Traditional Culture Encyclopedia - Traditional customs - What are the style characteristics of modern dance?

What are the style characteristics of modern dance?

What are the style characteristics of modern dance?

Modern dance begins with opposing classical ballet, and then opposes all traditional dance concepts. It breaks through the traditional dance training form and performance form. The following is about the style and characteristics of modern dance, welcome for reference!

Ten Basic Features and Styles of Modern Dance

(1) Modern dance is tolerant, optimistic and happy-go-lucky; His artistic view is to seek common ground while reserving differences. When the Eight Immortals crossed the sea, they all showed their magical power. . Morse Cunningham, the third generation master of American modern dance, once said: If you don't like other people's works, make up one you like. ?

(2) The concept of quantity is the first in modern dance. Gleim? Master? It should be said that the laurel was constructed by 180 ballet and dance, which is incomparable to others. Her classmates also pointed out:? Do you want to dance a wonderful dance? Then, let's make up for 100 first! ?

(3) The concept of beauty is not the only pursuit in modern dance; In modern aesthetics, beauty is not the supreme concept. Therefore, beauty should not be the only yardstick to measure the level of modern dance works; When gleim was a rookie, her angular twitching movements were very sensitive to the coming new era and were reviled by the press at that time? Is it a sudden attack, or is the delivery imminent? . But decades later, when the whole world was using her spasmodic expression, she? Contraction-relaxation? The principle of (construct-Release) action is regarded as the horn of the new era and the representative of new aesthetics.

(4) The concepts of new and old in modern dance are not absolutely right or wrong. Although the new one is not necessarily better than the old one, the new one is always more interesting and attracts people's attention.

(5) We should try to avoid judging the merits of modern dance works, especially when we look at postmodern dance which is far from the traditional concept. Dance is an aestheticism far from the economic base and ideology, not an ethics.

(6) It's best not to judge the value of modern dance works, especially those new works that aim at experiments, including students' exercises, but to try to tap their creative potential and understand their creative motives as the fundamental purpose.

(7) In the final analysis, all dance creations are intentional or unintentional explorations? What is dancing? Such a philosophical and aesthetic proposition.

(8) Dancability, a serious problem in classical dance, is completely untenable in modern dance, because the concept of modern dance is so broad, because in the eyes of modern dancers, nature is dancing, because every behavior and every movement of people is dancing. Paul taylor, the third generation master of American modern dance, said: What we lack is not the movements, but the eyes to find those movements that can serve us well. ?

(9) Ideology and philosophy have always been one of the important characteristics of modern dancers. It is no longer the kind of artist and craftsman who only imitates what he doesn't want to create.

(10) Understand that the purpose of modern dance is bold experiment and serious exploration, not cheap flattery or technical show-off.

According to the development of modern dance, it can be basically divided into several basic stages, such as foundation stage, development stage, new pioneer stage and post-modern dance theater stage at the beginning of the 20th century. However, in different periods, due to the differences in artistic concepts, value orientations, creative styles and performance training skills, different styles and schools have been formed.

At the turn of the century, he opposed classical ballet and founded modern dance. His thoughts mainly emphasize the liberation and freedom of human nature with romanticism and idealism. In artistic creation, it is subjective to explore unrestrained emotional expression. The main representatives of this period are isadora duncan and Ruth. Saint. Dennis. Ted. Sean, Mary. Weigmann and others, whether Duncan's. Dance of freedom? Or saint-denis's application of oriental dance forms and religious philosophy, although each has its own aesthetic thought and artistic practice, is generally an expressionist school centered on Laban's system theory. Like other expressionist artistic thoughts, it advocates feeling first and regards intuition as the only way to know the world. Wiegman is a representative of expressionist dance. Another outstanding feature of her dance is that she cut off the relationship between dance and music, so that dance can exist independently as an art.

