore, the flute plays the song "Folding Willow"! Second, sing beautiful spring scenery with willows. Willow was born in spring, and it is lush in summer, with lush foliage and full of vitality. Ancient Yi people often used willow trees to praise spring and nature. For example, "Yin's back eaves, Luo tang qian." (Tao Yuanming's "Returning to the Garden") "The light rain in Tianjie is crisp and crisp, and the grass is far and near. Drunkenness is the benefit of a year's spring, better than cigarettes. " (Han Yu, "Chu Chunyu") "The spring breeze is green and the smoke is light and the rain is clear." (Yan Shu's "Complain") "There are one or two orioles at the bottom of the leaf, and Ri flies long and light." (Yan Shu, "Broken Array") "Qingyang Yan is cold and light, and the branches of red apricots are full of spring." (Song Qi's Lou Yuchun) "Yichuan Tobacco, Mancheng Feng Xu, Mei Huang Shiyu." (He Zhu's "Jade Case") The spring is beautiful and beautiful, which makes people linger. The willow blossoms are bright, and He's poem "Chanting Willow" is the most famous: "Jasper adorns the tree, and thousands of strands of green silk tapestries hang down. I don't know if I cut off the thin leaves. The spring breeze in February is like scissors. "Use ratio ... Yu>

What are the images in the poems? What are the images in China's poems? Understanding of image What is image? Simple understanding: Nine is a concrete image, which is a creative means to give subjective feelings to objective images; This is a special term in China's poetics and aesthetics, and the two words also cover two aspects of inner glory. Namely "meaning" and "image". Meaning, that is, conception, is the central idea that philosophers want to express; Image, that is, taking an image, is the "prop" chosen by the author for "sensational". These "props" are very concrete and objective images. (Guan's literal interpretation of the word image: it is an artistic image created with Zhuang as the main body through unique aesthetic activities, materialization or antiquity; It is the organic integration and unity of subject and object, mind and object, meaning and image; Whether to integrate subjective feelings with objective images or express subjective feelings through objective images; It is a portrayal of Xian's real life, the crystallization of aesthetic creation and the carrier of emotional change. It is the unity of the external life scene and the poet's inner feelings; It is a manifestation of the externalization of the poet's feelings; Stone has a special or profound image. Generally speaking, Yi image is the perfect combination of thoughts, feelings and concrete images. Easy to dominate, meaning determines image, and image embodies meaning. Meaning is born from the heart and expressed by the image-based tuo. The intention is looming in the image, which seems to be preparation, but the image seems to be intentional or unintentional, and it blooms for the purpose. The so-called "implied meaning, the image of qi combination" is this truth. As the organic integration and unity of subject and object, mind and object, meaning and image, scholars can form a complex system of images from the aspects of literature and art, psychology, linguistics, aesthetics, Xue's creation and appreciation. For example, it is very complicated to describe in detail the objects, appearances, mental images and language images that make up an image. No, the concept of "object image" is emphasized here, because the most intuitive and preconceived thing in daily life is "object image", which is said to be the basis of the image of the work. We said that "image" is an objective "image", that is, images of scenes, objects and stones. The original refers to the image or scene of a specific thing. "Elephant" is an objective thing that Chrysanthemum can feel. Then "image" is an important part of "image". Things are the concrete images of various people, things and scenes objectively existing in The Clock, and their developing and changing states or social life forms. It is a Dui image observed by writers and artists, and it is the basis of artistic image. "Mian" has two meanings. One is an objective and natural image, which is objective, does not depend on people's existence and does not change because of people's joys and sorrows. For example, Du Fu's famous poem "Spring Hope" Xie's "Silence in a War of War and Horses": "I hate other birds when flowers fall like tears", in which "flowers" and "birds" are all the scenery of Ran. Flowers bloom and fall, and birds stay and fly have their own growth laws and life habits, which will not induce people's emotional changes. Secondly, the image of "Wu" in "Xiang" is a corresponding pure natural thing, which can express the choice of "Yi". It is the objective material and humanistic existence expressed by the author in the form of language in his works, which is composed of specific names and things. Then take Du Fu's poem "Poetry" as an example. Because "flowers" and "birds" are both selected by the author as Confucian poems, they have become the images used by the author to express his thoughts. Then "flowers" are no longer flowers that originally grew in the soil, and "birds" are no longer birds in the fields in a simple sense. Ta people are endowed with thoughts and emotions by the author. Because of its "benevolence", that is, people. In fact, the implication is that the author's heart is full of Chen's pain and anxiety. He only sees the petals falling and tears, but he is even more frightened when he hears the birds crying. Image is the material shell of image and the carrier of subjective content. Being objective, true, vivid and vivid will create a huge space for expanding association and exerting imagination. In the creation of poetry and prose, it is inseparable from Wu Xiang's writing, which is what we often call real writing. "Everything is born in a state of mind", and Zuo Ren's emotional activities cannot be carried out in the abstract, so he must "swim with things" and add beauty to things. According to certain standards, artists choose natural images to find the sustenance of Yi people's thoughts and feelings, so as to establish images in images. The living of things is not fiction, but fiction, creating vivid and concrete objects. Life is the source of images. Of course, in many works, image is not the perfect combination of emotion and concreteness. The full text is in "Yi" and "Xia ... Yu" > >;

