Traditional Culture Encyclopedia - Traditional customs - Hou Top Ten Classic Crosstalk

Hou Top Ten Classic Crosstalk

1, nocturnal

This work satirizes a man who doesn't obey the traffic rules. The characters in the works are vivid, the plot is compact and there are many burdens. Education, entertainment and artistry have reached a perfect unity. It is one of the excellent crosstalk works newly created by China people at the beginning of the founding of the People's Republic of China. 1955 crosstalk won the "Excellent Quyi Works Award" by China Quyi Research Association, which was recorded and played by China People's Broadcasting Station 1956 and recorded and distributed by China Recording Society.

2. Guan Yu fought against Qin Qiong.

Guan Yu was a general of Shu in the Three Kingdoms period, and Qin Qiong was a general in the late Sui and early Tang Dynasties. How did they meet hundreds of years later? Therefore, this cross talk is ironic, so the phrase "Guan Gong hits Qin Qiong" is used to satirize people who don't know how to pretend to understand, are unrealistic and command blindly. This classic comic dialogue was originally edited by the comic dialogue master, and later adapted by Mr. Wang and put on TV, which is well known to the audience.

3. Give a percentage.

"One hundredth beat" is a classic comic dialogue joke of Hou and Guo Qiru. Master Hou takes this game as the theme, satirizing those who don't do their job, regard the game as a job, or even as a life. There is not a word in the whole joke that teaches everyone to work hard, and there is not a word that criticizes carelessness in work, which shapes the contrast between poker fans and accountants in a funny way.

4. Empty city plan

"Empty City Plan" mainly tells the story of a Beijing opera fan who likes to go to the opera very much, but is unwilling to spend money on tickets. He always likes to play around. By chance, he sneaked into the background and played a walk-on by mistake, just to save the scene. However, because he was too nervous, he stood in the wrong position after taking the stage, which triggered a series of hilarious jokes.

5. Marriage and superstition

Marriage and Superstition was written in 1949 and premiered with Guo Qiru in 195 1. Starting with the introduction of the different appellations of men and women in different growth stages of the old China society, the work leads to the insult and discrimination against women in marriage etiquette, and a series of practices with strong feudal superstition, which are described and analyzed in detail, including getting on the sedan chair and entering the door.

Step 6 change careers

"Change careers", also known as "Eight major changes careers", is a famous traditional cross talk track. In 1950s, Hou compiled a performance book, which deleted some content that was divorced from real life, simple and funny, and had no interest, highlighted the theme that feudal rulers brutally oppressed artists, and improved the ideological content of the track. After the performance, it was very popular and was selected as "Selected Hou Xiangsheng" published by 1980 People's Literature Publishing House.

7. Selling cloth heads

This comic dialogue work reflects the commercial market and individual traders in the old society. When introducing the products they sell, they sell themselves, shout loudly and attract customers. This work is varied, harmonious in rhythm and distinct in layers. Actors who are good at performing this kind of music often perform according to their personal conditions, resulting in different styles and characteristics. Before we really started this cross talk, there was a long subtext about all kinds of shouting, and Hou's version was recognized as a classic.

8. Sell horses

Selling Horses is a traditional crosstalk work of China. Based on the story of selling horses, the performances of Houyi, Houyi and Houyi are classic. Nowadays, the performances of "selling horses" are generally based on their stories. Hou sings well. Pick it up. Every word of Mr. Liu's hit the nail on the head, and the act of evading in the restaurant meal account played by Mr. Hou was vividly portrayed.

9, grilled jacket

"Pa Ma Gua" is a cooperative version of Hou, Ma Ji, especially a classic. The order of the three people's standing positions is A, B and C from left to right. A plays the role of helper or footman in "Stripping Coat", and is greedy for small profits and eloquent; B's role in Stripping the Jacket is an ordinary crosstalk artist with an honest personality. The role of C is the young master "Andy", who is rich, boastful, knowledgeable, boastful and full of lies. The cooperation of these three people can be described as seamless.

10, drunk

First of all, this joke tells the story of a drunk talking nonsense. Drunkard A turned on the flashlight and let Drunkard B climb up the beam. Drunkard B was even more ironic. "Don't do this, I understand this sentence. I climb up, you turn off the switch, I fall down ",pushing the dialogue between them to a climax and shaking out a big burden. "Mr. Hou didn't describe how drunk the two men were, but used a flashlight as a burden to set off the two drunkards.