The development of modern dance and various skill schools were formed in the modern dance art in this period. From the point of view, it advocates that form obeys function; From the point of view of values, it focuses on revealing people's value and dignity, revealing the spirit of the times and real life. In artistic creation, the expression in the sense of emotional expression is regarded as the skill of artistic creation. In artistic thought, it advocates truly reflecting the world, reflecting the goodness of human nature and exposing the evil of human nature. In the exploration, we should pay attention to personal style and create personalized and systematic action systems and technical schools. Among them, the most representative schools are as follows:

Psychological Expressionism: Martha Graham's? Contraction and extension? (contraction & ampRelease) is its working principle. The main idea is to expose the dark side of human heart and emphasize? Introspection? Psychology. She stressed that dancers should? Objective expression of self-belief with body image? ,? Dance should strip off the clothes that hide human behavior? ,? Expose an inner person? .

Symbolism: Han's technique is characterized by "falling &; Recovery) as its action principle, she believes that it not only covers the whole range of human actions, but also is the root of all dramatic effects. When people fall down in the face of violence, they must support, resist, and so on. This conflict exists in these operations.

Humanistic dance: Jose's skill training principle is based on Han's skills, and then injected with personal research experience. He regards all parts of his body as a single musical instrument. When the whole body moves, it is like a symphony, and many musical instruments play a human melody together.

Relaxation skill: a form of contact improvisation caused by continuous exploration and experiment of physical potential.

Horton's Skills: Inspired by the images of primitive groups or ancient ruins, such as the body in two-dimensional murals in ancient Egypt, it has evolved into one of its basic action training. Show the world your pride in identity and tradition? .

These schools and techniques greatly enriched the connotation of modern dance and made it develop to a new height and stage, representing the value orientation and artistic thought in the world at that time.

Xin Qianwei dance

So-called? New pioneer? In the middle and late 20th century, modern dance art was influenced by post-modernism, and its art had obvious post-modernism tendency. In terms of artistic concept, he advocates the further liberation of the body, and thinks that the form of dance art is self-sufficient and closed, and can express itself and test itself. Enthusiastic about formalism, he believes that form is everything, and action is an end in itself, not a means to express feelings. Is it irrational and intuitive in artistic creation, and refuses to explain his works to the audience? What you see is what you get? . Tend to be anti-traditional, anti-aesthetic, anti-culture, anti-rationality, anti-art and anti-dance. Even the elements of dance were disintegrated, various experiments were carried out on choreography skills, and concepts from other fields were introduced into creative works, creating a series of choreography methods. Cubism, abstraction, motivation and other schools have emerged, and skills have formed a free form. When post-modern dance emerged in 1960s, the fixed form of modern dance skill training was gradually criticized by avant-garde dance artists, and turned to free play as the main form of action training. Free-form physical training not only highlights the professor's personal style, but also includes various explorations of time, space and energy. [4]

The representative figure of this period is Moss. Merce Cuninghan and his Chance Dance School: Does he object to people's consistent views? Dance moves must be meaningful? This basic requirement. He said:? What ideas are there that I don't have in my dance art? . Its artistic method is pursuit? I have to move? . Any movement can be part of the dance. He believes that human life is often bound by habits, and if accidental elements are used in choreography, it is possible to find the most instinctive and attractive way of human action. Michael, the king of pop music? One of Michael Jackson's main dance styles is also modern dance.

Abstract school: Abstract modern dance expresses the so-called pure spiritual world with abstract language and pursues novelty and strangeness: Alvin, the representative figure. Nicholas. He believes that the greatest natural instinct of human beings is abstract thinking ability and transcendental existence ability.

Postmodernism and ballet period mainly originated from European ballet art, and the pursuit of dance returning to drama tradition and expressionism tradition is not based on the premise of technical perfection, but on how people dance, but on why people dance, and dance begins to inject humanistic atmosphere in another way. Modern ballet is also one of the schools of modern dance in this period.

Dance Theatre: The representative figure is Pi Na. Bosch. Dance drama originally refers to a kind of dance that combines classical ballet with new dance and can fully express the plot. There are three main artistic features: 1, the broken dance theater, which deeply expresses gender and violence and prefers repetition. The main concern here is why people move and dance, which reveals the theme of eternal interaction between the two sexes and shows the ultimate humanistic care.