The classic image in poetry is Mei: pride, strength, perseverance and adversity in the snow. Plum Blossom: Plum blossoms first bring out the cold, and then lead to the fragrance of Chu, so plum blossoms, like chrysanthemums, are highly praised and praised by poets. Song Chenxian's Plum Blossom: "A flower twitches suddenly, and all flowers are fragrant." The poet grasped the characteristics of plum blossom, and wrote the character of not being afraid of setbacks and being the first in the world, which is not only a compliment to Yongmei, but also to himself. Wang Anshi's Plum Blossom: "Yao knows that it is not snow, because there is incense." The poem not only describes the plum blossom scattered by the wind, but also implicitly expresses the pure and clean white of plum blossom, which has received the artistic effect of good fragrance and lewdness. Lu You's famous sentence "Yongmei": "Scattered into mud, crushed into dust, only fragrant as old." Plum blossoms are used to describe a person's devastated misfortune and noble sentiment. Wang Mian's Mo Mei in the Yuan Dynasty: "Cloth needs people to praise lust, only to keep the air fresh and dry." It is also an icy plum blossom, which shows that he is unwilling to go with the flow. Yan is shallow and profound.

Why do the images of Chinese parasol trees in ancient poems always represent sadness, leaves fall early, autumn represents handsome yellow, and images are sadness? A large number of autumn words are full of resentment, and the phoenix tree is a symbol of autumn.

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Why do you use partridge birds as images to express your sadness on the stoma wall in Jiangxi? "The river is full of sorrow in the evening, and the mountains are deep." Your love words have regressed a lot. The mountain is deeper than the end of the Yangtze River. This twilight is full of Feng's closed meaning, which is tantamount to the poet's lonely portrayal. The dark image of Yugutai at the beginning should be closed. More than Zhou, the language book "The Songs of Chu, Nine Songs and Mrs. Xiang" says: "Mu is so sad." Chu Sao's melancholy tone adds a melancholy atmosphere. What's more, I can still hear the voice of partridge sheng in the depths of the chaotic mountain: "I can't go too far." "Bird Book Zhang Hua Note": "The left thrush will fly south, and its ambition is to look south, not north. "Bai Juyi's" Mountain Partridge ":"Crying until dawn can only worry about northerners, and southerners are used to it. It's hard to say whether the voice of partridge calls the poet to remember the embrace of Nan, or evokes the loyalty of his unfulfilled ambition, or the cry of the compatriots in the Central Plains on the edge of Rushan Mountain. Dan can assert that he is worried when writing. But with this kind of sadness, Shi Chaoting blindly compromised, and the Central Plains did not reply for a long time, which was also asserted by Ke.

