The biggest characteristic of the woodcut groups in the 1930s is that

The biggest characteristic of the woodcut groups in the 1930s was that they were represented by the new woodcut art, which focused on national forms and life, showing strong national characteristics and the flavor of the times.

As a traditional Chinese art form, woodcut has a long history and profound cultural heritage.

In China in the 1930s, with social changes and cultural diversification, woodcut art also underwent a series of changes and innovations.

The new woodcut art advocates the theme of folk customs, focuses on reflecting life, opposes stereotyped styles, and emphasizes expressive and personalized styles, making woodcut art move in a more open, diverse and modern direction.

The biggest characteristic of the woodcut groups in the 1930s was that they came into being under this background.

In the activities of the woodcut group, members pay attention to people's lives, combine art with real life, and create works with strong vitality and ideological quality through specific practices and attempts.

This characteristic also made the woodcut art of the 1930s develop in the direction of modern national art, becoming an important chapter in the history of Chinese art at that time.

Woodcut Group The Woodcut Group is a representative of China's new woodcut art in the 1930s. It is an art group spontaneously formed by a group of artists who love woodcut art.

Under the social background of the time, they paid attention to folk life, pursued the localization and modernization of national art, and advocated people-centered artistic creation.

In their creation, they pay attention to expressing the flavor of the times, are eclectic in their methods, respect individual expression, and constantly explore artistic expression methods that are in line with national characteristics and modern aesthetics.