Modern ballet: Modern ballet is also one of the schools of modern dance. It is a form between modern dance and classical ballet. Conceptually modern dance, technically ballet. The earliest representative of modern ballet is K. Jos, who used to be a student and collaborator of Laban. He used to be a ballet dancer, so his practice of combining the two is well founded.

Style characteristics of modern dance

1. Deviate from traditional characteristics.

Modern dance begins with opposing classical ballet, and then opposes all traditional dance concepts. It breaks through the traditional dance training form and performance form. In terms of creative ideas, it is absolutely different from traditional art, and in terms of material selection, it is more extensive and diverse than traditional art. They advocate that everything is possible. Therefore, changes in nature, behaviors and actions in life, and various subtle emotional experiences can all be used as sources of inspiration; Philosophical thinking, human destiny and social problems can all be creative motives. It is precisely because of this creative concept that modern dance can create all kinds of strange artistic conception and unique dance image on the stage. Abandon the classical ballet action system in professional training; The performance is not restricted by any form of performance. Dancers don't wear ballet shoes, and some are barefoot. Inwan? Modern dance resolutely opposes the irrelevant action combination, bravado music effect and gorgeous stage art of ballet, and advocates that dance art should be regarded as a tool that can interfere with life rather than whitewash it. ?

2. Emphasize continuous innovation

Modern dance refuses to imitate and emphasizes the innovation and creation of dance. Are you online? Down with idols? Under the slogan, it ignores yesterday, challenges authority and mode, advocates creative freedom and publicizes artistic individuality; In creation, they often do the opposite, innovate without seeking common ground, take pride in being different, and be ashamed of copying and imitating, so they don't keep tracks. Therefore, this generation of artists mostly prove their maturity and existence value by betraying their teachers, starting their own businesses and creating their own codes. In dance, every dancer is an independent individual, emphasizing the actor's personal creation and performance, and emphasizing independent thoughts and skills, so that dancers can become masters of art rather than tools manipulated by others (choreography).

3. Abstract expression.

Modern dance is not as clear-cut as traditional works, pursuing symbolic meaning and avoiding realism. It does not pursue the effect of pleasing the audience's eyes, but gives the audience more feelings, imagination and association through reasonable depiction, thus producing an emotional sound. In the practice of dance creation, it is generally reflected as follows: dance does not have to express the plot or create characters; Performance? Self? Instinct, showing intuition; Show pure action performance, emphasizing that action is everything.

4. Modernity of modern dance

Modern dance is an art form that expresses dancers' thinking and feelings about life and modern people's thinking and recognition of modern society, so it has a strong sense of the times. It can be said that attention to the times and society is an important foundation of modern dance. The century-old history of modern dance has clearly and vividly presented this track.

From modern dance pioneers isadora and Duncan? Rebellion against tradition Challenge the old times? The Flag, Shawn's works about workers declaring war on the social darkness like throwing guns and daggers, and the Heresy by Martha and Graeme show the struggle, failure and struggle of an antisocial heretic. China modern dance pioneers Hao, Dai and Dai launched fierce attacks and struggles on the dark society from the beginning of introducing modern dance to China in the 1930s. These works clearly show the concern and spread of modern dance to society and human living conditions. Because of its modernity and closeness to life, it is highly praised by the public, so it has strong artistic tension and vitality.

Modern dance is a carrier with strong adaptability, and pure modern dance has developed an international tone that is easy to communicate. The concept of meaning, action analysis, ground training, the use of breath and action combination methods of modern dance have all played a positive role in promoting the development of dance art, which are the objective factors that make it a popular art in the world. However, it often emphasizes the creative subject and creative personality to an inappropriate degree, which easily leads to the disadvantages of ignoring society and the public. Therefore, when we use for reference, we should master proper limit and ruler. However, we should consciously analyze and criticize its idealism, metaphysics and violation of artistic laws in theory and practice.

;