Traditional Culture Encyclopedia - Traditional customs - What are the forms and classifications of traditional painting in China? This paper expounds the artistic characteristics of China's traditional painting art through a work.

What are the forms and classifications of traditional painting in China? This paper expounds the artistic characteristics of China's traditional painting art through a work.

Appreciating ancient paintings is not only enjoyment, but also learning. It will be a great waste if you look at them.

Ancient paintings are important materials of art archaeology. You can learn about history from ancient paintings. The historical records that can be seen today cannot be all-inclusive. Some questions can't be answered in history books, but they have been solved in ancient paintings, which means that ancient paintings can make up for the shortcomings by textual research on historical records. For example, the Shandong Provincial Museum exhibited a picture scroll of the Ming Dynasty, named Thick Woven Volume of the Ming and Qing Dynasties. The picture scroll shows the specific situation of the production line in great detail, which has important reference value for understanding and studying the history of ancient textile machinery and textile production technology. Experts specializing in the history of ancient textiles in the Chinese Academy of Sciences have carefully read this "Thick Woven Rolls in the Summer and the Summer" and said that this painting is also very important in the whole country. Another example is Qi Jiguang, a patriotic general of the Ming Dynasty, who is a respected historical figure. There are many records about his brilliant achievements, but there is no clear image of him in historical documents. In 1950s, the descendants of Qi Jiguang donated the portrait axis of Qi Jiguang handed down from generation to generation to the country, which proved to be a portrait of the Ming Dynasty. In other words, this is Qi Jiguang.

The earliest image data.

Soon, in CCTV's "Up and Down Five Thousand Years" program, the image of Qi Jiguang also came from "Portrait Axis of Qi Jiguang"

. This painting is in the Shandong Provincial Museum, and many viewers have seen it. Others, such as clothing, architecture, furniture, weapons and so on, ancient paintings have an irreplaceable role. Historical research, artistic creation and TV movie shooting all need to draw lessons from ancient paintings, and museums will inevitably visit more.

Studying art history, studying art history, the illustrations in the book are very limited. To see first-hand information, you must often go to the museum. From the carrier of painting, there are murals and scroll paintings; In terms of texture, there are paper books, silk books and silk books; According to the author, there are palace paintings, literati paintings and craftsman paintings; From the perspective of painting, there are meticulous brushwork and freehand brushwork. From the perspective of painting, there are landscape paintings, figure paintings, flower-and-bird paintings and so on. The museum is the best classroom for observing physical specimens.

It's not enough to learn China's traditional Chinese painting only by printed matter. We must carefully consider the original works of famous artists. For example, from the large-scale landscape paintings in the Ming Dynasty, we can learn various methods such as axe chopping and horse wringing, and we can clearly observe the dry and wet shades of ink and wash. Appreciating the Huangshan Mountain painted by Gong Xian in Qing Dynasty, we can see how the ancients used sketches. By pondering over eight freehand brushwork flowers in Yangzhou, we can have a deeper understanding of the characteristics of the combination of poetry and books in literati paintings. China's paintings are part of oriental culture. China's painting theory talks about artistic conception and verve from a macro perspective; Microscopically speaking, composition and image, color and pen and ink skills. In order to deeply understand these theories, we must appreciate famous paintings again and again. Because theory is summed up from creation.

At present, the calligraphy and painting market is very active, but the truth is also very chaotic. With more originality in your mind, you can gradually increase your grasp. The paintings in the museum are a great art world. No matter how knowledgeable an expert is, he will also encounter problems that cannot be explained clearly for a while. On the other hand, anyone, including children, will be consciously or unconsciously influenced by the unique traditional culture of China in the exhibition hall of ancient paintings. This kind of edification is undoubtedly very beneficial to anyone.