Why does the phoenix tree image in ancient poetry always represent sadness? Who told you that? ! ! ! ! ! ! ! ! ! 1, the image and implication of high clean character, the phoenix tree has the implication of Zheng Gaojie's character in ancient poetry. Such as "Feng Huangming Yi", in his senior gang. Wutong was born in Chenyang (The Book of Songs, Elegance, Jun), and the poet chimed the bells with the phoenix, singing and flying to the hills; The phoenix tree grows wildly, covered with brilliant morning sun, symbolizing high cleanliness and beauty. Another example is "hanging down and drinking clear dew, listening to sparse tung." Living far away, not from the autumn wind "(Yu Shinan's" Cicada "), the first poem of Zhe with the meaning of supporting things, took the phoenix tree with tall and straight leaves as the shelter of cicada, and wrote the nobleness of cicada and the beauty of Yu's own personality. Zhuangzi also said in "Autumn Water": "Fu carp originated in the North Sea, and it is not just a phoenix tree. "Zuo Yu is a bird called Phoenix in ancient books. It was born in the South China Sea, and it will fly to the North Sea. Only the phoenix tree is its shelter. The Chinese parasol tree is also a symbol of nobility. Therefore, in ancient times, there was a saying that "slaughter attracts phoenix". 2. The image of loyal and loving Ji refers to the tall and straight branches and deep roots of the buttonwood tree. In the poet's pen, it became a symbol of faithful love. For example, "things are pine and cypress, and phoenix trees are planted left and right." The leaves are luxuriant, and the colors of the leaves are staggered (Peacock flies southeast). The poem is covered with branches and leaves of pine, cypress and phoenix trees, which symbolizes the loyalty and love with you. The couple, who pursued pure love and opposed feudal ethics, were forced to separate before their death and buried together in Jiuquan after their death. Can it not be shocking? 3. Lonely and sad images and their implications: the wind blows leaves, the rain hits the phoenix tree, the lonely scenery and the phoenix tree become lonely and sad images in literati's works. For example, "Yan Wu went to the west wing alone, and the moon was like a hook. The Lonely Wutong Deep Courtyard Locks the Clear Autumn (Li Yu's "Hui Huan") vividly describes the loneliness of Wang living in a lonely deep courtyard. The man was locked up deeply, and Gu Ying lingered. Only the cold moonlight spilled from the cracks in the branches and leaves of the phoenix tree. How sad! In the past, he was a monarch who lived by the wisdom of the people, but now he is a prisoner, full of sorrow, and all of them are among them. When is the hatred of national subjugation? Another example is "the leaves of Iraq are autumn sounds, and a little banana is a little sad" (Xu Zaisi's Narcissus Night Rain). In late autumn, the night rain falls on Wu Tong and bananas, and every sound makes the Qiu Si River full of melancholy. This is not only a lovesick song on a rainy night, but also a picture of a beautiful autumn night! Faced with this situation, the pain of acacia surged in the hearts of poets. The author's description of rain-beaten phoenix tree and plantain is full of emotion, mixed with scenes, sad and confused, and deep in artistic conception. 4. There are many images and meanings of Chinese parasol trees leaving love and hating people in Tang and Song Ci. For example, "Peach and plum blossom, spring breeze blows, plane leaves fall in autumn rain" (Bai Juyi's Song of Eternal Sorrow), the poet compares the past grand occasion with the present desolation, and describes the bleak situation of Tang Gaozong after losing Yang Guifei due to the Anshi Rebellion. Emperor Tang Ming returned to the palace to wait for him, witnessed the old events and moved the scene. Where is the beauty of the past? Compared with the scenery in the Spring and Autumn Annals, the stone man alludes to the lifelong regret brought by the lingering sadness of the Qing monarch. Such as "buttonwood, it rains in the middle of the night, leaving love without saying anything, so bitter." A leaf, the voice of Iraq, the empty steps drip to the light "(Wen," More Leakage "). On autumn night, the cold raindrops on the leaves of Chinese parasol trees, a woman who lives alone in autumn, her fragile and sensitive heart can no longer bear the pain of parting feelings, and she can't sleep all night. Its moral cloud is profound and unforgettable. Another example is "Indus drizzle, dusk, dribs and drabs. This time, what a sad sentence "(Li Qingzhao's" Slow Voice "), her husband died, and Li Qingzhao, who lives alone, suffered the pain of national ruin and death. At this time, Li Du, a poetess, stood at the window, the rain was beating on the phoenix tree, and Ta, who was lonely and helpless, was deeply thinking of her husband. This kind of sad and virtuous writing makes people cry, which can be called the swan song of writing sorrow.

Excuse me, why are lilacs a symbol of sadness? Which poet first used this image? Lilacs symbolize beauty and purity, but lilacs are mostly purple. You are in rainy spring, and the lilacs in the rain are like a tearful Shao girl, so they are often called bitter flowers. In the Southern Tang Dynasty, Li Jing tied a lilac knot with me in the rain. He has a song "Huanxisha" with a jade hook on a real pearl, and he hates asking for spring. Who is the Lord in the wind? Take it easy! Jade birds don't spread news, lilacs are sad in the rain. Looking back at the green waves, chasing the sky. Dai Wangshu used it in Rain Lane: holding an oil-paper umbrella, wandering alone in a long, lonely rain lane, hoping to meet a girl as sad as Yi Lilac. Her poems are lilac-like in color, pink and fragrant like lilacs, sad like lilacs, sad in the rain, and hesitant; She wanders in this lonely rain lane. Cheng holds an oil-paper umbrella like me, and is as cold, sad and melancholy as me. She silently approached, approached and took a breath. She is floating like a dream, as easy as a dream. Like a dream drifting through a lilac land, this girl drifted by me; She gave a silent beep and left, walking towards the decaying fence and taking the golden rain lane. In the elegy of the rain, her color faded, her fragrance dispersed, and even Ta's sighing eyes were lilac-like melancholy. Cheng is holding an oil-paper umbrella and wandering alone in a long and lonely rain lane. I hope I can float past a girl with a lilac knot.

What does the image of "clove" in ancient poetry mean? Lilac is the traditional image of China's classical poetry and a symbol of beauty, purity and melancholy. Since the Tang Dynasty, Cai's works on cloves have been increasing. As an image, it also entered the field of vision of Poet's Village, and its aesthetic connotation, emotional connotation and ideological connotation were further expanded in Tao. From the analysis of Du Fu's works in clove literature of past dynasties, the meaning of clove image is diverse and rich in humanistic or social connotation: it is not only a symbol of Du Fu's noble taste, but also a carrier of Du Fu's personality; Or express sadness and sadness; Huo sets off romance and so on. However, the interpretation of the ambiguity of clove images can ignore the basic characteristics of its bitterness. The meaning of cloves in ancient poetry bells mainly includes the following aspects. 1, the symbol of nobility, incorruptibility and interest, and the carrier of independent personality. For example: "Five lilacs in front of the river"

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